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Movie Buffs (snobs) will not be surprised by the stereotypical Hollywood ending, but the movie is not too bad throughout. Dakota Fanning puts on the typical scary little girl show to a above average level, and the cinematic action will make you squirm in your seat a few times. Therefore this movie isn't one that I would say you definitely need to see, but if you have some time to waste its a pretty good time. Also it gets bonus points for being a good date movie. The absolute worst thing about this movie is its lack of humor, though the dark overtones are necessary for a true horror movie there needs to be an element of humor(saving The Exorcist), even the Ring had its moments at the beginning with the two girls in the bedroom, this movie has no humor which makes us feel very little for the characters. This is the major downfall, but its still worth a viewing.

The set up is kind of fun, then the center of the film gets a little boring, then secrets are revealed and you realize you've been lobotomized by stupidity. Elizabeth Shue's cleavage is the best supporting character in this otherwise teeth grindingly dumb movie.

The movie is about as light an R as you can get. It tiptoed past the PG-13 with a little bit of blood, but I have to wonder if they wanted the PG-13 and were surprised by this rating.

Here's a question: what is the tipping point in DeNiro's career that took his from greatness to these crap dwellings? Even Angel Heart is a masterpiece compared to most of the schlock we've been getting from Bobby during the last DeCade. To the real Robert De Niro: Come out come out wherever you are!

Pyschotrist David Callaway (Two-Time Oscar Winner:Robert De Niro) seen the body of his dead wife (Amy Irving) committed suicide. When his only daughter (Dakota Fanning) is traumatized by her mother death. David and His daughter move to the country to start a new life. When his daughter is creating a new imaginary friend, the father starts to worry and strange things are starting to happen to him and especially his daughter.

Directed by John Polson (Swinfan) made a good thriller but the only problem in this film. It doesn't know when to quit and it's ends with an unsatisfying conclusion. De Niro and Fanning are extraordinary good in this film. The film's supporting cast are:Elizabeth Shue, Famke Janssen, Dylan Baker, Melissa Leo and Robert John Burke. This was a Box Office Hit. This should be a larger successful on DVD.

DVD has an sharp Pan & Scan transfer with an good-Dolby Digital 5.1 Surround Sound (also in DTS 5.1 Sound). DVD has an commentary track by the filmmakers, deleted scenes, 4 alternative endings and more. This thriller could be a cult favorite. It is nicely done film. Super 35. (*** ½/*****).

I'm not the greatest figurer out of plot twists, and I didn't figure this one out. If you did, then I can see that there would have been an air of disappointment over that aspect of the film. I didn't so, plot-wise, I had no problem with enjoying the movie.

I thought the ending was fine.

And, as usual, I thought Dakota Fanning was quite remarkable, holding the screen with an assurance well beyond her years (although I find her manner in the "Making of.." documentaries worryingly un-childlike).

I did have some other problems, though.

De Niro's character must have been the worst psychologist in the world, given his complete inability to apply any of his knowledge to dealing with his daughter's problem in any constructive way (and, yes, I know "That's because blah blah blah", but it's still a distraction when you're sitting there watching him to fail utterly to exercise a shred of competence.

I failed to understand some of the child's motivation for her actions and attitudes vis-a-vis Charlie and Dad, especially given the nature of the twist.

Elisabeth Shue and Famke Janssen - nice to see them, even if only briefly.

And De Niro - not your finest hour, Bob. Carry on like this, and Norton and Depp will be fighting over the "Greatest Living Screen Actor" crown, while you watch from the wings.

My score of 7 is a point or two higher than it would otherwise have been, solely on the strength of Dakota Fanning's performance.

As a psychological thriller, or a horror film, "Hide and Seek" doesn't break new ground. In fact, once it's over, the viewer feels somehow manipulated by what we have just witnessed. There are, supposedly, four different alternative endings for the movie, but unfortunately, the one being shown, doesn't add anything to what we have already seen.

Although the film has some interesting moments, director John Polson has gone for the Grand Guignol effect. Ari Schlosberg's screen play gives us hints about what to expect, yet, when we realize the mystery at the center of the story, we keep scratching our heads.

Suffice it to say, this film doesn't add anything to Robert DeNiro's brilliant career. Mr. DeNiro's last choices in films puzzle us, as well as his fans because we know he is capable of doing much better. Yet, as shown with this film and "Meet the Parents", and its sequel, "Meet the Fockers", "Analize This", and "Analize That", the actor keeps us wondering about his choices.

Dakota Fanning is a young actress who shows an uncanny sense of how to upstage Mr. DeNiro in most of their scenes together. As Emily, in this film, this girl shows an enormous range in what she is capable of doing. One can see Ms. Fanning growing to be another Jody Foster in later years.

The rest of the cast is completely underused. Amy Irving is only seen in flashbacks, which is a shame since she is a valuable actress. Famke Janssen has a few key scenes. The same goes for Melissa Leo, Elisabeth Shue and Robert John Burke.

The only consolation was it was shown on cable and we felt lucky not having spent the price of admission.