Le dernier signe

I thought at first that this movie happens in France, because of this green country, old mansion and french actor. But, it is located in Canada that gives me another reason to make a trip there.

The story is not original because a love story beyond grave has already been told in "Ghost" or "Always". But, here, the entire movie relies on the performance of Andie and she's excellent as always. It's not a common thing to have an actress of her age being the focus of an entire movie thus her fans (like me) should be happy.

In addition, it's has been a great pleasure to see again the wonderful "Lois" (Margot Kidder) past her middle life too. She is always so dynamic, mindful and her voice will be forever unique.

However, the script would have been better written because Andie is unfortunately very passive: She witnesses very strange things but never show reaction except fear and anguish and keeps all for herself. This isn't very believable.

At last, the movie is called the "Last Sign" and if I have seen signs, I wonder which is the last because none struck me very much.

This is truly one of the worst movies I have ever seen, and I've sat through some real stinkers. "The Last Sign" features a deadly combination of wooden acting from Andie MacDowell, overacting on the son's part that soap operas would balk on, and a script that sounds as though it was written by a three-year-old. Consider this line uttered by Mark (Samuel Lebihan) at a baseball game. "Frank's team is winning. Now all the pressure is on Frank." This was followed by shouts to Frank of "Come on! You can do it!" It might look nice on paper, but it sounded so wooden and unrealistic coming out of their mouths that as soon as the movie was over, I wanted to throw the DVD across the room. Let's not forget the fact that too many unbelievable events happened for no reason, and the ending completely forgot to explain them all. Avoid this movie like the plague.

The acting with the exception of Andie MacDowell is awful, especially from Samuel Le Bihan (who plays the character Marc), who is so wooden its almost funny. The rest of the actors make do with a script that no one could save. No matter how good they were.

In summary, the script and plot are just plain pathetic. I would advise to give this film a miss.

Technical error: during the film, the car can not start, and you find out later it was due to a flat battery. However, the car's engine was turning over, just not firing, which if the director knew anything, is not a sign of a faulty battery.

The widow Kathy (Andie MacDowell) is grieving the loss of her husband Jeremy (Tim Roth) with the feeling of guilty. Jeremy, who was an idealist doctor in the beginning of his career and lately a drunkard, died in a car accident after seriously arguing with Kathy, when she was leaving him with their two daughters and a son. Her financial situation is not good, so she starts working in a clinic and rents a house in her property to the French engineer Marc (Samuel Le Bihan), who is temporarily expatriated in Canada. The tenant Marc has a great connection with her young daughters and especially with her teenager son, and falls in love for Kathy. However, she sees the ghost of her husband, and she feels not comfortable to have any relationship with Marc.

The intention of this movie is very good: it would be about a woman, living with the feeling of guilty after the loss of her abusive alcoholic husband, but formerly her beloved mate. Unfortunately, the screenplay is weak and has many flaws. For example, the financial problem of Kathy with the bank is used only for the introduction of the character of Marc, and is completely forgotten along the story. Why the ghost of Fergus needs to call her by phone, if she was able to see him? It was good to see Margot Kidder again, but her character is useless in the plot. Anyway, this movie is not so bad as indicated in some reviews and I found it a good entertainment. My vote is six.

Title (Brazil): "Gritos do Além" ("Cries From Beyond")

This flick was intended to be a fantasy and horror work and it became a Harlequin Romance .How can a director do such a thing with an actor like Tim Roth?Anyway Roth is a ghost and he is not given a single chance to shine.Samuel LE Bihan's character is the straight handsome gentle -and of course clever-man who loves the heroine's children and who urges her to pick up the pieces and to give them a chance.

When the movie tries to be "scary", it uses all the hackneyed tricks which even the worst directing drudges would not dare :"I've just talked to your son/-But my son is dead " here's the "terrifying "dialog; The "old" colleague (Margot Kidder!) initiating McDowell to spiritualism is also ridiculous.

The last scene takes the biscuit,with its "moving" last sign ,naturally filmed in slow motion.

If you want to see a movie which tackles almost the same subject and brilliantly succeeds ,take FRançois Ozon's "Sous le Sable" starring Charlotte Rampling.(International title:"Under the Sand" )