La création de Dieu

The performances of both Alan Rickman & rapper Mos Def shine brightly in this film of racism, perseverance, & the pursuit of advancements in medical science/surgery. Rickman's self-righteous & pompous Dr. Alfred Blaylock compliments greatly Mos Def's quiet, determined, & passive-aggressive role as lab assistant/technician Vivien Thomas.

The two men met at a time when medical science was headed for major discoveries & taking chances was not the order of the day. During the 30's & 40's, America was a different place for people of color in the negative sense & the medical community offered little or no opportunities for non-whites as well. Most people of color worked menial labor jobs liked servants or skilled craftsmen & lived with no luxuries & not much hope for more. Vivien Thomas, a carpenter by trade, stumbles upon a job assisting prominent surgeon & professor Dr. Alfred Blaylock. The snobbish Blaylock working on experiments to cure patients of shock to no avail. Soon, Dr. Blaylock discovers that Vivien is more than just a lowly assistant but a very intelligent young man yearning for a chance to prove himself to the powers that be. Vivien develops new techniques & surgical devices to create a "blue dog" & a way to reverse the condition. Realizing the potential to turn the medical community on its ear, Dr. Blaylock takes Thomas on a long & arduous journey with him through bigotry, scientific discovery, tension between the two men themselves, & successful "blue baby" surgeries. Although Thomas did not receive the notoriety & accolades that usually come with advances in medicine, he carried on for many years working with & teaching doctors his techniques Johns Hopkins. Thomas was elevated to Director of Surgical Services but still had not reached his ultimate goal. Finally after the death of longtime partner & friend Dr. Blaylock, Thomas was awarded an honorary doctorate of medicine by his colleagues & the prestigious Johns Hopkins. After a lifetime of self-sacrifice, determination, & love of medicine, Thomas had arrived & felt the satisfaction he always wanted; Vivien Thomas was now a face in the medical community that had shunned him for so long.

"Something the Lord Made" is a feast for the heart & the mind. All those who view this movie will walk away with better appreciation for those individuals who made the ultimate sacrifices in their own lives to change our existence for the positive. Rickman & Mos Def play off each other brilliantly & make you believe. Rickman always gives you everything called for in a role & does not disappoint in this film. I was most impressed with Mos Def's performance & gained a newfound respect for this young actor.

If you are not "moved" by this film, you'd better check your pulse. Your heart may need some fixin'!!!

This movie was heartwarming, inspiring, touching. Mos Def did a brilliant job as did Alan Rickman. I'm not quite sure why it was only made for TV, i guess because it's not garbage like most of what is out there at 9 dollars a ticket! Anyway a must see for those that can catch it on cable, I suggest you tivo it!

There is much to be said about character and Vivian is a man of character that stuck through it all, with no recognition no lights no awards, nothing. Yet through all the hardship and obvious racism he made his mark in history!

I applaud him... Kudos!

And he did it with such grace!

I actually avoided this movie for awhile..my mistake..It was so exhilarating...the characters were so real....and it reveals the true state of racial bias in the thirties/forties without harping...the real story is about the relationship between two very diverse people who shared a common dream....excellent performances by Richman and Def! What an understated overwhelming story...told in a poignant fashion over the background of the Depression, WW II, and the history of modern surgery!!

I got so very interested in the procedures, I had to scour the internet to research the story... This is the first I recall seeing Mos Def. He was so believable...

In 1930, the skilled carpenter Vivien Thomas (Yasiin Bey) loses his job and is hired by the arrogant Dr. Alfred Blalock (Alan Rickman) as a janitor in Vanderbilt. But soon Vivien is promoted to lab technician due to his skills. Vivien expects to join the medical school but his savings are lost in the Great Depression. Dr. Blalock moves to the Johns Hopkins University and brings Vivien with him. Along the years, they develop the bypass surgery using dogs as guinea pigs. When they save the first blue baby, their surgery technique becomes a worldwide success. But Vivien has no credit for his accomplishment. Will time correct this omission?

"Something the Lord Made" is a wonderful film that discloses the story of the first bypass surgery. The situation of Vivien Thomas is heartbreaking, in a period of great racism in the United States of America. The conclusion of this true story is gratifying and moving. My vote is eight.

Title (Brazil): "Quase Deuses" ("Near Gods")

It's gratifying to know that I'm not the only one who was surprisingly moved by this story. I had known only a tiny part of the story before the movie: that a white surgeon and a black technician developed the process that could save "blue babies." That's a huge accomplishment, but only a portion of the story.

Alan Rickman does a splendid job portraying Dr. Blalock. There are a few moments when his southern accent slips and a little British comes through, but in terms of portrayal of the character, he is convincing. Blalock is ambitious, and in fact so focused on his professional and medical goals that sometimes he's clueless as to what others are going through to get him what he wants. He's also at turns arrogant and compassionate...exactly what one would have to be to do what he did. One thing the movie communicates very effectively is just how much of a revolution this surgery was: not merely operating on a baby heart, Dr. Blalock opened the gate to surgery on *any* human heart. Rickman doesn't overdo it, but he gets the character across.

Mos Def steals the show, however, in his subtle portrayal of Vivien Thomas. There's no grandstanding in this performance; he makes us believe that we know Thomas, and that to know him is to love him. He plays a man who had more character in his little finger than most people find in their whole lives, and he does it with zero ham. It isn't just that he gives an understated performance...he becomes this man who feels deeply even though he doesn't express it loudly. You see it in his eyes, in his pauses, in his voice. It's hard to describe, except to say that beneath the calm, quiet, even deferential exterior there is, undeniably, a whole person, a fully human, noble, wise, mature, gracious character.

A previous commentator asks if the presentation, near the end of the story, of an honorary degree was supposed to be an apotheosis of sorts. Perhaps. I suspect, however, that it isn't the conferring of a degree but the unveiling of the portrait, that actually vindicates Thomas and lifts him to his place in the medical pantheon of Johns-Hopkins' larger-than-life wonder-workers. At the end of the film, Vivien is sitting in the lobby, looking at his own portrait next to that of Blalock's when he's paged as "Dr. Thomas." He has to wipe the tears from his eyes to respond to the page. Maybe it's the degree and the portrait together.

The same commentator asked whether the film omitted mention of Thomas's eventual title. Actually, there's a scene immediately after their arrival in Baltimore in which the Director of Laboratories gives Vivien some money and tells him to bring coffee and a donut. At the end of the film, when Blalock calls Vivien's office, we see Vivien's title on the office door: Director of Laboratories. The irony is sweet.

This is a compelling, touching film, with wonderful performances all around.