Cocaine Cowboys

I not only saw the documentary, I lived it, I became a Metro Dade county police officer in Aug of 1980 and retired in 2002, I was on the scene of at least half the drug related killings pictured in the video, and a whole lot more that were not. As if that weren't enough, I also went to High school with the quintessential Cocaine Cowboy Mickey Munday, oddly enough I didn't make the connection till I watched this video 50 something years later, I recall him as a redheaded nerd who the girls wanted nothing to do with, if they had only known that one day he would be buying entire neighborhoods and burying trash bags full of 20s and hundreds.

Cocaine Cowboys is a great movie. A must see for sure. Never has a viewer gotten to experience the real cocaine world until now. Interviews with a top hit-man/enforcer, a pioneer pilot, kingpin, and tons of stock footage make this film completely unique.

The sequel, Cocaine Cowboys 2 - Hustlin With The Godmother,is going to be even better. It focuses around Griselda Blanco, Rivi (the enforcer/hit-man) and a character named Charles Cosby. There is an advance screening June 20, 2008 at the CineVegas Film Festival and this time around the documentary has worldwide distribution checkout www.charlescosby.com for some pictures of Griselda Blanco and Charles Cosby.

Cocaine Cowboys is narrowly focused on how Miami became the drug capital and the most dangerous city in the United States during the late 1970s and the early 1980s. The film is lasciviously fascinated with the lavish lifestyle and the grotesque violence generated by the drug trade. Many obviously find such material quite fascinating. There's no denying that several anecdotes shared by dealers, smugglers, cops and veteran reporter Edna Buchanan are very amusing. Fans of TV's Miami Vice and Brian de Palma's Scarface are advised to rush to a theatre playing this film. They'll find that the real-life models of the fictional villains are even more flamboyant and vicious (the life of Griselda "the godmother" Blanco could be turned into a nifty fiction film). CocaineCowboys combines talking-head interviews with old TV footage in rat-tat-tat editing style. Shots of piles of cash and large stashes of cocaine are used as would-be punctuation marks; and there are more snapshots of bloody, perforated bodies than you've ever seen in your life.

Cocaine Cowboys is documentary film-making as tabloid journalism. Its cheap thrills provide a measure of entertainment but its reportage is devoid of context and thoughtful commentary. Director Billy Corben is a native, but as one born in 1979 his view of the material is decidedly second-hand. Towards the latter stages, Cocaine Cowboys strains to present Miami as "the city that cocaine built" by hyperbolically describing late-70s Miami as a "sleepy hamlet". There is some truth to the argument but it is a self-serving and simplistic one. Moreover, the content as presented here is likely to perpetuate certain ethnic stereotypes about the Colombian community and Cuban "marielitos" (Cubans who arrived when Castro allowed migration to the US through the port of Mariel in 1980).

Life was good in Miami in the 70s. You could blow into town with $500 dollars in your pocket, and the next things you know, you are burying millions in your bag yard, driving the hottest cars, have two or three cigarette boats, a string of race horse, and land all the way up to horse country in Marion County. You didn't think twice about dropping $20,000 on food and drink because you had so much. The Miami skyline was booming with two dozen construction cranes operating, cars were selling like hotcakes, and there was no trace of the recession that was occurring elsewhere in the US.

But, then came the 80s and there were 100,000 illegal Colombians in Miami and Castro had just flushed Cuba's toilet and dumped his criminals into the city in the Mariel boat lift. War began between the drug dealers on these two sides, and it came to the attention of Reagan and Bush that there was a problem in Miami that affected the whole country.

Long before I got attracted to Carl Hiaasen's fiction, I was reading his columns from the Miami Herald. Forget Scarface, this was the real thing. Shootouts with shotguns and automatic weapons on the streets in broad daylight. Miami had become Dodge City and Chicago during Prohibition to the tenth power.

This is the story of those two decades in Miami and the results today - a booming international city built on cocaine. The truth really is more exciting than what you see on Miami Vice.

This was a spectacular depiction of the life and times of Miami in it's criminal hay day. I witnessed the carnage first hand as a member of federal law enforcement and this documentary hits the nail squarely on the head. What made this really enjoyable for me is the way the director conveys the story. It is flashy and all over the place... just like Miami at that time. This was one of the few documentaries that told the stories of both sides of the struggle. The makers of this film were also able to do something very difficult. They assembled interviews from both sides of the fight. Anyone that is or was in my line of work knows how difficult it is to pull that off. Most documentaries are steeped in biased rhetoric and never give the viewer the chance to form an opinion based on all the facts. For those of us who remember those days and can be honest with ourselves and others about the gravity of that situation, it stirs up a long stored emotion. I can understand why people may find this documentary offensive or cheap, politically correct agendas have a way of skewing reason. That mentality is probably why this behavior has gone on so long. I wish I could take some of the misinformed back in time to see the reality of those times. It makes the nonsense of today look like Disney World. This documentary was an excellent depiction of the times.