Boo

After reading the comments by the editor on this film, I must wholeheartedly agree. Boo is not a perfect film, nor the best I have ever seen, but it is FAR better than any direct to video horror film I have seen. This film made me jump out of my skin several times, and it was very creepy. Yes, the plot is silly. Yes, it doesn't make a lot of sense in parts, but this is a fine offering of a horror film... and maybe I'm a toad, but I like how this film didn't feel the need to have pointless nudity and sex - it just seems to be a higher caliber DTV horror film. Everyone has their opinion, and I'm sure there are some who disagree, but I have seen a lot of horror films and I cannot see how anyone could think this to be one of the worst ever made. It is a lot of fun, so give it a chance. By the way, the editing on this film was outstanding, so cheers to the other reviewer.

I was happy to rent "Boo" after reading that it was from the same producer as "Dog Soldiers," which I found wonderfully relentless. While "Dog Soldiers" is on my list of films to buy, I soon found "Boo" to be tedious. It is the sort of movie I began to watch in bits for it was becoming too aggravating to sit through in one stretch. While I appreciate horror films made on a small budget (and therefore, it can be assumed, made out of a passion for the genre and not a mere eye on box office returns), recent films, such as "Boo," rely on SUDDEN LOUD NOISES to elicit their scare moments. (It's the new 'screeching cat leaping out' gimmick.) This film made me jump once. However, when a film uses a LOUD NOISE or sudden ghost/killer reveal a second time, the impact is usually lessened, and when this happens a THIRD time, and then again, the 'scares' become predictable for the audience now knows the rhythm of the film, that whenever there's a quiet moment, there will be a JOLT, or whenever a character is about to move out of frame, the ghost/killer will be standing there. And really, what suspense can be given to a film when there is an overuse of a creepy little girl suddenly, without actually moving, advancing toward another character, accompanied by A LOUD SOUND. The squeaking, slowly moving wheelchair was much more effective for then a sense of dread was built, a 'What's going to happen?' apprehension. JOLTS just become numbing, and then boring.

I can forgive bad acting but there are certain true reactions to which we can all relate and when a character does not REACT the way that we would, that is when the amateurish performance becomes distracting. If my girlfriend/boyfriend or best friend is murdered, my reaction is horror and anger; in this film, there is shock (and one character gets very upset and weepy) but then everyone just seems to gloss over this and resumes looking for a way to escape the hospital. The murder then becomes a mere plot device, another 'reanimated dead' complication for our remaining cast to soon deal with.

Great use of a particular costume however, and it's always wonderful to see Dee Wallace Stone on screen.

The friends Emmett (Happy Mahaney), Freddy (Josh Holt), Marie (Nicole Rayburn), Kevin (Jilon Ghai) and his reluctant girlfriend Jessie (Trish Coren) decide to spend the Halloween night in an abandoned hospital. Meanwhile, the younger Allan (Michael Samluk ) meets the old friend of his father Arlo Ray Baines (Dig Wayne) and asks him to help to find his vanished sister Meg (Rachel Melvin) in the same spot. The two groups meet each other in the mental institution section on the haunted third floor and they find that they are trapped in the place. Jessie has visions from the past and discovers that the ghost of Jacob (M. Steven Felty), a former patient that raped a little girl and burned the hospital, is trying to escape possessing their bodies that melt down with his evil spirit.

"Boo" is a messy ghost story, with a confused screenplay and poor development of characters, especially Jessie. This lead character and her relationship with her mad mother are the key point of the story, but their stories are awfully disclosed. Further, the character Kevin acts like an annoying moron. The group using an old elevator that works in an abandoned building is ridiculous. However, I startled in some moments with the eerie atmosphere. My vote is five.

Title (Brazil): "Hospital Maldito" ("Damned Hospital")

I hate using back-handed, "well it's better than the worst" compliments but, having seen my share of low budget horror movies of late, I must say that Boo! is certainly a cut above most of them.

It's well shot, creating an atmospheric and eerie feeling not generally found in the genre today. The effects are well done. The plot itself is solid and there are some clever laugh out loud moments.

On the downside, the pace drags at times and some of the dialog is weak in spots but not too much to be distracting. Also, there are a couple horror movie, "why the Hell are they doing that?" logic issues.

The biggest distraction came with some of the casting. Most of the actors are capable although not great, but I felt one of the main characters was weak. On the plus side, the villain is terrific. (Sorry about mixing my tenses)

Horror movies are a crap-shoot, usually more crap than anything else. But if you're looking for something better than most, I would recommend Boo! It's performance will make me keep an eye out for other Graveyard Filmworks productions.

This movie was a distinct disappointment. The filmmakers had access to a very creepy location but really did nothing with it in the end. The pacing of the movie is very slow and the utter lack of tension in scenes that require it is embarrassing. Add to that the high school drama level acting and you have another waste of money and film. The only good performance came from Dee Wallace Stone and her performance matched to the other "actors" only show how really bad they all are. I really wonder how much was spent on this film and how many shooting days they had? Whatever it was, they misspent it. The chief problem is the director/writer. For a writer of horror film articles, he has little grasp of what is scary and no grasp of film-making. The camera is constantly in the wrong place and his sense of pacing is like molasses. I suggest this one goes in the avoidance column.