Evergreen

I saw "Evergreen" at the Seattle International Film Festival in May. I especially recommend this movie to teens. They will relate to the mother/daughter relationship in this movie. I understand this is the first movie the lead actor, Addie Land, has been in. Her acting was wonderful and made the movie more special.

Addie's performance reminded me of Ashley Judd in "Ruby in Paradise". I hope we see more of her in the future. Great talent! BL SE

This views like an after school special. The acting is almost as bad as daytime soap operas, and about as slow moving and overacted too. While the beginning does manage to hook you in, 15 to 20 minutes later you have extricated that hook and are reaching for the remote. Not one character was believable in their role, from the periphery students all the way up to the main character and her mother and grandmother. The 10 star reviews here are bought and paid for and I advise to disregard them. The inconsistencies in this movie are glaring. For someone with no money she has makeup, nice clothing, jewelry etc. The mother just harps on their bright future while bemoaning everything they don't have. The home they were living in would have been condemned in a second. At first glance at the outside you just knew it was a home sought out by a movie scout and inserted into one shot to try and get the sense of wrenching poverty driven home to viewers who aren't so savvy.

Single moms with teenage daughters are heroes for our times: They must be self reliant, tough, tender and suffer the slings and arrows of a culture that worships youth, which in the teen years is unremittingly disrespectful of the adults that made that culture possible. Writer/director Enid Zentelis has a first feature, 'Evergreen,' which minimally shows some of that teenage rebellion but mostly gives a realistic and rarely obnoxious (Remember Holly Hunter's harried mom in 'Thirteen'?) account of a mother Kate (Cara Seymour, 'Adaptation') and her teen daughter, Henri (talented newcomer Addie Land) starting life again in Tulalip, Washington (filmed in Everett). Kate's vision for Henri says everything about the limits of poverty, the narrow field of expectation, and the accompanying deficiency of taste: "Someday you could manage a fancy department store."

Zentelis approaches cliché territory by showing how impoverished this couple is (Grandma's apartment leaks literal buckets) and how rich Henri's boyfriend, Chat (Noah Fleiss, 'Bringing Rain') is (He drives a Jeep Cherokee)-both rich and poor share the stereotypes of the former wanting out of poverty and the latter corrupted by privilege. Yet the director never condescends to either, for she seems to respect their limitations: Chat's mother, Susan (Mary Kay Place, 'Sweet Home Alabama'), is agoraphobic and father, Frank (Bruce Davison, 'Rules of the Game') an alcoholic; Kate has self image problems, and Henri is ashamed of their poverty (Shame accompanies most teens like acne anyway).

The film delves not deeply into any of these characters while making a full study of the trappings and trials of wealth and poverty. It does, however, have a fully round character in Jim (Gary Farmer, 'Adaptation'), a Native American casino dealer who sees better than anyone the goodness of Kate and Henri, though he knows Henri stole money from him and doesn't know that Kate stole booze from Chat's parents. He is open and loving, perhaps the very spirit of the Pacific Northwest.

'Anywhere But Here,' 'Tumbleweeds,' and the well-known 'Alice Doesn't Live Here Anymore' all deal with the rambling mom and daughter. In each we can be reminded of Jane Erskine Stuart's notion that 'in no order of things is adolescence the time pf the simple life.' 'Evergreen' contributes a minimalist realism to the genre while missing crisp dialogue and character development (except for Henri) to make it stand out.

'Evergreen' is a fair representation of the 'indie' spirit and a reminder of its limitations.

(This film is played only in AMC theaters through Digital Theater Distribution System [DTDS], which feeds directly from satellite, obviating the need for film reels. Our image was digital dull.)

This film attempts admirably to show the pain of adolescence, especially in a poor family. Unfortunately it lacks the quality of acting and direction to give it real impact. We are distracted by the fact that some of the characters at least don't seem real and the actors often don't seem to be "on the same page".

This viewer made the mistake of taking at face value a reviewer's rating of four stars - a reviewer I didn't even know! - and then being disappointed. My own fault!

Perhaps if I had entered the room with different expectations, or been given the realization that this movie was truly a first time effort or compromised somewhat by low budget I would have been able to be more charitable - and possibly derived more enjoyment from it. But alas the unknown reviewer gave it a glowing rating. Too bad.

Addie Land captures the moments in the life of a teenage girl faced with the disparity between the realities her own family faces as working poor and the middle class prosperity of her peers. She is positioned to make decisions about what she is willing to put on the line to better her circumstances--her family--her virginity--her identity. Finally, a movie for young women with some depth. Addie plays the role of the girl, Henri, and she just adds a freshness to the film--she is a natural on screen. The film is set in the northwest--it has style. I saw the film at Sundance this year but understand it may be coming out to theaters soon. Try to check it out.