La rumeur court...

I walked out of "Fun With Dick and Jane" fuming. I went into this other "comedy" and I stayed. I even laughed a couple of times and smiled a great deal, thanks , mostly, to Shirley MacLaine. The idea was fun, to meet the real characters that inspired "The Graduate" and, in fact, the best moment is the confrontation between Mrs. Robinson (Shirley MacLaine) and Benjamin (Kevin Costner) There is a lavish party and some spectacular travelogues of Northern California but Jennifer Aniston, my dear, take a sabbatical. She was so good in "The Good Girl" But here, a sub Rachel infuriating thing. What's with her mouth? She twitches and bites her lips and represses her smiles and it's dizzying and annoying and anti-comedy. Look at Shirley MacLaine for goodness sake! Has Jennifer Aniston seen "The Apartment"? I know I'm not making much sense but it's not my fault. I blame Rob Reiner really and his scriptwriters and his producers. How many jokes can you make about Pasadena? Please guys, listen to Shirley.

This is the kind of movie that just pisses me off to no end because it has so much potential, but somehow it comes off as exceedingly mediocre. Jennifer Aniston plays a woman who discovers her family was the model for the novel and film The Graduate. She never saw how she fit in with her family, so she wonders if maybe the model for Benjamin, a rich man named Beau Burroughs (Kevin Costner), is her real father. She's wrong, but in the process of this discovery, she ends up sleeping with the man, thus continuing the tradition of her mother (deceased) and grandmother (played here by Shirley MacLaine). This in turn ruins her relationship with her loving fiancé (Mark Ruffalo). I remember seeing the trailer last fall and thinking, "This is a great idea." I laughed pretty much constantly during that preview. Unfortunately, it contains most of the film's best moments. The actual film is more of a romance (or perhaps a better term would be "chick flick") than a comedy. It gets somewhat sappy, and the whole thing lumbers on and his never very strong. This is especially annoying, as all the actors are actually very good. Aniston proves once again that she is a very good actress (if only she could land some great material). Costner gives his second excellent performance of the year (I thought his performance in The Upside of Anger was perhaps the year's best performance from an actor). He was so mediocre earlier on, it's kind of cool to see that maybe he is just now hitting his peak. Mark Ruffalo is very funny, as is Mena Suvari, who plays Aniston's younger sister. And MacLaine's role is absolutely golden. She also had a very good performance elsewhere in '05 (In Her Shoes), but she has even more to do here and she flexes her comic muscles. With all that goodness, it really pains me that it's so hard to muster any enthusiasm for this somewhat lame film!

There are moments in this inconsequential 2005 comedy when I can see a bright future for Jennifer Aniston's light comedic talents, even though this movie does not stretch her much beyond her likeably insecure "Friends" persona. She plays Sarah Huttinger, a likeably insecure New York Times obituary writer going home to Pasadena to attend her younger sister Annie's wedding. Sarah is picture-pretty, 33 and engaged to a nice, unflappable guy named Jeff who accompanies her. At the same time, she's unhappy about her career and wondering why she always feels out-of-sorts with her well-to-do family. A ray of light comes from her only kindred spirit in the family, her feisty, tart-tongued grandmother Katherine, who tells Sarah about her late mother's pre-wedding tryst in Mexico that gives rise to questions about Sarah's paternity.

All the domestic shenanigans that ensue would probably be enough to fill this comedy's blessedly brief 96-minute running time, but screenwriter Ted Griffin hangs it all on the idea that Sarah's family may have been the inspiration for the Robinsons in Charles Webb's 1963 novel, "The Graduate", which of course, is the basis of Mike Nichols' classic 1967 movie. The tie-in must have sounded like a creative idea on paper, but something happened on the way to the screen that has taken most of the comic invention out of it. In fact, there is a pervasive lethargy throughout this movie, and director Rob Reiner is unable to overcome it because Sarah's dilemma of choosing between adventure and predictability never feels that emotionally resonant. The dialogue never feels sharp, perceptive or funny enough to pull off the inevitable comparisons with the earlier film. Moreover, the story is set rather arbitrarily in 1997 to make the timelines make sense with the stars' ages.

Beyond Aniston, a strong cast has been set adrift. Playing Katherine like an even more embittered variation on Aurora Greenway, Shirley MacLaine crackles with aplomb as the possible inspiration for Mrs. Robinson, even when her lines are not as snappy as she thinks they are. As the aging but still magnetic Benjamin Braddock doppelganger, a high-tech mogul named Beau Burroughs, an overly sedate Kevin Costner barely registers in a smallish role. When he does, there is an insinuating, almost creepy quality in the way Beau's relationship with Sarah evolves. Until the end, Mark Ruffalo has little to do as Jeff but wait patiently for Sarah to resolve her personal dilemma. Richard Jenkins and Mena Suvari have even less time to make an impression in the underwritten roles of Sarah's passive father and bubbly sister, respectively. The 2006 DVD provides the original theatrical trailer (which gives away most of the plot) as its sole extra.

I have to say that the film has it's problems. It's almost like the producer/producers saw films like "Monster in Law" and "Parenthood" or "Father of the Bride" and wanted to capture those funny, madcap and endearing moments and instead didn't quite have the material or dialogue or script to really pull it all off. You think that something funny is coming and the scene ends and just isn't that laugh inducing. I wanted to laugh-but it just wasn't funny.

Also, I don't know if I buy into the story. At the end of The Graduate Elaine and Ben run to the street and catch a public bus taking them from Elaine's wedding while the guests have been locked in the church by Ben. Would Elaine and Ben have married after that? Maybe not-it would have been very awkward for both families for many years. But I'm not sure Elaine would have dumped Ben nor do I particularly but into this scenario.

Could this have been the outcome for them? Maybe but I don't see it.

There are some funny moments but for the most part this is predictable and flat. Not bad though. I just don't think anyone will watch this and find it hilarious. Some of it is actually kind of sad.

'Rumor Has It' pretty much has all the technical ingredients: Good actors, interesting premise (a girl trying to find herself), excellent cinematography, breathtaking shots of America and a nice score. However, it's let down by the writing and direction. For a comedy, it's not so funny. Many of the jokes fall flat. For a drama, it just doesn't engage and a lot of it looks forced. The movie derails every now and then and the whole 'romantic' angle between Costner's Beau and Aniston's Sarah feels icky and looks unconvincing. Jennifer Aniston is in a confused Rachel Green mode (except here her character is not likable and she's a little too whiny). Mark Ruffalo does a decent job as the supportive boyfriend and shares a good chemistry with Aniston. Their scenes in the beginning are quite fun to watch. It's just the last scene that was a little less believable as Jeff seems to have forgiven Sarah too easily. Kevin Costner seems sleazy (when the character wasn't really meant to appear that way) and he and Aniston seem to lack chemistry. Mena Suvari has a pointless and thankless role. The last scene between her and Aniston just seemed ...well, forced. However, it is Shirley MacLaine who delivers the best performance. She provides all the laugh out loud moments but her role is too small to be the saving grace. Simply put, 'Rumor Has It' is a weak and confused film.