Pusher II - Du sang sur les mains

Pusher II follows Tony after he is released from prison. Everyone seems to think he is a retarded bum. As the movie develops, it starts to turn out that Tony is much more than that. Tony evolves into an anti-hero, and you definitely get sucked into his character.

Pusher II is anything but a follow-up to Pusher I. As said in previous reviews, it's a film 'on it's own'. Frank from Pusher I is only mentioned briefly. A small appearance of Milo from Pusher I is also in place.

This is a great film with a lot of depth in the Tony character. It's flawlessly acted and the cinematography is gritty, just right for this kind of movie.

If you liked Pusher I, you'll like Pusher II. Pusher 3 is also coming shortly....

I have learned that people criticize PusherII for not having the same high pace as the first pusher movie did. It is important not to expect more of the same if you have chosen to watch pusherII. The first pusher movie concentrates on, and describes the drug dealer Frank. Pusher II, follows Franks former partner Tonny. He's the one being beaten by Frank with a baseball bat in pusher. Tonny and Frank are to very different personalities and the story being told in PII is very different from the story in the first Pusher so it is impossible to recreate the same pace and feeling. Luckily Nicholas Winding Refn is'nt trying to repeat history, he has made a whole new movie, which is entirely it's "own". PusherII is a fascinating and frightening story of Tonny the lowlife and his slow climb towards a meaningful life. PusherII equals the first Pusher.

Dedicated to Hubert Selby Jr., Pusher II moves in the familiar territory of the New York writer, night scenes populated by strippers, drug addicts and hopeless petty criminals. Unlike Last Stop Brooklyn, and the first movie in the trilogy, Pusher ends on a high, pun not intended, with a glimmer of hope to illuminate the Scandinavian night that most of this movie seems to embrace.

Eight years have gone by since Frank from Pusher broke Tonny's head with a baseball bat. Frank is now gone, and Tonny, the eternal screwup, seeks criminal success working for the big boss himself: his father. What he finds of course is deceit, empty violence, cocaine-fueled failures of all kinds.

Even when seeking redemption in a loveless world Nicolas Winding Refn's characters are still unable to talk except that with fists or knives, unable to act or to stop acting if not by chemically quelling one's fears. This movie is less violence, but perhaps even scarier than Pusher II. It is because of the absolute absence of human empathy or maybe just because is a little bit of Tonny in all of us.

After Refn made an unsuccessful English-language debut with 2003's "Fear X," he returned to Denmark to shoot parts two and three of "The Pusher Trilogy." But the new films aren't a continuation, and the layoff didn't dull Refn's ability to tell an engaging crime story. In "Pusher 2: With Blood On My Hands," the film explores a drug-dealer's former sidekick as he deals with new challenges in the world of crime, drugs, and becoming a father.

Frank's ex-sidekick from the first film, Tonny, wonderfully played by Mads Mikkelsen is fresh out of prison. Tonny is eager to prove his worth as earner and son to his crime boss father (Leif Sylvester Petersen), known as the Duke. Routinely called a loser by everyone he knows -- he practically invites abuse by sporting a tattooed "respect" on the back of his bald head. Tonny also tries to ingratiate himself with his recalcitrant father (Leif Sylvester Petersen), who can hardly trust him with anything. The back-breaking straw is the appearance of a baby that Tonny's old non-girlfriend (Anne Sorensen) claims is his. The bitterness and betrayal mounts as Tonny begins to wonder if he should rewrite his life, and the fate of the neglected infant.

At its core, the film about is about broken families and serves as a stark reminder of the lasting effects on our actions can have on future generations. Tonny's entire life has been spent on only one thing: trying to gain the approval of his father. And not only that he learns on his release that he is very likely the father of a baby boy, one so neglected by his junkie mother that he hasn't even been given a name yet. Refn is painting a bleak picture of a child without a chance. He is in complete control behind the camera, but this film belongs purely and simply to Mikkelsen. He is absolutely stunning, flawlessly embodying the insecurities and desire that drives Tonny. Against all odds, Tonny becomes a sympathetic hero in an increasingly tragic tale. It's not hard to spot the need that drives his self-destructive behavior: it's practically written all over his face - or at least the back of his head.

Just like Pusher, Pusher 2 presents you with a world of rain, seaweed and concrete. Mybe not even concrete but mere plain dirt.

Although not as strong as Pusher it still grabs you and keeps you in its arms through the entire journey of Tony's confusing and degrading life, right out of prison.

Fragile and non-existing relationships develop back and fourth and eventually it is obvious why the main character is where he is in life; near the bottom of a downslope. Violence and drugs mixed with maybe not so unexplainable relations hands you a bitter and sad father and son situation.