À la croisée des mondes : La Boussole d'or

An evil empire called the Magestirium attempts total control of the population by hiding the secrets or parallel universes and a unifying particle called Dust in Chris Weitz's clunky but entertaining adaptation of Philip Pullman's "The Golden Compass".

"Harry Potter" and "The Lord of the Rings" have never apologized about their overt paganism. Likewise, "The Chronicles of Narnia" have never been accused of being subtle as a Christian allegory. These series, in both literary and film forms, have been monster hits due to their unapologetic natures that speak truths to their ardent fan bases. British writer Philip Pullman's darkly subversive anti-religious fantasy books have also been hugely successful, more so overseas than here in the States. Stripped of the books' overt atheistic messages, "The Golden Compass" takes a reverse psychology approach in its film treatment and oddly positions itself as an apology for Pullman's work. The result is a tepid affair that joins a long line of fantasy films about children discovering they are the chosen ones destined to save the world. At least this film is refreshing in its stance on girl-power as represented in the main character Lyra, played wonderfully by newcomer Dakota Blue Richards, who apparently is a graduate of the Dakota Fanning school of acting. Whether or not this tactic to strip the film of its soul (much like the Magesiterium strips children of their daemons) will make the film broadly appealing enough to warrant a franchise has yet to be determined.

The film comes across as more anti-authoritarianism in general than specifically anti-religion. In the 21st century the line between authoritarian politics and organized religion has become increasingly blurred. Since we currently live in a world where a born-again Christian sits in the White House and wages wars in Muslim nations, it's easy to see why folks from both sides of the aisle, ardent fans of the books and conservative Christians alike, have been worked up into a mindless and silly frenzy over even just a watered-down film version of the first of Pullman's "His Dark Materials" trilogy, with one side saying it's not wickedly subversive enough, and the other side saying it's still subversively wicked.

However, viewing the film out of the context of the books upon which it is based and the ridiculous faux-controversy surrounding them, it makes the grade as a big-budget fantasy flick. Yes, there are too many characters to keep track of, and the film has rushed feel to it as if it was edited at the last minute, but it still makes for an interesting trip. Kids will be wowed by the elaborate set designs and CGI effects, which are far superior to the ones in the similarly clunky but still entertaining "Chronicles of Narnia" and culminate in an awesome battle sequence involving armored polar bears--take that Global Warming! Adults will get a kick out the nimble ensemble cast, who all seem to be having a great deal of fun with the self-seriousness of the whole production and are headlined by Nicole Kidman--botoxed, full-lipped and deliciously frosty in a creepy villain role that suits her perfectly.

Possibly the strangest aspect of the film comes as an accidental subtext resulting from its apologetic nature. With its depiction of mystical-minded do-gooders rallying against the totalitarian Magestirium, "The Golden Compass" almost comes across as a period piece anti-Communist allegory rallying for the fall of the Soviet Union. It makes the film feel charmingly dated. There's also the disturbing subtext of child abuse at the hands of the Catholic Church as seen in the Magestirium's cruel experiments with kidnapped children, which makes the film feel charmingly grotesque.

Bottom Line: Any movie that depicts Nicole Kidman walking around with a monkey and preaches the importance of free will, making bonds, sticking together, and fighting for your friends and loved ones can't be all that bad. Despite some of the themes of the books being exorcised and arbitrarily presented by a poorly chosen Chris Weitz (a director known for his comedies "American Pie" and "About a Boy"), "The Golden Compass" still has enough interesting elements and old-fashioned razzle dazzle presented with new age CGI to make it entertaining. At its worst, it presents two hours of dark fantasy-land eye candy. At its best, it encourages adults and children alike to use their free will to do something far better with their two hours, like read.

I am among those who have not read the book and I found it to be initially confusing and boring but the film picks up after Lyra is taken into Mrs. Coultier's lavish house. The pace picks up but it may seem a little too rushed. The ending was sort of continuous, requiring a sequel. I would have liked to see the second movie but unfortunately, there is a rumour that it may not happen which is quite a pity because I thought 'The Golden Compass' was going somewhere. It is not the best movie of its kind but I thought it was not so bad either. The special effects are good. The characters are lively. I loved the daemons. It's got quite a stellar cast but only Nicole Kidman gets enough screen time to be noticed. Gorgeous, glamorous and deceitful, could not picture anyone else for the part of Mrs. Coultier. (I am almost sure that the rest were promised a lengthier role in the sequels). Daniel Craig only has about 15 minutes but he makes the best of it. Sam Elliot is funny. Dakota Blue Richards is a confident young actress and she carries off Lyra well. Overall I enjoyed the world that was created in this movie and the characters. Too bad that it's left incomplete.

It says something when you almost enjoy but then have to consult Wikipedia halfway through in order to remind yourself what is going on . It was via Wikipedia that I found out a very interesting fact and that is that original novelist Philip Pullman wrote his book with a heavy anti religious tone and this almost started to make sense almost and I do emphasise almost . One can almost imagine the ruling elite of this parallel universe called the Magisterium is a metaphor for the Vatican . Did I mention almost ? Good because there's to be two things fighting against each other in this movie from a narrative point of view and I'm talking about the good guys versus the bad guys . What I mean is that despite rejecting the religious nonsense seen in the world every person reading this lives in this alternative universe is equally guilty of spiritual poppycock . All religions come under metaphysics and while not all nonsense is metaphysical just about all metaphysics is nonsense in itself . We all know someone like this is real life where someone is well educated , perhaps holding a degree in the fields of science only to let them themselves down by stating they believe in Karma or a belief that string theory suggests there's an afterlife . It's the same with THE GOLDEN COMPASS that might have rejected the existence of Abrahamic God but is happy to have other metaphysical stuff to drive the story

In other words it seems like a film that is in conflict with itself as to the subtext almost as though stuff has been added to as not to alienate the believer which seems to suggest a moral cowardice of sorts . If there's stuff been added then one also gets the instinct that a lot has been take out of the film at an editing level . Characters come and go in a haphazard manner such as Daniel Craig's Lord Asriel who disappears and you keep expecting him to make a reappearance which he doesn't really . Likewise the Magisteruim's high council who you feel are just there to give some well respected actors a brief cameo to prop up the box office . There's also a much need for exposition which is a short coming . I'm left pretty clueless as to what the significance of Dust is and other plot points . I can understand that this might have been explained more if the series had gone ahead in a planned trilogy but the poor box office showing meant that idea was scrapped which is something of a pity because for what it is a - a dark fairy tale - it works very well on a visual level with some very good performances . But that said the disjointed manner of the storytelling dooms the film to a large degree

For some strange reason, a theater in the middle of the cornfield in Indiana had a sneak preview of the Golden Compass, and being a fan of the books I decided to take advantage of it. I wasn't sure what I was getting into, as there seems to be a rather large glut of Harry Potter and Lord of the Rings wannabes crowding theaters now and in the near future. This version of the Golden Compass beautifully brings the books to life and was very pleasing to watch with rather nice visuals. The acting is quite good, especially from the young lead, and the animation makes one wonder what they can't do with computers these days. The only true complaint I have about this movie is that it is difficult to understand and follow if one is not familiar with the books. Some scenes at the beginning seems disconnected, but after the halfway point the story comes together. The Golden Compass series is rather dark in its nature, and I'm glad that the movie didn't pull any punches with the supernatural combat (which is awesome, specifically when the witches and bears do battle). Some liberty is taken with the story as expected, and many church references are renamed, but the quality of the story never suffers. I recommend the movie and I look forward to seeing the rest of the trilogy completed.

The Golden Compass in my eyes was the must see film of this Christmas. I am a huge fan of the His Dark Materials books, and was reading all three in preparation for the movie to come, I was praying this would be the new fantasy epic to watch. I suppose I got myself way too hyped for this movie, even the slightly negative reviews didn't stop me from being excited, so what a shame to say this cannot help but be a disappointment for me. I have a few major problems with this mainly, mainly I suppose because of the changes from the book, in fact had I have not read the book I most probably would have completely adored the movie rather than have just liked it. The Golden Compass is not a bad movie, its definitely better than the first Narnia movie and Harry Potter movie, but after reading the book I couldn't help but criticise because I know how amazing this movie could have been. Thankfuly the entire cast, yes the entire cast, are absolutely perfect, there are two notable set pieces and the storyline still keeps its grip on the audience despite being rushed. The lack of the ending from the book actually didn't even bother me that much, so long as people who have read the book are aware its going to be in the second movie then I believe that they won't be that bothered. Overall Golden Compass is an entertaining two hours, that could benefit from another half hour. Its a great film to watch for Christmas and will hopefully do well at the box office so the Subtle Knife is made very soon.

The biggest surprise of the cast definitely comes from Dakota Blue Richards as the lead, Lyra. In the trailers I actually thought that Lyra looked terrible, her voice sounded monotone and the girl showed no expression. Thankfuly in the movie that is far from the truth. Richards pulls off the character of Lyra perfectly, she's cheeky, at times rude but alway likable and definitely well acted. Her cockney accent surprisingly works and never gets too irritating, although at first it takes some adjusting too, and her emotions throughout the film are very well displayed. She carries the entire movie very well and it will be great to see her return in the future films as I know how much dramatic stuff she will have to do. But its Nicole Kidman who practically runs over the hills with this movie. Mrs Coulter was always my favourite character in the movie, and Kidman delivers an icy turn as the villainess. Kidman makes her multi-layered and highly memorable, her best scenes definitely being towards the end. Daniel Craig unfortunately features very little, but he delivers a great performance. Eva Green is superb as Serafine Pekkala but once again features way too little for my liking. The other two superb characters, and my joint second favourite performances, come from Ian Mckellen doing the voice of Iorek, and Sam Eliott who is perfectly cast as Lee Scoresby.

However despite the incredible performances its the cruel way things have been changed or cut that made me incapable of ever giving this higher than a 7/10. I will never understand to this day why the polar bear fight was changed from near the end to the middle, and why the Bolvangar scenes are so unnecessarily rushed its almost cruel. Also changing certain characters and changing certain facts just infuriated me all the more! But the ultimate problem with the movie is the fact it is way too rushed. Occasionally it is a blessing to get a two hour movie rather than a bloated two and a half hour once, but this story requires all the time it can get, and with events just taking up mere seconds and events being cut out (fans of the book will hate The Cocktail Party not being in the film) makes the film feel too short and missing something. Thankfuly the bear fight is as incredible as I hoped for, it ends in very cool way, and the final battle at Bolvangar, while way too short is definitely well done. The movie also packs an emotional punch at times, the intercision scenes are pitch perfect and the ending is amazing in my eyes in terms of emotion. The effects of the daemons are very well done, and the daemons themselves are pretty cool, most namely Mrs Coulter's golden monkey which will terrify kids for a while.

The Golden Compass is hardly the new Lord of the Rings as many, including me admittedly, had hoped for, but thankfully it looks much more promising than the Narnia series and perhaps with a new director, and less editing, this series could really take off. But for now I just need to get over my slight disappointment of it. Still very much worth watching though.