État d'alerte

This is a pretty good series, and as a South Asian American (with Muslim heritage) I was intrigued by it. The best acting is done by the Brits and the Raza Michaels character.

And to the viewer who said it shows only Muslim terrorists- that is not true. Akil (the young scared Brit) does not practice Islam- his brother Hamid does. Kaz (the American blonde) turns to Islam because he has a bad relationship with his dad. These (youngish) guys have seen the "bad" side of life (jail/racism/poverty, or whatnot). So they look for a solution. Maybe they get into religion. Maybe violence. Or both. There are no easy solutions and all people are not black/white in their ways- and this show opens up about that.

I'll start by saying that I definitely enjoyed the first episode. The two hours pretty much flew by. I highly recommend this to anyone.

However, there are a few glaring flaws:

With two exceptions, virtually all the main characters are young and beautiful. , they are all supposed to be highly seasoned veterans in extremely high

positions within their respective agencies, Yeah, right.

At least most of them are terrific actors. The one GLARING exception is Julianna Margulies. She was fine in her TV role as a nurse, and I liked her a lot in "Elysian fields." However, she is PAINFULLY miscast in this series. She's so non-believable (not to mention wooden) that everytime she was on-screen I got jolted out of the action with a blaring

reminder that I was watching a tv series. Awful. Maybe she's battling a drug addiction or alcohol, who knows....

OK, but other than the above, the premier episode was terrific. Excellent

cinematography, excellent screenplay, editing, etc. Also, as others have said, the "bad guys" aren't presented as one-dimensional. Rather, both sides of the conflict are presented with equal respect, and that's really something. There's a lot in this series to make you think.

HIGHLY recommended.

the grid is fabulous -- beautifully written: Raza to Emily "Sex like love is an act of devotion," beautifully acted -- wonderful television. Go TNT! By the way, I believe that Raza Michael's name is Piter Marek. The casting is diverse as are the locations. The Grid could have very easily been a theatrical movie, albeit, it would have had to be shorten. But that is why television is great, especially when it is allowed to be great. TNT but together an intelligent piece of entertainment. The characters are very well drawn out. We are already seeing the many different shades of people that live in this vast world of ours. The Grid lets us see that not everyone of a particular culture or ethnicity is bad. And please Raza Michaels is Piter Marek.

An interesting joint venture between BBC, Fox and TNT. The problems of international cooperation between security agencies loom large in the mini-series (shown in three parts by the BBC). But they also seem to have affected the production itself. The first two parts were exciting, despite having to keep tabs on fast-moving events across the globe and track a number of one-dimensional characters.

The final section tried to give some more flesh to these characters - and that's when the problems started. The two 'leads' (at least their names came up before the title) were pathetic, with wooden acting, embarrassing dialogue and trashy sentimentality. Who are Dylan McDermott and Juliana Marguelis and how did they get the leads? They are handicapped even further with silly names - Marin and Max Canary, though not as silly as Tom Skerritt's "Acton Sandman"!

The 'minor' actors, notably Bernard Hill - superb as a grizzled security chief showing Skerritt what real acting is all about - along with Piter Fattouche, who triumphs over the disadvantage of being cast as the "good Moslem" and Jemma Redgrave, who was absolutely brilliant as a troubled British security agent. But the final part had too much of the Americans, presumably to justify the Fox/TNT money, and it fell away sadly. So the high opinion I had of The Grid after Part two was drastically modified by the end of Part three, confirming my belief that I do not want to see IMDb reviews from reviewers who have only seen part of a series.

Just before THE GRID was broadcast I came to this page and found out that THE GRID was a BBC / American co-production and had first been screened on US television . This utterly surprised me since all the trailers seemed to make a big thing about the British cast ( Most notably Bernard Hill who not only appeared in every trailer for this but every single trailer for the Olympic games too ) but upon watching the first episode it becomes very obvious the amount of American involvement in this drama . This might not have been a bad thing since American television has brought us some great dramas in the last few years ( Am I the only Brit who loved OZ ? ) but THE GRID isn't one of them

Despite having only one director and two credited writers THE GRID feels it was produced by a commitee numbering several hundred people and this shows through on screen

Will it appeal to Tom Clancy junkies ? - Check

Are there bedhopping scenes to appeal to SEX AND THE CITY fans ? - Check

Are there both good and bad Muslim characters to show that not all Muslims are terrorists . We don't want allegations of racism with this show - Check

This is a drama /thriller that is trying to appeal to the entire TV audience on both sides of the Atlantic and this is where the mini series fails . Maren Jackson might be a hot American babe while Emily Tuthill will appeal to those viewers who like frosty English ice maidens but are their sex lives that important to the plot ? ( A plot which I thought was overstretched ) Mind you when you've got dialogue like

" Come to spoil the tea party ? "

" I've no intention of spoiling your tea party . I drink my tea in Long Island - Ice cold "

I guess you might expect a bit of sex since it sounds like it came out of a blue movie

So THE GRID fails down to the fact there seems to be too many cooks pouring some iced tea