Lightning in a Bottle

I really enjoyed this movie. It was a mixture of Blues history, music, interviews and historical footage - heavy on the Blues music. It was a treat to have some of the oldies, especially Buddy Guy, getting intense and passionate while doing their music. "Voodoo Chile" was magical. I also enjoyed the younger/newer artists doing covers on some of the songs. I would have given this movie a "9 or 10" except for one inappropriate performance. Chuck D did his sloppy version of one of the classics and used it to interject his negative opinion of President Bush. It didn't fit the rest of this "classy" film. I highly recommend this film to anyone that likes the Blues. It would be an especially good film to watch with a few music-loving friends because it feels like you're getting a personal concert. Check it out!

I rented this DVD tonight, and was extremely impressed with the entire program. An amazing house band led by drummer extrodinare Steve Jordan, backing the absolute cream of the crop of blues legends. Not to mention some surprising performances by some new artists paying homage to the greats of the blues. Being a huge blues fan for at least 25 years, I was shocked to accidentally run across this DVD in my local video store. For one, I didn't even know it had been made..and I was also amazed that our video store had the good taste to stock it on their shelves. My next move is to buy a copy for my own collection. One of the strangest things to me is that some of the best songs on this collection are only found in the bonus tracks and did not make the feature. For example an incredible version of "The Sky Is Crying" by Warren Haynes (one of the greatest white guitarists alive) and the legendary Gregg Allman. Plus some other great gems, from Buddy Guy and others. If you love the blues, do yourself a favor and see this movie. I plan on seeing it many more times myself. A totally inspirational music film for lovers of ANY music. I give it two thumbs up and the rest of my fingers too.

This is a concert film more than a documentary. Anthony Fuqua directed a show that has been recorded for posterity and for those of us, unfortunate enough, not present in the audience. The whole purpose of the concert seems to be to pay a tribute to all the great musicians that have made the blues a musical genre that is unique. This is music derived from the pain of whoever is experiencing it, who obviously is going through a rough patch in life.

Some of the best interpreters of this type of music are seen on stage. Most of the old timers that performed have had distinguished careers and are still around to delight us, their fans with their renditions on these, mostly, sad songs in a way that gives us the viewers pleasure by watching them.

The best way to appreciate this film is to let it surround you and enjoy a couple of hours in excellent company.

penseur wrote about Buddy Guy's rendition of Jimi Hendrix's Red House. Red House is an old blues standard that a million people cover, so Guy wasn't covering Hendrix he was just playing Red House.

I don't mean to nitpick but it's frustrating when I see things like "Clapton's I Shot the Sheriff" or "Aerosmith's Train Kept A Rollin". Covering blues tracks is a fundamental, and great, part of rock and roll, but the songs should be remembered for what they are, not some mega-bands rendition of them. Led Zeppelin's first album was almost entirely blues covers and it was awesome. Those guys constantly give credit to the great American blues legends. Without them there is no Led Zeppelin.

The thing that separates the Blues from many other types of music is that it is an art born of pain and suffering, of a collective experience that includes slavery, Jim Crow laws, segregation, discrimination and poverty. With all that to face, who wouldn't be singing the blues? Yet, as with any great art form, the suffering is only a part of the story. For the Blues derives its true energy and strength from the optimism and hope it exudes, that hope for a better future that resides in the human spirit even in the darkest of times. Through the years, the Blues has given voice to the powerless and helped change the world in ways that one never could have imagined a hundred years ago. That is its true legacy.

All of this has been effectively captured in "Lightning in a Bottle," a documentary about a concert held at Radio City Music Hall to commemorate one hundred years of the Blues. The concert organizers gathered some of the greatest legends still alive today - far too numerous to mention - to play and sing together and to pay tribute to the musical trailblazers who went ahead of them (artists like Leadbelly, Billie Holliday etc.). The concert itself has an almost "survey course" feel to it, charting the development and growth of the Blues from its roots in Africa to its flowering as the premiere art form and avenue of expression for millions of oppressed blacks in 20th Century America. The performances are accompanied by behind-the-scenes interviews with some of the artists present at the event as well as by old audio and film clips of many of the seminal performers from the past doing their thing in the recording studio or on stage. Thus, we are given a nicely balanced view of the Blues both past and present.

The musical performances are all first rate, although, in the interest of time, the sets are much shorter than any real Blues fan would probably like them to be. Still, it's great to hear the old standards being performed by world-renowned artists at the peak of their form. If you're a devotee, check out "Lightning in a Bottle." And if you're not a blues fan, check the film out anyway. You might just learn something and have a terrific time listening to all that great music at one and the same time.