A mother and daughter, still wounded from a bitter custody dispute, hole up in a run-down apartment building, where they are targeted by the ghost of a former resident.A mother and daughter, still wounded from a bitter custody dispute, hole up in a run-down apartment building, where they are targeted by the ghost of a former resident.A mother and daughter, still wounded from a bitter custody dispute, hole up in a run-down apartment building, where they are targeted by the ghost of a former resident.
- Awards
- 6 nominations total
Featured reviews
I agree with the user comment above in regard to the fact that teenagers will not appreciate this film. I kept telling myself as I was watching it, that it is not a movie that kids will understand. I shouldn't say 'all' kids, but probably most. Ironically, this is a movie that kids should see because they can learn about elements that a good movie usually contains: developed characters, a good plot, and excellent acting, to name a few. Not to mention that the movie gives the viewer a lot to think about and is an expertly crafted piece of psychological suspense.
There are reasons this movie will most likely not appeal to young people. To begin with, it is NOT a horror movie. It might be marketed to look like one, but it is more of a psychological thriller of sorts. So many kids will go to it expecting blood, gore and action, but get a literate, story-driven film instead--one in which thinking is required to fully understand what is going on. This is a movie that requires "active" viewing, just as if one were to read a well written novel with round characters, symbolism, and whatever other elements it may have to raise it beyond the level of mediocrity.
Unlike a more conventional horror movie like Boogeyman (which I also liked for other reasons), Dark Water is rooted in psychology and the inner and outer conflicts the characters attempt to overcome. It is also a film adept in creating a dark, disturbing mood. In fact, I was really impressed with its ability to play with one's emotions and fears so strongly. As another use noted above, it's almost as if the 'horror' is subliminal. The viewer doesn't necessarily have to see it in order to feel it. I think this is partly because we've all dealt with bits and pieces of what some of the main characters have to go through here. Some of their own discomfort seems familiar to us.
It is sad that many younger people cannot appreciate movies of this nature.
There are reasons this movie will most likely not appeal to young people. To begin with, it is NOT a horror movie. It might be marketed to look like one, but it is more of a psychological thriller of sorts. So many kids will go to it expecting blood, gore and action, but get a literate, story-driven film instead--one in which thinking is required to fully understand what is going on. This is a movie that requires "active" viewing, just as if one were to read a well written novel with round characters, symbolism, and whatever other elements it may have to raise it beyond the level of mediocrity.
Unlike a more conventional horror movie like Boogeyman (which I also liked for other reasons), Dark Water is rooted in psychology and the inner and outer conflicts the characters attempt to overcome. It is also a film adept in creating a dark, disturbing mood. In fact, I was really impressed with its ability to play with one's emotions and fears so strongly. As another use noted above, it's almost as if the 'horror' is subliminal. The viewer doesn't necessarily have to see it in order to feel it. I think this is partly because we've all dealt with bits and pieces of what some of the main characters have to go through here. Some of their own discomfort seems familiar to us.
It is sad that many younger people cannot appreciate movies of this nature.
Dark Water is another one of those slow PG-13, atmospheric and creepy ghost stories in the vein of The Ring and the Grudge, and like those two, it is worthwhile.
The film certainly has flaws, but it is also clever and has some great drama. Jennifer Connely also gives a strong performance, and the film as a whole is probably slower than someone would think. While it is not as scary as The Ring or The Grudge, it is in a way more mature than those two because it does excel in genres other than as a thriller. Overall, it was not amazing, but certainly underrated at this time and certainly worth it.
The film certainly has flaws, but it is also clever and has some great drama. Jennifer Connely also gives a strong performance, and the film as a whole is probably slower than someone would think. While it is not as scary as The Ring or The Grudge, it is in a way more mature than those two because it does excel in genres other than as a thriller. Overall, it was not amazing, but certainly underrated at this time and certainly worth it.
This is a Remake of the 2002 Japanese Horror Movie. The plot is pretty simple , a mother who is fighting custody over her daughter moves with her to a new apartment. The people in the building are strange, there's are leakage in their room and her daughter finds an imaginary friend soon....
The good aspects of the film is that it doesn't have any CGI ghosts or any evil looking spirits and yet it has an creepy feeling throughout. It is slow moving yet engaging. We have real middle class people with real problems which gives it more of a human drama than a typical horror stuff. Performances are good . There's more emotional connect than scary scenes. However the film could have been short, some scenes are absolutely no need especially the dream sequences are very unnecessary. There's not much to complain about ....it not an awesome film but it's pretty good for what it is and what it tries to be and is definitely an underrated horror drama .... Definitely worth a watch...
The good aspects of the film is that it doesn't have any CGI ghosts or any evil looking spirits and yet it has an creepy feeling throughout. It is slow moving yet engaging. We have real middle class people with real problems which gives it more of a human drama than a typical horror stuff. Performances are good . There's more emotional connect than scary scenes. However the film could have been short, some scenes are absolutely no need especially the dream sequences are very unnecessary. There's not much to complain about ....it not an awesome film but it's pretty good for what it is and what it tries to be and is definitely an underrated horror drama .... Definitely worth a watch...
The Hollywood version of 'Dark Water' is based on a Japanese horror film, which I haven't seem, so I can't really compare the two. However, whether on not it surpasses its source material, I have to say it's a pretty creepy little number.
A woman (Jennifer Connelly) is going through a divorce and custody battle for her daughter (Ariel Gade) and moves to a run-down apartment in New York until the proceedings are over. It's hardly five-star housing and there are water leaks everywhere. And, if that wasn't bad enough to bring up a child, the family is haunted by the presence of another young girl.
Since the success of the English version of 'The Ring' the 2000s saw quite a few horror films where a woman slowly uncovers something supernatural until she has to confront it head on in the final act. 'Dark Water' certainly fits into that genre, but it's definitely a cut above the rest. For a start it has a stellar cast. I've already mentioned Connolly, but there are also excellent performances from Tim Roth as a supportive (but flawed!) lawyer, Pete Postlethwaite as a useless building supervisor and John C Reilly as the superbly-slimy estate agent. Dougray Scott is also good, but doesn't have quite as much to work with as the others and Ariel Gade is very good as the young girl, never really coming across as annoying as so many child actors in similar roles.
Another thing that works for the film is the atmosphere. You really get the sense of a dark, depressing world that's ripe for haunting by unrested spirits. It could be described as a bit of a 'slow burner' as the real 'meat' of the story doesn't really get going until the final act. Prior to that is mainly character building and setting up the horror that's finally waiting for our protagonists.
I won't say too much about the story, as you only really get one chance to watch it and not know where it's going. A couple of the plot points surprised me, so I won't spoil anything. It may not be a blood-bath and it's probably got a few too many 'jump scares' for some people's liking in the opening two acts, but, overall, it's a very atmospheric, creepy little number that horror fans who like a slow build of terror should enjoy.
A woman (Jennifer Connelly) is going through a divorce and custody battle for her daughter (Ariel Gade) and moves to a run-down apartment in New York until the proceedings are over. It's hardly five-star housing and there are water leaks everywhere. And, if that wasn't bad enough to bring up a child, the family is haunted by the presence of another young girl.
Since the success of the English version of 'The Ring' the 2000s saw quite a few horror films where a woman slowly uncovers something supernatural until she has to confront it head on in the final act. 'Dark Water' certainly fits into that genre, but it's definitely a cut above the rest. For a start it has a stellar cast. I've already mentioned Connolly, but there are also excellent performances from Tim Roth as a supportive (but flawed!) lawyer, Pete Postlethwaite as a useless building supervisor and John C Reilly as the superbly-slimy estate agent. Dougray Scott is also good, but doesn't have quite as much to work with as the others and Ariel Gade is very good as the young girl, never really coming across as annoying as so many child actors in similar roles.
Another thing that works for the film is the atmosphere. You really get the sense of a dark, depressing world that's ripe for haunting by unrested spirits. It could be described as a bit of a 'slow burner' as the real 'meat' of the story doesn't really get going until the final act. Prior to that is mainly character building and setting up the horror that's finally waiting for our protagonists.
I won't say too much about the story, as you only really get one chance to watch it and not know where it's going. A couple of the plot points surprised me, so I won't spoil anything. It may not be a blood-bath and it's probably got a few too many 'jump scares' for some people's liking in the opening two acts, but, overall, it's a very atmospheric, creepy little number that horror fans who like a slow build of terror should enjoy.
Of all the recent remakes of Japanese horror films, I have to say that Dark Water is the only remake that actually surpasses the original. I think the reason that so many people are so hard on it is because they went in expecting to see THE RING or THE GRUDGE. They went in expecting to see a scary ghost movie. Dark Water is not really a horror movie, at least not in the traditional sense. It's actually more of a drama set in a haunted apartment complex. If you go in expecting to have stuff jump out at you, you will be disappointed.
It's sad that everyone expects horror films to have a bunch of jump scares in them these days. Whatever happened to the slow buildup of tension and paranoia of something like ROSEMARY'S BABY? If you go into Dark Water expecting something more akin to Rosemary's Baby or a Hitchcock thriller, you might just end up enjoying this film.
As far as comparing this remake to the original, I will say that I felt that Jennifer Connelly was a much more compelling character than the mother in the original movie. Overall, the characters were fleshed out better. I understood the conflict between the mother, the father and the little girl much more in the remake. The original just sort of glanced over many of these details. Some of the shots were actually more effective than the ones in the original, and the ending in the remake is more satisfying and better executed than in the original. Generally, I think that J-horror is better left in its original incarnation. As much as I liked the Western version of THE RING, I felt like the only reason they remade it was to cast Naomi Watts as the lead. THE GRUDGE, they should have left that one alone. Nothing was gained by Sarah Michelle Gellar. But this one, this one is actually better than the Japanese original in my opinion.
This movie is not for everyone. It is a slow, poignant drama set in a really creepy location. It would probably play well in a double feature with ROSEMARY'S BABY. If you want to have stuff jump out at you, watch THE GRUDGE. If you want to watch a movie that has a little more depth to it, watch DARK WATER.
It's sad that everyone expects horror films to have a bunch of jump scares in them these days. Whatever happened to the slow buildup of tension and paranoia of something like ROSEMARY'S BABY? If you go into Dark Water expecting something more akin to Rosemary's Baby or a Hitchcock thriller, you might just end up enjoying this film.
As far as comparing this remake to the original, I will say that I felt that Jennifer Connelly was a much more compelling character than the mother in the original movie. Overall, the characters were fleshed out better. I understood the conflict between the mother, the father and the little girl much more in the remake. The original just sort of glanced over many of these details. Some of the shots were actually more effective than the ones in the original, and the ending in the remake is more satisfying and better executed than in the original. Generally, I think that J-horror is better left in its original incarnation. As much as I liked the Western version of THE RING, I felt like the only reason they remade it was to cast Naomi Watts as the lead. THE GRUDGE, they should have left that one alone. Nothing was gained by Sarah Michelle Gellar. But this one, this one is actually better than the Japanese original in my opinion.
This movie is not for everyone. It is a slow, poignant drama set in a really creepy location. It would probably play well in a double feature with ROSEMARY'S BABY. If you want to have stuff jump out at you, watch THE GRUDGE. If you want to watch a movie that has a little more depth to it, watch DARK WATER.
Did you know
- TriviaA color dye usually used in concentrated gels for soft drinks was added to the water to turn it to a dark color. Flat and expired soda pop was also used for dark and filthy water.
- Goofs(at around 1h 20 mins) A square hole is cut in the apartment ceiling to fix a pipe causing a leak. There is a shot from inside the ceiling, looking down to the floor past the pipe and through the square hole. Dahlia enters the room looking up at the newly repaired pipe. She is obviously barefoot. She hears a noise and we cut to a shot looking down a hallway where there are wet footprints and someone hurriedly clearing the hallway to turn right out of shot. Curious, Dahlia immediately follows the noise. She is now making shoe-noises as she walks and as she climbs some stairs we see she is now wearing laced-up running shoes when just a second before she was barefoot.
- Alternate versionsUnrated version adds one scene (dream sequence) but removes the dream/reality scene (where Dahlia dreams that her daughter returns from her father) and the scene where Ceci calls Dahlia. In the end the unrated version runs ca 1 minute shorter.
- ConnectionsFeatured in Late Show with David Letterman: Jennifer Connelly/Eels (2005)
- SoundtracksI Got Soul
Written by John Martinez and Josh Kessler
Performed by Scar featuring Filthy Rich
Courtesy of Marc Ferrari/MasterSource
Details
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $25,473,352
- Opening weekend US & Canada
- $9,939,251
- Jul 10, 2005
- Gross worldwide
- $68,357,079
- Runtime
- 1h 45m(105 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
Contribute to this page
Suggest an edit or add missing content