Childstar

Don Mckellar is a comic genius, as long as dry wit with an accent is your kind of laugh-a-thon. It is mine, so I loved this movie.

Mckellar plays an endearing character who has just divorced the love of his life, for whom he has shot an independent film which has no backing as his on film love letter equates romantic love to ADHD images erratically juxtaposed against the nature. Since he has to put peanut butter on his bread, he begins working as a driver for a film being shot in his hometown. Thus, Mckellar's character meets 12 year old Taylor Bradford Burns, a teenage star whose fame is hanging on his ability to maintain "adorableness as a child" and thus, his film company and agents are pushing him to do another film whether it's worth doing or not (which is certainly debatable) before his "voice changes".

Jennifer Jason Leigh is exquisite as always in her cooler than ever way, as the mother of the child. She's just looking to "take care of Taylor" the best way she knows how - which includes getting him the largest salary possible, living in the poshest house the studio will foot the bill for, and ensuring that he has "a male role model" by turning her responsibilities over to the first available and passably attractive guy she runs into --- who is of course, our newbie driver.

It's a fun movie. Taylor Bradford Burns is played by a young man who is straddling the line between youth and a teenager with more experience than anyone under 18 should have. Worth renting. Enjoy it with popcorn.

I loved McKeller's other film "Last Night". Unfortunately, this lame effort is uninspired. We've seen it all before and better. The film doesn't know what it wants to be - is it a comedy, a morality play about fame and the young, is it about parents living through their children, is it about manipulation? The result is a film that doesn't know what it wants to be and in turn, cannot find an audience. Like so many Canadian films, it's just not audience friendly and there is nothing in this film to get anyone but McKeller fans out to watch it. The film just unraveled (badly) and never went anywhere and then needed a long speech at the end to explain a plot we all stop caring about a long way back. The cinematography was excellent but it was wasted in this effort. McKeller can do better and has. Hopefully he can put this failure behind him.

I just watched this for the first time on my cable companies free On-Demand. I would say, interesting...complicated...disjointed...but demanding a 2nd view. Jennifer Jason Leigh is somewhat under-stated in this, and the boy is believable at times, totally not at other times. Questions come up at the end of almost every scene, so that's why I probably will view this again. But, can't help feeling I'm watching a "E-True Hollywood Story" about "Family Ties" or "Growing Pains" (what with Alan Thicke in this) at times it feels like an entertainment documentary, with some added drama that I won't "spoil". The fact that this was filmed in Canada is kind of parody of itself in that they make fun of that fact, but yet are also filming in Canada. Ironic.

Disappointing follow-up to McKellar's sublime "Last Night" (one of my favorite films of all time) and "Red Violin", this film is about an obnoxious child actor in the mold of Haley Joel Osment, his equally obnoxious stage mother (Jennifer Jason Leigh), and the hapless indie filmmaker-turned-chauffeur (McKellar) who is assigned to baby-sit them. Minor hilarity ensues from the cross-border (US/Canadian) cultural confrontations and the underage star's affectation of adult nonchalance and knowledge, but not enough to rescue the film, or the viewer. I cannot imagine what possessed the wondrously gifted McKellar to consider such a banal theme. Please regard this as my personal plea to Don McKellar to return to writing and making films of the caliber of "32 Short Films about Glen Gould", "Last Night", and Red Violin".

How much I enjoyed this film surprised me. (I saw it at the Philadelphia Film Festival the day after I saw "Checking Out" with Peter Falk. So—that's saying a lot.)

"Childstar" is a droll send-up of fawning over child stars in our culture, and of being a person low on the film industry totem pole. There is a lot of clever, well-produced stuff in this film. My only negative comment is that too much seems to have been directly lifted from an episode of The Nanny, "When You Pish Upon a Star."

I will go to see any film with Jennifer Jason Leigh. Her arc seems to be like that of Geneviève Bujold before her. Leigh seems to have managed to be in a lower proportion of turkeys than Bujold, so far. Her performance this time worked for me.

Likewise the performance of Don McKellar in his own film was just fine. More power to him!