A mischievous high school sophomore faces a conflict of conscience vs. character when his best friend becomes linked to the death of a youth from another clique in suburban Middle America ci... Read allA mischievous high school sophomore faces a conflict of conscience vs. character when his best friend becomes linked to the death of a youth from another clique in suburban Middle America circa '76.A mischievous high school sophomore faces a conflict of conscience vs. character when his best friend becomes linked to the death of a youth from another clique in suburban Middle America circa '76.
Don Brunner II
- Coach Pud
- (as Don Brunner)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The good humor man was a very interesting movie I have never seen a movie like that it was a love story some what but also it had a lot of drama in it. Things you would have not expected happened I liked the movie it was very real it was not a fairy tail at all it was very raw and to the point. Its just like real life cause things like that really happen. So those who have not seen it I'm not going to say to much but I recommend it. It just basically going into the life of teenagers and how they are separated into different clique's like Jocks and Burn outs. I like the romance about that because Wendy was able to look past the fact that her and Jay were from different backgrounds and thats what I liked about it the most.
I saw this on a screener DVD a couple months before it was released.
I liked the main characters and the overall story but some scenes are pretty sloppy and confusing. The sets were fitting but a few just looked like left overs from Freaks & Geeks or reminded me of a cell phone commercial shot in a middle class home. Definitely not what the DVD cover claims, "Destined to be the next stoner classic", hardly.
Wardrobe and hairstyles are done well and yes, there are some really pretty girls in this, always nice to see a good looking cast.
Almost every scene contained guitar that just droned on and on. Sound design was a bit poor. I think less would have been best.
I liked the main characters and the overall story but some scenes are pretty sloppy and confusing. The sets were fitting but a few just looked like left overs from Freaks & Geeks or reminded me of a cell phone commercial shot in a middle class home. Definitely not what the DVD cover claims, "Destined to be the next stoner classic", hardly.
Wardrobe and hairstyles are done well and yes, there are some really pretty girls in this, always nice to see a good looking cast.
Almost every scene contained guitar that just droned on and on. Sound design was a bit poor. I think less would have been best.
I loved this movie. It is one of those small movies that is a great find. I have watched it several times and I figure out something new each time. I hope the director continues to make more movies because this one is very entertaining. I really liked the friendship between the character's "Jay" and "John". I think you could really see why they were the two guys in the group to be close. Then there was the good relationship "Jay" had with "Wendy" and his relationship with his parents. This was a great movie to discuss with friends. The movie also had some great lines. When Jay told his mom he would try to be a better "guest". I cracked up.
I saw "The Good Humor Man" at Methodfest awhile back and then I heard it was going to be on TV. I watched it again and remembered just how good it was.
The overall feeling I had is that I was watching a film that had been lost in the 70's, gathering dust on a shelf in the back of an office, and someone found it and said, "maybe folks could relate to this today." It seems more as if it was made in that period rather than trying to evoke it. The production values definitely said "indie" to me (in a good way). I loved the transition from the well-lit, perfectly blocked and shot interiors to the grainy, almost home movie look of the exteriors. A less experienced director would have used a lot more hand-held and faster cuts. That would have been the easy way out. But Tenney Fairchild let the story dictate the shots and not the other way around. The script was brilliant, and I can see it becoming an instant "cult classic" in the most complimentary sense of the term. So many great lines -- I kept thinking, "I've got to remember that line," then there'd be another, and another...
Of course, the music had me from the word go, but I knew that it would going in. How can you go wrong with a score by Robin Trower? Everything about the look, of course -- the hair, clothes, cars, appliances, Pop-Tarts...
The juxtaposition of the raw, almost jarring language of the stoners (I didn't know there were that many slang terms for sex acts and body parts -- I should count next time -- actually, I'll bet someone has) with the tender, innocent, almost childlike relationship between the lovers was what made it like a perverse Afterschool Special. At its heart, it's really an old-fashioned romance.
I was rolling on the floor more than once -- at some point I started thinking, "man I wish I made this." I found myself wanting to rush things along at the start -- it felt a bit slow. By the end, I was looking at the clock thinking, "damn, that's it?" I didn't want it to end. I could stay with those kids another couple of hours.
The kids were great. It didn't feel scripted, for the most part. To me a great director doesn't "direct" so much as let the actors do what they do best. That's what I felt from opening to closing credits.
The overall feeling I had is that I was watching a film that had been lost in the 70's, gathering dust on a shelf in the back of an office, and someone found it and said, "maybe folks could relate to this today." It seems more as if it was made in that period rather than trying to evoke it. The production values definitely said "indie" to me (in a good way). I loved the transition from the well-lit, perfectly blocked and shot interiors to the grainy, almost home movie look of the exteriors. A less experienced director would have used a lot more hand-held and faster cuts. That would have been the easy way out. But Tenney Fairchild let the story dictate the shots and not the other way around. The script was brilliant, and I can see it becoming an instant "cult classic" in the most complimentary sense of the term. So many great lines -- I kept thinking, "I've got to remember that line," then there'd be another, and another...
Of course, the music had me from the word go, but I knew that it would going in. How can you go wrong with a score by Robin Trower? Everything about the look, of course -- the hair, clothes, cars, appliances, Pop-Tarts...
The juxtaposition of the raw, almost jarring language of the stoners (I didn't know there were that many slang terms for sex acts and body parts -- I should count next time -- actually, I'll bet someone has) with the tender, innocent, almost childlike relationship between the lovers was what made it like a perverse Afterschool Special. At its heart, it's really an old-fashioned romance.
I was rolling on the floor more than once -- at some point I started thinking, "man I wish I made this." I found myself wanting to rush things along at the start -- it felt a bit slow. By the end, I was looking at the clock thinking, "damn, that's it?" I didn't want it to end. I could stay with those kids another couple of hours.
The kids were great. It didn't feel scripted, for the most part. To me a great director doesn't "direct" so much as let the actors do what they do best. That's what I felt from opening to closing credits.
Wow!! From the opening till the end i was into this movie, Tenney does an amazing job, I love when there is about to be a rumble they have the classic stare down and everyone gets up in slow mo, very cool stuff, throughout all the drama u find yourself laughing as well, Great Story!! And since this film is based in the 70's it has an amazing classic rock soundtrack!! Some of my favorite's... I love all the character's names in the film.. very original..It always fun to watch a film that has a lot of talented up and coming actor's. I know I will see these guys again...This film truly had it all, I can't wait for the DVD to come out. I will for sure buy it!!!
Did you know
- GoofsThe movie is set in 1976, but the Chevrolet van-based ambulance which takes Jay to the hospital has a grill which indicates that it is a 1978 or later model year vehicle.
- How long is The Good Humor Man?Powered by Alexa
Details
Box office
- Budget
- $1,000,000 (estimated)
- Runtime
- 1h 52m(112 min)
- Color
Contribute to this page
Suggest an edit or add missing content