Preuves d'innocence

Scott Turow's books are always thrilling and surprising, but filming them are not easy tasks. Despite the great performances of William Macy and Glenn Plummer, Reversible Errors turns out disappointing. The abrupt cuts, may be to fit in the TV format, makes the movie loose the suspense and the pace. The come and go of the plot seems much unreal and absurd. Tom Selleck overact and Monica Potter does not convince as a prosecutor. Gilliam Sullivan does not compromise. The only reason that prevents you from giving up watching it before the end, is the hope that something really unexpected would happen. At the end you get a feeling that another good story was spoiled at the screen.

In 1996, there is a triple homicide in a dinning place, and Sergeant Larry Starczek (Tom Selleck) is in charge of the investigation. His lover, the ambitious prosecuting attorney Muriel Wynn (Monica Potter) follows him and they get the name of a suspect. The smalltime crook Romeo 'Squirrel' Gandolph (Glenn Plummer) is arrested, confesses the crime and is sentenced to the death row. Seven years later, Muriel is married and has had a meteoric professional ascension in her career; Starczek is retired; and the judge of the case Gillian Sullivan (Felicity Huffman) has just been released from prison after the accusation of bribery. A couple of weeks before the execution of Squirrel, the corporate lawyer Arthur Raven (William H. Macy) is assigned by his associates to defend Squirrel for free as a part of a political marketing. However, the confession of a cancerous prisoner assuming that he had committed the murder reopens the case exposing secrets and wounds.

I have never read Scott Turow's novel and I really liked "Reversible Errors" a lot, actually a great surprise as a drama, thriller and even film-noir. I can understand the disappointment of the viewers that had read the book first and saw the movie later since the same usually happens with me. But the performances of William H. Macy and Felicity Huffman, in the first plane, followed by Monica Potter and Glenn Plummer are awesome and must be acknowledged and recognized even for those that did not like the film. I liked very much the despicable, ambitious and ambiguous character of Monica Potter. The story has an excellent beginning, then it slows down, but the plot points, the dirty and amoral behavior of Starczek inclusive destroying evidences and the romance between Gillian and Arthur hold the interest on the plot until the last scene in spite of the running time of 172 minutes. Last but not the least, in my opinion, this movie is underrated in IMDb. My vote is eight.

Title (Brazil): "Erros Irreversíveis" ("Irreversible Errors")

"Reversible Errors" is a three hour film noir TV B-movie which tells a convoluted tale of a homicide cop (Selleck), his prosecutor lover (Potter), a defense attorney (Macy), and a judge (Huffman) who all become involved in a triple homicide investigation, a possible wrongful conviction, and another investigation to find the real killer(s). As the film wends its way toward its feel good conclusion - which seems too long in coming - it delves into sex, scandal, drugs, deceit, conspiracy, politics, infidelity, and more all served up in good old fashioned Hollywood movie style; not particularly convincing or believable but not ashamed about it either. A mildly entertaining whodunit which does an acceptable job of covering it's low budgetness with a mediocre score, Canadian locations, and an uneven production which focuses on the characters in a handful of sets (court, prison, lawyer offices, etc.), this PG-13ish film will make a so-so no brainer lets-stay-in-tonight TV watch for the not too jaded or discriminating. (B-)

This is brilliant - it has all the elements of a cause celebre that could indeed be true, as this is how it plays out. A real whodunnit, and thriller from start to finish. My only moan is the comment about born again Christians. It is sure that some criminals will claim to find Jesus, and then try and see what they can get out of it, but it is also true that some of these men and women do genuinely change, and given the recidivist rate amongst convicts, if we can hope for nothing else, let it be true. It is a fact that in any criminal mystery, true or fictitious, there seem to be a number of possibilities as to who the guilty party really is. Many credible suspects turn into red herrings in the end, and one would like to think that if the proper investigative work is carried out, then justice will be done, though the heavens fall. One also cares about the characters, the police, prosecution and the defence, and none of them are really villains, whether or not they may do questionable things. Even when a famous case is resolved, one does not forget that life goes on, and the characters do not necessarily live perfectly happily ever after. Well done this one.

Wm. H. Macy and Felicity Huffman make it worth watching.

Turow's complex novel has been dumbed down to fit the mini-series format, but that's a trifle. Watch it for the magic that Macy and Huffman bring to small screen.

These are two stars who would not get big screen attention as romantic leads, but their performances sing here, given a chance to play center stage.

Watch how Huffman, as a disbarred and disgraced judge, plays her scene at the dept. store cosmetic counter. In a matter of seconds, she expresses purposeful employment, unguarded hope, crumbling shame, and icy self-contempt.

Macy's opening scene on Labor Day weekend, packing up his office, brings his character to life with uncommon line readings. This script is hardly Mamet, but Macy's skill raises the level of the writing. He clips off one line, talking about his sister's death: "Better this way, instead of her living like a ..." He never says the word vegetable, as if he recognizes the inadequacy of the cliché. No he's not commenting on the script, but letting the character halt himself before dishonoring his dead sibling with dead metaphors.

Let's hope this husband and wife team both get Emmy Awards for such remarkable work. And let's hope we see more of them on the big screen too.