Dorian Blues

I just saw this film at a gay lesbian film festival with some friends and we all enjoyed it. We liked the jokes and we could all relate to the pain of coming out. We were all hoping that we might see more revealing shots of the straight brother who is just adorable, but que sera sera. One of my favorite scenes was at the end when the star of the film is compared to his father. At first I could not see it, but then I saw the connection between the warped anger in each character. The angry father did a great job in making everyone fear him and truly believe that he was inflexible. The film took place in the early 90's. If I had one wish it would be for an epilogue.

The film captures some of the experiences that can be part of people's coming out: arrival at the point where you just don't care what other people think of you anymore; falling for the first mature gay person you meet who treats you as a human being (his therapist); temporarily going back into the closet, only to change your mind; the internalized homophobia of going out of your way to appear straight; sleeping with someone you're not terribly attracted to just because they're the only person you know of who's available and gay; the interactive relationship between the honesty that impels you to come out as gay and the honesty in other compartments of your life; family members not wanting to listen to you or to take your sexual orientation seriously (his dad); family members wanting you to hide and deny your sexual orientation (his brother); family members initially freaking out but gradually changing their attitude (his brother); family members wanting to have a relationship with you but trying to avoid the gay part of your life (his brother); the fact that coming out is a long process that keeps coming back to you, not a confession that lasts as long as it takes you to tell people you're gay.

The 3-dimensional characters were Dorian, his brother, his first boyfriend, his dad (though exaggerated in the service of satire), and his oblivious and out-of-the-loop mom (who shatters this characterization at the end, revealing her wisdom). Dorian is not sexually objectified or portrayed as innocent. Rather, his character is developed as that of a smart-assed but courageous, realistically awkward adolescent boy.

Another theme was the overlap between being different and being gay. Looking at the film summary and user comments (most of which I agree with), some people seem to have misinterpreted, in my opinion, what this film says about being gay. It is one boy's coming out story, not every gay man's coming out story. Not all gay people were always different. Likewise, not all high school students who deviate from normality are gay. Another phenomenon in the user comments was the idea that just because this was a good film, the actors and director are going to rise to fame. News flash: there are many, many talented and hard-working actors and directors who never get a big break.

Straight people (99% of whom I've observed to be ignorant of the myriad issues LGBT people go through in coming out and the fact that these issues are caused by our heterosexist, homophobic culture) should see this movie.

Dorian Blues doesn't stray from Hollywood's typical portrayal of a gay coming out story of a white, middle class boy who likes dancing and isn't good at sports (not to mention that one of its two black characters is absurdly dehumanized for a cheap plot advancement), nor does it overcome Hollywood's aversion to three-dimensional female roles, but it doesn't pretend to be anything it isn't.

Furthermore, its portrayal of the preciousness of sibling relationships despite gaps in understanding motivated me to write a letter to my brother.

More than anything, its message is of the harmfulness of our rules for how men should be. We often think of women as being the ones who are short-shifted by gender roles, but this film shows how they hurt all of us.

The Spanish-subtitled version is called "El Secreto de Dorian."

This film is better than I thought it would be! First, I found the story very realistic. It captured how Dorian struggled with his own sexuality in such a way that every person who came out can relate to. the good thing about this film is that, the coming out experience is very all rounded. it portrays denial, bargaining, acceptance, and then Dorian's adventures in the scene.

the struggle between Dorian and his father was very well portrayed too. to balance the hatred between them, there is a brother who is understanding and supportive. I have not heard of any of the actors before, and yet I found the acting above par and very convincing. i would definitely recommend this film to my friends!

This was a perfect film to watch after a light meal and before going home to watch TV. Light, satisfying, attractive male actors, and funny. A few of the players stood out, especially Michael McMillian, who played Dorian. He has a great way of delivering a killer line--reminds me of young Matthew Broderick or Topher Grace. A winning personality, but great neurotic schtick. The younger brother (who is a straight jock) is hot to look at, but a lesser actor. Some of the others in the film were good enough, but are obviously local actors (upstate NY is where the film was shot, and where it takes place).

Cod Nickell, who plays Ben, is especially likable as Dorian's first boyfriend. If any of the other actors deserve to break out of Albany, it would be him.

The movie is slyly comical, with a lot of big laughs. The director aims for big slapstick in Dorian's pickup in an S&M bar, but it was so ludicrous that it took away from the offbeat, but realistic tone of the rest of the movie. It was pure cartoon.

There is nothing explicit (almost nothing implicit) in this movie, so it's safe for the whole family. I saw a lot of females in the theater, and they seemed to enjoy it as much as the men.

I saw this film in South Africa, where it was appallingly marketed and I probably wouldn't have seen it had I not seen IMDb write-up.

This is a low budget film, with some unknown actors, but is nonetheless funny, warm, realistic (in places)and pertinent. The story is simple: Dorian is gay. How do he and his family cope with this? There are some hilarious moments: Leslie Elliard (who plays Dorian's therapist) is good.

The film focuses on the family dynamics. Lea Coco (the straight brother, Nicky) and Michael McMillian (the gay brother, Dorian) generate such an easy brotherly chemistry- the film's strength lies in its depiction of this dyad, in particular.

As the father(for whom Dorian has ambivalent feelings) Charles Fletcher is good, portraying an older generation with values and ideas that dare never be questioned. The film looks at Dorian's relationships within his family (a mother, played well by Mo Qigley)... but strings are too neatly tied up at the end; the fault is in the script, not the acting.

A warm, sensitive film that deserves a wide(r) viewing. Kudos all!