Rosario

Rosario is the personification of the girl from the low barrios of Medellín-Colombia (ej. Comuna nor-oriental). Rosario is the kind of girl who knows how to survive the world where she was born, places of violence and drugs and basically no love, until she's given the same poison she use to give. Flora Martinez characterizes Rosario in a wonderful way. Some things that don't go well with this film are the coincidence in musical theme with Maria full of grace and some repeated scenes in car over the same bridge. However, I recommend you read Jorge Franco's original book where this movie was adapted from (www.jorge-franco.com). This is the best Colombian movie since Maria full of grace.

This was a really good Columbian film that starred Flora Martínez (Proof of Life) as a hit-woman who falls in love. That sounds like a formulaic movie that has been made a thousand times, but Martinez really brings home the film in a way that will keep you watching.

I don't know much about Columbia, but i was really fascinated with the celebration of death before the funeral of Jonhefe. They borough him to the bar and sat him in a chair and had a party, including a lap dance for the dead man. Makes it kind of a grind house film, but it was a film about love and loss.

It's worth a look just to see Martinez.

I went to go see this movie this summer in my visit to Colombia. I was completely under the movie's spell, went to see it twice. The character is so raw, so corrupted, but they demonstrate the beauty that can come from someone who's lived in her own hell. My family is originally from Colombia, so I understand the situations well. I saw a comment on a message board here saying that she wasn't a convincing hit-man...obviously you aren't familiar with the situations in Colombia, I've known of many female hit men that were beautiful...they just grew up in the wrong neighborhoods. Beauty isn't only found in the high-class society...it's everywhere, and if anything, her beauty gives her even more power. The fact that the movie goes back and forth, always returning the beginning of everything, and relating it to the end keeps you in tuned, its clever that the director chose not to point out the changes in time throughout the film...it keeps it flowing...no interruptions from the world that this movie has sucked you in. The main character has such a beautiful pain within her, you come out of the theater in love with her...whether you're are a man or woman..she'll dazzle you. The actors in this movie did an incredible job as well.

Overall, this movie mixes the drama of life, and laughs at it at some points. You're guaranteed to cry, laugh, gasp, claw your nails in your seat...and come out replaying all the scenes in your head.

Could have been better.

It was like watching a glorified soap opera with the added bonus of nudity.

I felt somethings were overdone because of the lack of an intriguing plot, for example the back and forth in time felt more as a Deus ex machina to pull things along, I must say there were a couple scenes that will stick with me so it's not THAT bad, I just don't see what the hype is about except for the hot woman with fake tits which don't look half bad the way she carries them, there is an interesting play of characters but I feel maybe too flat, I'm not sure what it is that is missing.

This movie has an interesting, albeit somewhat formulaic, film-noir story as its foundation.

However, the movie ended up being too tedious to watch because of the excessively long segments devoted to hammering the same message time and again.

For instance, the wake and burial of one of the characters includes some creative twists---but ends up taking ~40 minutes of the film, so long before it moves on people in the audience start checking their watches.

This could have been of "City of god" caliber, but will never be. I'm not sure why it reached such a cult status in Colombia.