In the eighteenth century, a vampire escapes from the freak show, in which she once participated, and teams up with a group of vampire slayers to kill the man who raped her mother.In the eighteenth century, a vampire escapes from the freak show, in which she once participated, and teams up with a group of vampire slayers to kill the man who raped her mother.In the eighteenth century, a vampire escapes from the freak show, in which she once participated, and teams up with a group of vampire slayers to kill the man who raped her mother.
- Awards
- 4 wins & 11 nominations total
Matthew Davis
- Sebastian
- (as Matt Davis)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I almost forgot that I had seen this a month ago. I remember being excited more for the fact that Uwe Boll was in attendance so I could hear what he had to say about film-making.
Well, let's say his comments before and after the movie are revelations as to why he makes such crappy films. First off, he can't grasp why people savage his movies so much. He feels that the internet community gives him a hard time because he's German and he makes his movies with Nazi money (his quote, not mine. Of course, he was joking, right?) Secondly, he couldn't care less if the actors he has are right for the roles. In fact, finding actors is his last thing he does to secure financing for his films. Apparently, he thinks the story is strong enough to carry the film. So, this is why we end up with actors like Ben Kinglsey working alongside Michael Madsen. Really, the only thing they had was the time to do the movie and the earning of a paycheck. So, if this doesn't strike you as soulless film-making, I don't know what does. In essence, by waiting until the last possible moment to hire actors, he can make his movies with a secured budget.
Th reason why I write this is because I heard his new "epic" In the Name of the King will be a four hour film split in half like Kill Bill. This depressed me to no end. Uwe Boll really is the next Ed Wood, even though Ed Wood cared about his actors and films.
Well, let's say his comments before and after the movie are revelations as to why he makes such crappy films. First off, he can't grasp why people savage his movies so much. He feels that the internet community gives him a hard time because he's German and he makes his movies with Nazi money (his quote, not mine. Of course, he was joking, right?) Secondly, he couldn't care less if the actors he has are right for the roles. In fact, finding actors is his last thing he does to secure financing for his films. Apparently, he thinks the story is strong enough to carry the film. So, this is why we end up with actors like Ben Kinglsey working alongside Michael Madsen. Really, the only thing they had was the time to do the movie and the earning of a paycheck. So, if this doesn't strike you as soulless film-making, I don't know what does. In essence, by waiting until the last possible moment to hire actors, he can make his movies with a secured budget.
Th reason why I write this is because I heard his new "epic" In the Name of the King will be a four hour film split in half like Kill Bill. This depressed me to no end. Uwe Boll really is the next Ed Wood, even though Ed Wood cared about his actors and films.
Where to start with this one? I'll point out that i watched it only because i heard that Kristanna Loken shows her boobies here. I didn't play the game nor have i known anything about the plot from that point of view. So i'm writing this solely on the movie experience.
I must point out that the movie has its good sides.
Most notably Ben Kingsleys horrible, horrible, HORRIBLE wig. I couldn't stop myself to burst into laughter anytime he was on screen. Its simply hilarious and worth the admission price alone.
Another good thing is the guy with the mullet (Matthew Davis). He looked almost as ridiculous as Ben Kingsley with a wig. By the way, I had no idea that mullets were that popular in 19th century Romania but the filmmakers sure proved me wrong. Maximum respect for the mullet Matthew, wear it proudly.
Of course you do get to see Kristanna Lokens boobs in a raunchy, makes no sense at all, sex scene so that also is a good thing.
I must point out that fight scenes, although they occur pretty rarely, are pretty rich with gore. They really surprised me there and i must say that i wasn't disappointed by that aspect of the movie. And you wont be either. Of course if you aren't into the bloody mess type of stuff the fight scenes will suck. But hey, who isn't into bloodbaths anyway? So some really good stuff there as well.
Now for the not so great aspects of the movie.
First of all the dialogs are completely and utterly, mind numbingly stupid. Its like a 6 year old wrote all the dialogs. The screenplay is very bad too. Think "American Ninja 2" in 19th century Romania when you think about the screenplay and dialogs in the movie. Really, really naive and infantile stuff there. Also they stole one ninja trick from American Ninja 2, you'll see it in one of the final scenes in the movie. I guess you could call it a homage to it though. Come to think of it, no, you couldn't. Its just plane old plagiarism.
Acting sucks too. Ben Kingsley just stares in the camera with his bad wig, Kristanna Loken does a lot of moaning and thats about it. Don't expect wonders from Michael Madsen either. Billy Zane does his thing regardless of anything, so if you like his style he could be acceptable. I like it.
Oh yeah, they have a MeatLoaf cameo. Now thats what i call weak. Then again, the topless babes in his scenes totally make up for his fat ass.
The director Uwe Boll isn't really that bad as people say he is. He gave us blood and tits, yes. And in a pretty good way, i might add. But he delivered nothing more. Blood and tits go without saying for modern day directors anyway. So i'll point out that he sucks as well but not as much as meatloaf.
Although this movie is really bad I'm not sorry i watched it. If you want watch it and if you'll appreciate the trashy aspects in the movie you wont be sorry either.
I'll give this one a 4/10.
I must point out that the movie has its good sides.
Most notably Ben Kingsleys horrible, horrible, HORRIBLE wig. I couldn't stop myself to burst into laughter anytime he was on screen. Its simply hilarious and worth the admission price alone.
Another good thing is the guy with the mullet (Matthew Davis). He looked almost as ridiculous as Ben Kingsley with a wig. By the way, I had no idea that mullets were that popular in 19th century Romania but the filmmakers sure proved me wrong. Maximum respect for the mullet Matthew, wear it proudly.
Of course you do get to see Kristanna Lokens boobs in a raunchy, makes no sense at all, sex scene so that also is a good thing.
I must point out that fight scenes, although they occur pretty rarely, are pretty rich with gore. They really surprised me there and i must say that i wasn't disappointed by that aspect of the movie. And you wont be either. Of course if you aren't into the bloody mess type of stuff the fight scenes will suck. But hey, who isn't into bloodbaths anyway? So some really good stuff there as well.
Now for the not so great aspects of the movie.
First of all the dialogs are completely and utterly, mind numbingly stupid. Its like a 6 year old wrote all the dialogs. The screenplay is very bad too. Think "American Ninja 2" in 19th century Romania when you think about the screenplay and dialogs in the movie. Really, really naive and infantile stuff there. Also they stole one ninja trick from American Ninja 2, you'll see it in one of the final scenes in the movie. I guess you could call it a homage to it though. Come to think of it, no, you couldn't. Its just plane old plagiarism.
Acting sucks too. Ben Kingsley just stares in the camera with his bad wig, Kristanna Loken does a lot of moaning and thats about it. Don't expect wonders from Michael Madsen either. Billy Zane does his thing regardless of anything, so if you like his style he could be acceptable. I like it.
Oh yeah, they have a MeatLoaf cameo. Now thats what i call weak. Then again, the topless babes in his scenes totally make up for his fat ass.
The director Uwe Boll isn't really that bad as people say he is. He gave us blood and tits, yes. And in a pretty good way, i might add. But he delivered nothing more. Blood and tits go without saying for modern day directors anyway. So i'll point out that he sucks as well but not as much as meatloaf.
Although this movie is really bad I'm not sorry i watched it. If you want watch it and if you'll appreciate the trashy aspects in the movie you wont be sorry either.
I'll give this one a 4/10.
This is singularly one of the worst films I've ever seen. After seeing a wide selection of decent horror at Fantastic Fest a few weeks ago, I expected this to have some substance because it was picked to screen at the Austin Film Festival. All I can think of is that someone must have blackmailed the programmers because it's terrible.
The dailogue is either very cliché, or very stilted (and often both). There are serious continuity issues. The gratuitous sex scene was so completely sudden it seemed like an excerpt from a porn movie. The wigs are terrible, and the costuming as bad. There is no character development, and the motivations shown on screen seem more like red herrings than anything else.
I can't think of anything redeeming about this film other than I didn't pay money just to see it.
The dailogue is either very cliché, or very stilted (and often both). There are serious continuity issues. The gratuitous sex scene was so completely sudden it seemed like an excerpt from a porn movie. The wigs are terrible, and the costuming as bad. There is no character development, and the motivations shown on screen seem more like red herrings than anything else.
I can't think of anything redeeming about this film other than I didn't pay money just to see it.
I want to strike a blow for a movie that seems to be one of the worst movies, when you follow the ratings and verdicts here. But it's easy here to rate one star without watching a movie, and also without giving one thought to.
Of course it isn't an artwork, a masterwork, or comparable to high budget productions a la Lord Of The Rings. Instead, it fits right into a solid line of straight-to-video productions, or some bigger TV Adventure movies, but is definitively enjoyable for people who don't expect a lifetime experience from Uwe Boll. But at least, one have to respect the genre outside the Tolkien realm. If not, the movie has no chance at all.
It is a simple story about a girl that wants revenge for the killing of her mother by her father, who is the most powerful Vampire, and also wants to be ruler of the world. Kristanna Loken as Rayne does a good Job being sexy, powerful and filled with hate and blood hunger. The others are OK, and Ben Kingsley does keep a low profile, because he has not very much to do except being old Ben Kingsley.
Directing is not great, I admit that, it is at max, zealous. Definitevly it is better than in any of the infamous Asylum Movies i've seen, in terms of storytelling, actors leading and so on. The only one bigger mistake is that the short history of Raynes romance with Sebastian is revealed at the end of the movie, so that the short sex scene with him looks quite unfounded.
If there wouldn't be so much blood and gore, it could pass as a movie for youngsters. I remember watching such movies (of course without gore and without nudity), when I was ten or twelve.
Of course it isn't an artwork, a masterwork, or comparable to high budget productions a la Lord Of The Rings. Instead, it fits right into a solid line of straight-to-video productions, or some bigger TV Adventure movies, but is definitively enjoyable for people who don't expect a lifetime experience from Uwe Boll. But at least, one have to respect the genre outside the Tolkien realm. If not, the movie has no chance at all.
It is a simple story about a girl that wants revenge for the killing of her mother by her father, who is the most powerful Vampire, and also wants to be ruler of the world. Kristanna Loken as Rayne does a good Job being sexy, powerful and filled with hate and blood hunger. The others are OK, and Ben Kingsley does keep a low profile, because he has not very much to do except being old Ben Kingsley.
Directing is not great, I admit that, it is at max, zealous. Definitevly it is better than in any of the infamous Asylum Movies i've seen, in terms of storytelling, actors leading and so on. The only one bigger mistake is that the short history of Raynes romance with Sebastian is revealed at the end of the movie, so that the short sex scene with him looks quite unfounded.
If there wouldn't be so much blood and gore, it could pass as a movie for youngsters. I remember watching such movies (of course without gore and without nudity), when I was ten or twelve.
Just kidding...just kidding!! Why, after wasting nearly 2 hours of my life watching this trash, should I waste another hour or so dissing this movie, when everything about it has already been killed stone dead by previous reviewers? Because, dear friends, I am so excited I just had to share with you my delight at finding the "worst cameo of all time", so magnificent in its awfulness that it could (with sheer effort of will) only be equalled, but never beaten.
It was Sunday. Raining. What the hell, "Bloodrayne" sounded good. Hmmm, Masden, Kingsley, Zane...can't be so bad.
After around 20 minutes or so of this "crowning turd" of a movie my "intellectual defence mechanism" automatically kicked-in and took my mind away to my next vacation, what to have for dinner, and the contents of my Partner's trousers. Sailing away on a sea of serenity(did I actually fall asleep?)I thought myself immune and totally protected from the train wreck of a movie unfolding on the other side of my eyelids. But then....wait! What's this? Snippets of dialogue totally unconnected with the Tequilla Sunrise I was drinking began to pervade my mind. Slowly at first, but growing in intensity. Warily, fearful that I may inadvertently catch another glimpse of Ben Kingsley's excruciating acting/staring, I opened one eye. Was I seeing/hearing things? I pulled myself up in the chair and opened the other eye (after assuring myself that Kingsley was nowhere to be seen). There, in front of me...what can never be described by a thousand monkeys on a thousand typewriters for a thousand years. The root canal work of movie making, the Xanadu of awfulness....Meatloaf trying to character-act.
I checked out the other movie-goers...hmmm, not many left....and they were all, very much like myself, staring wide eyed and open mouthed at witnessing the birth of a legend. Seriously, it was like watching the first moon landing all over again. This is one piece of crap for man...a whole turd for mankind.
I am sorry that I go on a little, but I cannot find words to describe the cameo piece by Meatloaf, in fact probably such words do not exist - they must be invented - "discrapungent" - try that one. I can only try to capture the magnificent awfulness by describing the effect that it had on myself and, I suspect, the other viewers.
If you haven't seen it (and I beg you all to do so) cut along to any cinema brave enough to show it and set your alarm clock for around 50 minutes. If you have trouble sleeping at the beginning, don't worry, Ben Kingsley will stare you into blessed catatonia....trust me.
It was Sunday. Raining. What the hell, "Bloodrayne" sounded good. Hmmm, Masden, Kingsley, Zane...can't be so bad.
After around 20 minutes or so of this "crowning turd" of a movie my "intellectual defence mechanism" automatically kicked-in and took my mind away to my next vacation, what to have for dinner, and the contents of my Partner's trousers. Sailing away on a sea of serenity(did I actually fall asleep?)I thought myself immune and totally protected from the train wreck of a movie unfolding on the other side of my eyelids. But then....wait! What's this? Snippets of dialogue totally unconnected with the Tequilla Sunrise I was drinking began to pervade my mind. Slowly at first, but growing in intensity. Warily, fearful that I may inadvertently catch another glimpse of Ben Kingsley's excruciating acting/staring, I opened one eye. Was I seeing/hearing things? I pulled myself up in the chair and opened the other eye (after assuring myself that Kingsley was nowhere to be seen). There, in front of me...what can never be described by a thousand monkeys on a thousand typewriters for a thousand years. The root canal work of movie making, the Xanadu of awfulness....Meatloaf trying to character-act.
I checked out the other movie-goers...hmmm, not many left....and they were all, very much like myself, staring wide eyed and open mouthed at witnessing the birth of a legend. Seriously, it was like watching the first moon landing all over again. This is one piece of crap for man...a whole turd for mankind.
I am sorry that I go on a little, but I cannot find words to describe the cameo piece by Meatloaf, in fact probably such words do not exist - they must be invented - "discrapungent" - try that one. I can only try to capture the magnificent awfulness by describing the effect that it had on myself and, I suspect, the other viewers.
If you haven't seen it (and I beg you all to do so) cut along to any cinema brave enough to show it and set your alarm clock for around 50 minutes. If you have trouble sleeping at the beginning, don't worry, Ben Kingsley will stare you into blessed catatonia....trust me.
Did you know
- TriviaAccording to screenwriter Guinevere Turner, while she was writing the first draft of the script, she received an angry phone-call from Director Uwe Boll, who swore at her and demanded she hand in a draft of the script. About a week later, after she sent in the rough first draft of the script, she was shocked to learn that production was going to commence immediately with the draft. (Even though traditionally the first draft is always a "rough" draft that is improved upon in subsequent drafts.) Later on, she was informed that Boll and the actors and actresses had subsequently re-written much of her script while shooting, and that the finished movie barely resembled her script.
- GoofsFor a creature that was until recently burned by water Rayne suddenly learns to swim to collect the heart.
- Quotes
Darius the Kid: Can I see your teeth?
- Alternate versionsThe aspect ratio was changed from 2,35:1 to 1,78:1 for the video/DVD release.
- ConnectionsFeatured in Bloodsucking Cinema (2007)
Details
- Release date
- Countries of origin
- Language
- Also known as
- BloodRayne - Venganza de sangre
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $25,000,000 (estimated)
- Gross US & Canada
- $2,405,420
- Opening weekend US & Canada
- $1,550,000
- Jan 8, 2006
- Gross worldwide
- $3,650,275
- Runtime
- 1h 35m(95 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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