The murderous, backwoods Firefly family take to the road to escape the vengeful Sheriff Wydell, who is not afraid of being as ruthless as his target.The murderous, backwoods Firefly family take to the road to escape the vengeful Sheriff Wydell, who is not afraid of being as ruthless as his target.The murderous, backwoods Firefly family take to the road to escape the vengeful Sheriff Wydell, who is not afraid of being as ruthless as his target.
- Awards
- 10 wins & 8 nominations total
Dallas Page
- Billy Ray Snapper
- (as Diamond Dallas Page)
Elizabeth Daily
- Candy
- (as EG Daily)
Featured reviews
The Devil's Rejects has such a powerful name that the movie itself had to live up to... and it exceeded my expectations.
A fun sequel that plays out more like a police thriller than a horror movie.
Well balanced between gritty, over-the-top performances and fun, light-hearted-ness. It's hard to say whether this film tops its predecessor when their inspirations reside in two different area codes.
I find this is a better film, but this and House of 1000 Corpses seem to serve different purposes.
In any case, The Devil's Rejects is a more realized and stylized film that dishes out an enjoyable viewing experience.
A fun sequel that plays out more like a police thriller than a horror movie.
Well balanced between gritty, over-the-top performances and fun, light-hearted-ness. It's hard to say whether this film tops its predecessor when their inspirations reside in two different area codes.
I find this is a better film, but this and House of 1000 Corpses seem to serve different purposes.
In any case, The Devil's Rejects is a more realized and stylized film that dishes out an enjoyable viewing experience.
Reasons to watch this film (one or more may apply):
Reasons NOT to watch this film:
- If you love Rob Zombie's work
- If you have seen House of 1000 Corpses
- If you like, love, or at least can tolerate mindless, brutal, sadistic violence, sometimes in a sexual manner
- You are not judgmental of Rob Zombie's personal character at all
- You are in a morbid mood
- You have yet to see it and feel like you're so desensitized to graphic cinema
- You hate roadies
- You like dark, dark, DARK comedy
- You love the F-word
- You're a fan of the actors
- You're not yet sick of Free Bird
- Sheri Moon Zombie turns you on (just don't tell Rob!)
- The constant depiction of how horrible people can act towards another, with a complete lack of empathy or good will, does not bother you
Reasons NOT to watch this film:
- If graphic violence upsets you
- If you hate clowns on any level
- If you have seen other live-action works by Rob Zombie and absolutely hated it
- If you can't handle (and seriously, no shame if you can't) profanity, anti-religious acts by fictional characters, a cinematic void of anything uplifting and good, and the theme that no one is pure and that all mankind is inherently downright evil.
- If suggested necrophilia is a deal-breaker
- If you cannot understand that the actors, along with Rob Zombie, are actually normal people who are pretty cool to their fans
- If depictions of physical AND mental torture just isn't your thing
- If the slightest bit of violence gives you nightmares (seriously, if you can't handle a character suffering from a paper cut, you haven't a chance to handle this movie)
I just saw this film at a sneak preview screening in San Francisco. I had really loved Zombie's first film, HOUSE OF 1,000 CORPSES, and was looking forward to seeing how he was going to "re-create" the characters from that first film into this new one.
Stylistically, this film is exceptional. Zombie knows how to build tension and has a real gift for being able to pay homage to the horror flicks of the 70's without insulting or copying them. His choices in casting is genius and the performances in this film are quite good.
However, gone is the camp-value he infused into CORPSES. This film takes itself much more seriously and this does not help. In fact, the fact that Zombie focuses more on horror and torture without the same level of dark humor makes the film come off as somewhat cruel. Are we to actually enjoy seeing the victims tortured? Somehow, the fun of his first film is absent.
However, for those of us who have an appreciation for the films of the original 70's renegade film makers such as Tobe Hooper -- you can't help but enjoy Zombie's style of filming. This film also enjoys have some of the best southern rock ever created to serve as its soundtrack.
The three lead actors stand out and give great performances, but one wishes Zombie would have allowed them to go a bit more over the top. Karen Black did not return to play Moma Firefly which is too bad, but the actress who takes over the role does a great job.
In the end -- I think this is an interesting and valid second film from Rob Zombie, but I hope that he allows his cast and his audience to have a bit more fun. The world has enough torture and violence -- if we are to see it in a film it needs to give us a bit of a scare and a bit of a laugh. If only he had utilized that dark/twisted since of humor a bit more.
Still, it is worth a look -- but not for those of you who get upset by violence. And, please, this is not a movie for children. There was a child at last night's screening. That poor baby is going to be scarred for life!
Stylistically, this film is exceptional. Zombie knows how to build tension and has a real gift for being able to pay homage to the horror flicks of the 70's without insulting or copying them. His choices in casting is genius and the performances in this film are quite good.
However, gone is the camp-value he infused into CORPSES. This film takes itself much more seriously and this does not help. In fact, the fact that Zombie focuses more on horror and torture without the same level of dark humor makes the film come off as somewhat cruel. Are we to actually enjoy seeing the victims tortured? Somehow, the fun of his first film is absent.
However, for those of us who have an appreciation for the films of the original 70's renegade film makers such as Tobe Hooper -- you can't help but enjoy Zombie's style of filming. This film also enjoys have some of the best southern rock ever created to serve as its soundtrack.
The three lead actors stand out and give great performances, but one wishes Zombie would have allowed them to go a bit more over the top. Karen Black did not return to play Moma Firefly which is too bad, but the actress who takes over the role does a great job.
In the end -- I think this is an interesting and valid second film from Rob Zombie, but I hope that he allows his cast and his audience to have a bit more fun. The world has enough torture and violence -- if we are to see it in a film it needs to give us a bit of a scare and a bit of a laugh. If only he had utilized that dark/twisted since of humor a bit more.
Still, it is worth a look -- but not for those of you who get upset by violence. And, please, this is not a movie for children. There was a child at last night's screening. That poor baby is going to be scarred for life!
OK, I loved "House of 1000 Corpses". I loved it for completely different reasons than I loved "The Devils Rejects". The mood in the first one is far more campy, almost cartoonish. The actual fear and horror mixed with that weird wink is perfect. "The Devils Rejects" on the other hand seems almost real. These people are out there...these people do not care about you or your children. Hell, they don't even care about your dog or furniture. The music, the angles, the complete disregard for the feelings of others. Blantant hedonism at it's best. Some folks walked out...I sat singing "Free Bird" till the screen went black. If it's for you, don't miss it. If you believe you are the least bit squeamish...go get that new direct to DVD Stitch movie!
Not the kind of movie I would normally even consider, but after recommendations from a couple of people who's opinion I trust, I rented the movie this weekend. Writer/Director Rob Zombie is obviously a great fan of 70s drive-in fare like "The Texas Chainsaw Massacre" and "The Hills Have Eyes" and has learned his lessons well. He has a solid directorial style and a great ear for comically profane dialog - the banter in this movie reminds me of "Goodfellas" with maniacal Southern rednecks rather than East Coast Italian mobsters. And with a cast that includes William Forsythe, Sid Haig, Geoffrey Lewis, Ginger Lynn Allen, Priscilla Barnes, Steve Railsback, P.J. Soles, Mary Waronov, Deborah Van Valkenburgh, and Michael Berryman, and a Super 70s Soundtrack featuring The Allman Brothers, The James Gang, David Essex, and Lynyrd Skynyrd among others - you know Zombie has his pop cultural/cult movie references in order. I enjoyed this movie more for the humor than the for the "horror". The characters are all named after various Marx Brothers characters and while the gore is graphic and there are some truly chilling images in the movie, Zombie just misses the "beat" to put some of these sequences over the top, while the acting performances by a couple of the leads - namely Zombie look-alike Bill Mosely and Zombie's utterly babe-o-licious wife Sherri Moon Zombie - are less than stellar (although in Ms. Zombie's case it doesn't really matter - major eye candy!). So, a "qualified" recommendation for those who don't normally go for this kind of movie but who think they might enjoy it based on the description above. I thoroughly enjoyed it myself and think Rob Zombie is a genuinely talented filmmaker who will eventually hit one out of the ballpark if he keeps at it, which I'm sure he will. He comes pretty darned close with "The Devil's Rejects".
Did you know
- Trivia(at around 46 mins) Otis' line "I am The Devil and I am here to do the Devil's work" is a slightly altered version of a quote spoken by Manson Family member Charles 'Tex' Watson during the infamous Tate Murders.
- Goofs(at around 39 mins) During her rant in a jail cell, Mother Firefly is seen holding her hands far apart for emphasis when her hands are supposed to be handcuffed with only about a foot of chain.
- Quotes
Adam Banjo: Please, mister. This is insane.
Otis B. Driftwood: Boy, the next word that comes out of your mouth better be some brilliant fuckin' Mark Twain shit. 'Cause it's definitely getting chiseled on your tombstone.
- Alternate versionsThere is an unrated DVD version that contains scenes that were cut for an R rating, including a longer version of the "motel" scene.
- ConnectionsFeatured in 30 Days in Hell: The Making of 'The Devil's Rejects' (2005)
- SoundtracksDark was the Night, Cold was the Ground
Performed by Blind Willie Johnson
Written by Blind Willie Johnson
Published by Alpha Music Inc./TRF Music Inc.
Courtesy of Columbia Records
By Arrangement with Sony BMG Music Entertainment
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Violencia diabólica
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $7,000,000 (estimated)
- Gross US & Canada
- $17,044,981
- Opening weekend US & Canada
- $7,067,335
- Jul 24, 2005
- Gross worldwide
- $20,901,859
- Runtime1 hour 47 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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