Cocaine Cowboys

A very stylized documentary, for a very stylized period of time, Cocaine Cowboys takes us into the world of Miami between 1970 and 1980. Using plush diversions with still images The Kid Stays in the Picture made popular, Cocaine Cowboys shows the immense changes Miami went through as it discovered the drug cocaine. Primarily interviewing three of the main names during this drug and blood soaked era, this film delves into a world filled with money, women and more importantly cocaine. As the film informs us, the Colombian Cartel made over ten billion dollars during their escapades in the Miami area, not only for themselves, but for the Americans helping them distribute.

The characters that are being interviewed, including an inmate captured for over twenty murders, never so much as flinch as they describe in detail, brutal murders. It is truly fascinating to listen to these criminals, two of which were released from prison, reminisce their achievements within crime organizations. This documentary does lack some of the more interesting comparisons director Billy Corben does brag about in his advertising for the film. Saying that it is the true story behind Scarface and Miami Vice, Cocaine Cowboys barely touches on these comparisons, and seems to bring the most interest from these brief allegories.

Despite this small short coming, the rest of the film is entertaining and educational, especially for a native Floridian like myself. I never really knew how large this business was in Miami until I watched this true rendition of the over fantasized films it claims to be the inspiration for. Explaining allot of what the American government will look away from, due to hefty drug money profits, does put a perspective on its true intentions, be it accepting drug money, ammunition money, or any type of blood money.

This was a spectacular depiction of the life and times of Miami in it's criminal hay day. I witnessed the carnage first hand as a member of federal law enforcement and this documentary hits the nail squarely on the head. What made this really enjoyable for me is the way the director conveys the story. It is flashy and all over the place... just like Miami at that time. This was one of the few documentaries that told the stories of both sides of the struggle. The makers of this film were also able to do something very difficult. They assembled interviews from both sides of the fight. Anyone that is or was in my line of work knows how difficult it is to pull that off. Most documentaries are steeped in biased rhetoric and never give the viewer the chance to form an opinion based on all the facts. For those of us who remember those days and can be honest with ourselves and others about the gravity of that situation, it stirs up a long stored emotion. I can understand why people may find this documentary offensive or cheap, politically correct agendas have a way of skewing reason. That mentality is probably why this behavior has gone on so long. I wish I could take some of the misinformed back in time to see the reality of those times. It makes the nonsense of today look like Disney World. This documentary was an excellent depiction of the times.

Cocaine Cowboys is narrowly focused on how Miami became the drug capital and the most dangerous city in the United States during the late 1970s and the early 1980s. The film is lasciviously fascinated with the lavish lifestyle and the grotesque violence generated by the drug trade. Many obviously find such material quite fascinating. There's no denying that several anecdotes shared by dealers, smugglers, cops and veteran reporter Edna Buchanan are very amusing. Fans of TV's Miami Vice and Brian de Palma's Scarface are advised to rush to a theatre playing this film. They'll find that the real-life models of the fictional villains are even more flamboyant and vicious (the life of Griselda "the godmother" Blanco could be turned into a nifty fiction film). CocaineCowboys combines talking-head interviews with old TV footage in rat-tat-tat editing style. Shots of piles of cash and large stashes of cocaine are used as would-be punctuation marks; and there are more snapshots of bloody, perforated bodies than you've ever seen in your life.

Cocaine Cowboys is documentary film-making as tabloid journalism. Its cheap thrills provide a measure of entertainment but its reportage is devoid of context and thoughtful commentary. Director Billy Corben is a native, but as one born in 1979 his view of the material is decidedly second-hand. Towards the latter stages, Cocaine Cowboys strains to present Miami as "the city that cocaine built" by hyperbolically describing late-70s Miami as a "sleepy hamlet". There is some truth to the argument but it is a self-serving and simplistic one. Moreover, the content as presented here is likely to perpetuate certain ethnic stereotypes about the Colombian community and Cuban "marielitos" (Cubans who arrived when Castro allowed migration to the US through the port of Mariel in 1980).

Anyone familiar with the story of Pablo Escobar and the Medellin Cartel will know how the mass manufacturing and distribution of cocaine turned Colombia into a war zone, with top politicians and judges routinely assassinated, and gang wars spilling violence onto the streets on a daily basis. Billy Corben's documentary Cocaine Cowboys focuses on the effect the most fashionable drug of the 80s had on Miami, which was the main entry point for masses of imported cocaine. Soon enough, the city once seen as the holiday spot for retired old folks was turned into the richest place in the world, with luxury car dealerships and expensive jewellery shops popping up all over, and of course, lots and lots of banks. The sudden boom was all down to cocaine consumption, and this came with a heavy price.

Corben tells the story using a variety of interviews, news reports, archive footage and photographs, lending a voice to everyone from smugglers, enforcers, politicians and law enforcement. The most fascinating insight is given by pilots Jon Roberts and Mickey Munday, who decided to get into the drug trade early on, making an unfathomable fortune in the process. They offer entertaining anecdotes about their experiences, and were making so much money that they lived in little fear of getting caught, even buying their own airports to import the goods in complete secrecy. Roberts and Munday were just regular guys who never dreamed that they could ever become so wealthy, and made sure to enjoy the high-life while it lasted. The main threat came from the cartel itself, which was so powerful and far-reaching that one foot out of line and you were dead, often by way of horrific torture.

The film's final third focuses heavily on the 'Cocaine Wars' that became so out-of-hand and brazen that it led to military intervention. This segment is told through the recollections of the deceptively charming inmate Jorge 'Rivi' Ayala, a former hit-man for crime family matriarch Griselda Blanco - known as the 'Godmother' - a woman capable of unspeakable cruelty and brutality. If she didn't like your face, you were a goner, and often entire families, including young children, were wiped out in order to leave no witnesses. It's a mind-blowing tale of how one drug can have such a devastating effect on a country, and it's told in a fast-paced, almost coked-up fashion, with the clever use of subtle animation to make stills feel alive, and a wealth of shocking and revealing archive footage to paint a clear picture of a city in crisis. A 'Reloaded' edition was released in 2014, which adds over 30 minutes of footage and provides updates on some of the subjects. I've seen both, and the original, shorter version tells a much tighter story.

I never could have guessed how intricate the cocaine industry was at this time. I was born post the cocaine era so I did not know how incredibly different the laws were during that time. This documentary gives so much insight into this high-speed world of drugs. I loved how the director allowed the members involved to tell their stories; however I wish that he had let them tell all of their stories & it was kind of jumpy when moving a narration when moving from one involved member to another would help the transition to be better understood. But now I'm hooked I wished that some of the involved members had not passed away because I have got to know more the system was so complex I want to know how it all works.