A fictionalized account of the September 11 hijackers.A fictionalized account of the September 11 hijackers.A fictionalized account of the September 11 hijackers.
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Maral Kamel
- Mohammed Atta
- (as Kamel)
Agni Scott
- Aysel
- (as Agni Tsangaridou)
Kamel Boutros
- Mohammed Atta
- (as Kamel)
Navid Navid
- Salim
- (as Navíd Akhavan)
Featured reviews
Dramatisation by renowned filmmaker Antonia Bird of the characters and events involved in the 9/11 attacks. The approach is very laid back, is statedly on the basis of three years research and 'known facts and events.' so is something of a chronicle. It avoids demising the hijackers (so such a film could probably never have been made in America) and Bird points out that not only were they real people, intelligent people, who devoutly believed what they were doing was the right thing, but that it is important for us to understand that and the how and the why. We see the main character as a highly intelligent man, seeking to become a better person by becoming a better Muslim, and thence drawn into the training group. Other factors like the American influence in Palestine (central in most Middle-East Muslims' minds) are mentioned briefly, but the story develops in a natural way - a young man joining those prepared to fight for Islam and 'do something worthwhile'. He switches studies to go to flight school and has perfect skills at 'blending' with westerners. The film is unsensational, but without proselytising for either 'side' manages to at least shed some light on the hijackers motives and mentality.
THE HAMBURG CELL has been praised for managing to be "a strictly non-partisan film". This is a difficult thing to achieve, considering the subject matter, and I don't think the makers of this story manage to pull it off. It's interesting to note that only fleeting glimpses of the damaged twin towers and a crashing plane are shown: there are no shots of the World Trade Center workers falling to their deaths, or re-enactments how how the hijackers slit the throats of airstewardesses. This is supposed to be a non-partisan film, remember? But wait, close-up footage of murdered Bosnian Muslims IS shown earlier in the film. We see a murdered Muslim woman, shot in the back, in close-up. I detect some bias here...
I like the fact that this film is non-Hollywood in it's delivery. It's unglamorous, but still quite sophisticated in capturing the monochromatic lives of the terrorists-to-be. It presents a concise timeline of events in a pointed and deliberate manner. It doesn't pretend to be absolute or correct, and it knows it's an estimation of how things might have went down.
Inevitably, Hollywood will roll out its own 9/11 films and they will be glossy and full of big budget bloat, but this humble effort will remain as testament to the idea that a simple film can be as compelling and inviting to interpretation without the need for dramatic flair and elaborate crane rigs.
Inevitably, Hollywood will roll out its own 9/11 films and they will be glossy and full of big budget bloat, but this humble effort will remain as testament to the idea that a simple film can be as compelling and inviting to interpretation without the need for dramatic flair and elaborate crane rigs.
There is no doubt about it, this is a controversial movie, and it took me a while to see it. Missing it at the Edinburgh Film Festival really got to me but I managed to see it just recently.
I understand that it doesn't yet have a US\Canada release and although there have been talks, nothing has yet been signed up, and no wonder. The subject matter is focused on one of the hijackers of the September 11th Twin Towers attack. Yes. Very controversial and highly emotionally charged topic.
The first thing I'd say about the movie is it is portrayed as an unbiased movie, however that isn't quite true but it's clear to see why. The movie solely rests with the hijackers and the lead up to those terrible events of September the 11th but doesn't concentrate on the events of that day, there are a few shots that remind you of the actual attack, but detail isn't entered into and I think that actually is a good thing.
There's a lot of strong feeling about that day, and very rightly so, but in a movie which tries to take no sides, concentrating on the events would clearly fill any sane person with great sadness and a strong anger against the hijackers and the groups to which they belong.
Okay, so let's put that part to the side and try and concentrate on the movie itself. Antonio Bird has carried through Ronan Bennett's story very well, documenting the process of the main character, Ziad Jarrah played by Karim Salah, transforming from a Western Muslim living the life of a typical student, to a Muslim extremist.
Salah portrays the role excellently, carrying with total believability, the slow change. He starts as a typical student, interested in his own life and ignoring his initial upbringings looking at love and life as a Doctor. Slowly, he is indoctored into a group of Muslims, rediscovering his religion, and from there an extremist pulls him across to their cause and the change in the character is small but obvious. He becomes strong, self assured, and angry.
This carries on for much of the movie, but when the realisations of what is happening and what he is committing to become more apparent, his love for his wife and their Western life come into contention.
From the outset this movie shocks, and it does very well in showing what was behind one of the hijackers. What isn't so good is it doesn't quite hit the mark on this very change. I could see what changed him, and I could understand the peer and religious pressure around him (this is very eloquently shown in the movie) but you still find yourself asking why? A vital few steps are missing, and this may purely be down to the lack of historical information, or the complexity of the subject.
Although an even more difficult subject, I felt the religious and Jihad side could be tackled more, but that might have made the film more inaccessible to the mainstream Western audience.
In the end, the movie condemns what these people did with an extremely loud voice, but not from the extreme Western view that can often be heard today, but from the characters words and actions throughout their brief history. Indeed some of the victim support groups from that day have applauded the release of a film to understand the fundamentalist mindset.
This movie is well worth watching, believe me when I say it isn't all from the side of the hijackers, and it does not attempt in the slightest to justify events, it is an attempt at understanding.
I understand that it doesn't yet have a US\Canada release and although there have been talks, nothing has yet been signed up, and no wonder. The subject matter is focused on one of the hijackers of the September 11th Twin Towers attack. Yes. Very controversial and highly emotionally charged topic.
The first thing I'd say about the movie is it is portrayed as an unbiased movie, however that isn't quite true but it's clear to see why. The movie solely rests with the hijackers and the lead up to those terrible events of September the 11th but doesn't concentrate on the events of that day, there are a few shots that remind you of the actual attack, but detail isn't entered into and I think that actually is a good thing.
There's a lot of strong feeling about that day, and very rightly so, but in a movie which tries to take no sides, concentrating on the events would clearly fill any sane person with great sadness and a strong anger against the hijackers and the groups to which they belong.
Okay, so let's put that part to the side and try and concentrate on the movie itself. Antonio Bird has carried through Ronan Bennett's story very well, documenting the process of the main character, Ziad Jarrah played by Karim Salah, transforming from a Western Muslim living the life of a typical student, to a Muslim extremist.
Salah portrays the role excellently, carrying with total believability, the slow change. He starts as a typical student, interested in his own life and ignoring his initial upbringings looking at love and life as a Doctor. Slowly, he is indoctored into a group of Muslims, rediscovering his religion, and from there an extremist pulls him across to their cause and the change in the character is small but obvious. He becomes strong, self assured, and angry.
This carries on for much of the movie, but when the realisations of what is happening and what he is committing to become more apparent, his love for his wife and their Western life come into contention.
From the outset this movie shocks, and it does very well in showing what was behind one of the hijackers. What isn't so good is it doesn't quite hit the mark on this very change. I could see what changed him, and I could understand the peer and religious pressure around him (this is very eloquently shown in the movie) but you still find yourself asking why? A vital few steps are missing, and this may purely be down to the lack of historical information, or the complexity of the subject.
Although an even more difficult subject, I felt the religious and Jihad side could be tackled more, but that might have made the film more inaccessible to the mainstream Western audience.
In the end, the movie condemns what these people did with an extremely loud voice, but not from the extreme Western view that can often be heard today, but from the characters words and actions throughout their brief history. Indeed some of the victim support groups from that day have applauded the release of a film to understand the fundamentalist mindset.
This movie is well worth watching, believe me when I say it isn't all from the side of the hijackers, and it does not attempt in the slightest to justify events, it is an attempt at understanding.
The Hamburg Cell is a docudrama about the cell of Muslim fundamentalists that conducted the 9/11 attack. It starts about 5 years before 9/11 and follows many of the pilots in their efforts to get flight training and covers what was going on in some of their private lives. Not sure how much of it was accurate, seemed pretty realistic to me. Most seemed to just be looking for some fulfillment in their lives, but chose an extreme way to get it. It also shows the missteps, in hindsight, by US law enforcement agencies as these people could have been caught many times during their training. I don't think it really explained the reasons the terrorists chose to conduct their attack, but I guess we will never really know all the facts behind it. Technically a good film with few continuity errors and some good cinematography. The acting seemed a little hollow.
Did you know
- TriviaBrooklyn, New York, hardcore band, Most Precious Blood sample this movie at the end of their song "Driving Angry"
- GoofsIn the last scene, when one of the hijackers are getting ready to board the plane, we can see a "Emirates" Airbus A340 in the background. Ironically, Emirates only operates flights into JFK airport, New York and doesn't operate flights from/to any of the destinations which the real 9/11 hijackers boarded their aircraft from.
- Quotes
Ziad Jarrah: [On a cell phone] I'm at the departure lounge.
Marwan Shehhi: Me too.
Ziad Jarrah: Our time has come at last...
- SoundtracksForsaken
Performed by Bill Anschell Jazz Unit
Written by Bill Anschell
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