Addison comes home one night to find his wife brutally murdered with the words "We're even now". The cops suspect that Addison killed her, and now he must race through the underside of Dalla... Read allAddison comes home one night to find his wife brutally murdered with the words "We're even now". The cops suspect that Addison killed her, and now he must race through the underside of Dallas to find the only other suspect.Addison comes home one night to find his wife brutally murdered with the words "We're even now". The cops suspect that Addison killed her, and now he must race through the underside of Dallas to find the only other suspect.
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The movie was decent. Kind of shallow in some of the acting and I question how the brother(?) was able to act as an attorney when he didn't seem like an acting attorney but as a paralegal instead. My biggest question, however, is about the item on the fireplace mantel. What is that object in between the candles? Is that male genitalia? Who puts that on their fireplace? Was that intended or was it a reference to something? Was this made for TV? It cracks me up a little bit.
Aside from that strange, burning question that others must have missed, I also question why an attorney would offer up so much information to the police as he did. He should have known that bringing up wanting children would have made the cops ask more questions.
Aside from that strange, burning question that others must have missed, I also question why an attorney would offer up so much information to the police as he did. He should have known that bringing up wanting children would have made the cops ask more questions.
I rented this movie not knowing what to expect. I'm a fan of Ben's from Farscape, so I was intrigued to see him in something else. As I expected, Ben did not disappoint. He brought some actual three dimensional life into a collection of banal characters.
The plot is nothing unusual, the type of film I'd expect to see in a movie-of-the-week format. There are intriguing elements, especially toward the end as the killer of the title comes closer to being exposed. I wasn't surprised by anything, but I liked Sam and Sara, so I was interested in the character development.
C. Thomas Howell was unimpressive and I'd much rather have had someone more dynamic in the lead role. I'd say Ben, but my bias would show a little too much there. Sean Young-while she drives me nuts-was perfectly cast. I'm not sure I've ever seen Giancarlo Esposito in anything, but I really liked him in this film.
This was independently produced and while there are things about it I wasn't impressed with, all things considered it was a very polished film.
The plot is nothing unusual, the type of film I'd expect to see in a movie-of-the-week format. There are intriguing elements, especially toward the end as the killer of the title comes closer to being exposed. I wasn't surprised by anything, but I liked Sam and Sara, so I was interested in the character development.
C. Thomas Howell was unimpressive and I'd much rather have had someone more dynamic in the lead role. I'd say Ben, but my bias would show a little too much there. Sean Young-while she drives me nuts-was perfectly cast. I'm not sure I've ever seen Giancarlo Esposito in anything, but I really liked him in this film.
This was independently produced and while there are things about it I wasn't impressed with, all things considered it was a very polished film.
Very predictable with not much of a trick at the end. The beginning was very clumsy, even embarrassing, direction and not being able to grasp a good performance out of any of his actors, even the much under-rated Sean Young. Mr. Esposito later saved any interest in the movie. Cable then the video store is where this belongs, the director should watch Chinatown. Dallas offers much for a real noir, but this is not it. It is hard for a new director to engage this kind of film with any originality. The genre has been repeated many times , yet it is still valid. Walter Mosely can do it by writing. Donald Goines did it. Polanski did it. The Usual Suspects did it. Time is one thing, but realizing place, a real understanding of local, is another.
Addison (C. Thomas Howell, whom if he's one of the main stars in ANY post 1986 movie is going to suck) who after finding out that his wife has been murdered and being the prime suspect, attempts to catch the real killer. Vargas (Giancarlo Esposito) is an ex-cop who was disgraced by Addison, who comes along to help him reluctantly. This is a typical run of the miller thriller, no more, no less. The ending is a silly. The acting is pretty bad by Howell and even more so from a wasted Ben "Farscape" Browder.All in all, very VERY forgettable. Or maybe that's just me being hopeful again.
My Grade: D+
Eye Candy: Sean young gives a quick full frontal
My Grade: D+
Eye Candy: Sean young gives a quick full frontal
A tight plot and solid performances set this film above the standard fare. As a lover of mystery I've become extremely adept at finding the killer quickly. Well not the case here. I was guessing right up until the end. Enough red herrings to stock a fish market, and I loved every minute of it. Taking Lives tries to bring the mystery that A Killer Within delivers. So if you want a good mystery check it out.
Did you know
- TriviaThe luxurious homes that the main characters lived in were actually full-furnished show houses in North Dallas.
- Quotes
Becky Terrill: Careful honey, mommie's wearing Prada
- ConnectionsReferenced in Gumball 3000: 6 Days in May (2005)
- How long is A Killer Within?Powered by Alexa
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- El asesino interior
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- $850,000 (estimated)
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