Le Parfum, histoire d'un meurtrier
Jean-Baptiste Grenouille, born with a superior olfactory sense, creates the world's finest perfume. His work, however, takes a dark turn as he searches for the ultimate scent.Jean-Baptiste Grenouille, born with a superior olfactory sense, creates the world's finest perfume. His work, however, takes a dark turn as he searches for the ultimate scent.Jean-Baptiste Grenouille, born with a superior olfactory sense, creates the world's finest perfume. His work, however, takes a dark turn as he searches for the ultimate scent.
- Awards
- 15 wins & 20 nominations total
- Driver
- (as Walter Cots Wangüemert)
Featured reviews
I haven't read the novel, so I don't know how accurate the depictions are, but it seems like Tom T. is not afraid to pull punches. That's not to say, that this overly violent in the explicit sense. But one would argue that the real horror, always plays in ones mind. Seems like you will be able to judge if you're backing this theory or if you're against it. And although we never really get the man behind all this madness, it's a great work of art (the movie that is ... if you want you can call something else also a "work of art" ... You'll get it, after watching the movie, if you don't already know the novel!)
Rather than judging that finale and having to use spoilers, let me just comment on the first two hours of the film, which I found utterly fascinating. If I wasn't such an admirer of photography, art and special-effects, I doubt I would have found the movie so appealing because the story is "not for everyone." However, thanks to stunning French city and countryside scenery, 18th century period and beautiful women it enhanced the story to me. Yet, regardless of the visual treats, the story was so unusual it still would have held my attention.
There are enough reviews here so that to go into the story in detail isn't needed except to say this is an "original." I'm not familiar with any other story about a man who has such an extraordinary sense of smell that he can perform olfactory miracles and then, because of it, uses it to turn into a mass murderer. This is weird, really weird, but captivating to say the least.
Ben Wishaw, who plays the lead character "Jean-Baptist Grenouille, has a face that is perfect for this role. His emaciated body, which survived a brutal childhood existence from the moment he was born also makes his character all the more credible. The looks of shock and awe on this man's face throughout the picture also add to his believability. He was mesmerizing with his haunting expressions. Dustin Hoffman and Alan Rickman provide "name" actors the film but it's Wishaw's movie, all the way.
I can only recommend this movie to those who share similar interests in cinematography and who like a "different" story but there are so many things in here - especially the ending - that could offend so many people, I would be hesitant to recommend this to the general viewer.
I'm going to go look for the book at our local library. I'm curious how that version compared to the screenplay.
People who are used to fast Hollywood Movies certainly won't be satisfied with this movie. It's really unusual, as the novel is. It's generally difficult to convey something like a SMELL in a book or a movie, and it's also difficult to create a satisfying adaption of a novel. So my personal opinion is that The Parfume Movie is one of the few good adaptations, because it eagerly tries to convey the complicated world of smells and the world of Grenouille and also achieves it in many ways. There are of course some parts missing or changed if you compare novel and movie, but that is always the case with adaptations.
I saw the movie one hour ago and have just read some comments. Some of them are "disappointed" or "boooring", but most of these opinions are really not well founded, so I couldn't make out what EXACTLY was so boring and disappointing... However, I'll keep on dwelling in the magic of the movie, looking forward to other more positive comments...
Unfortunately, much of the book had to be skipped in the interest of time much of Grenouille's childhood is glossed over and the bit after the cave visit is completely omitted.
Despite this, the atmospheric sets and brilliant acting (with the exception of a disappointing Mr. Hoffman, who really does not have the stature of a master Parisian perfumer) kept me completely enthralled.
As in the original book, there is quite a bit of nudity, which is tastefully done, but I will be interested to see how this is swallowed in America it will probably get an 18 rating or be cut down, which is a shame, it was given a 12 rating in Germany.
In summary, a really great film, but probably best if you have read the book beforehand..
A must see. Or, should I say, a must "smell"!
Did you know
- TriviaThe production team scouted eight different countries in Europe looking for the best place to represent eighteenth century Paris, before settling on Barcelona, Spain.
- GoofsThe method of enfleurage that Grenouille is first seen practicing is called cold enfleurage - placing live botanicals in a layer of lard or tallow set in a frame. However, this method of enfleurage was not developed until the 1800's. The movie is set in the mid 1700's.
- Quotes
Narrator: He still had enough perfume left to enslave the whole world if he so chose. He could walk to Versailles and have the king kiss his feet. He could write the pope a perfumed letter and reveal himself as the new Messiah. He could do all this, and more, if he wanted to. He possessed a power stronger than the power of money, or terror, or death - the invincible power to command the love of man kind. There was only one thing the perfume could not do. It could not turn him into a person who could love and be loved like everyone else. So, to hell with it he thought. To hell with the world. With the perfume. With himself.
- SoundtracksTarentelle
(Traditional)
Performed by Saboï and its Members
Asta Coulomb, Christian Coulomb, Sebastien Coulomb, François Hecquet, Bertrand Mercier, Nicolas Pillard,
Edo Pols, Jocelyn Raulet, Simon Staelens, Remi Tran-No
By arrangement: Christian Coulomb
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Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- El perfume: historia de un asesino
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $60,000,000 (estimated)
- Gross US & Canada
- $2,223,293
- Opening weekend US & Canada
- $37,079
- Dec 31, 2006
- Gross worldwide
- $135,039,924
- Runtime
- 2h 27m(147 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1