En bonne compagnie

I was able to see a pre-screening of this movie last night, and I was extremely excited because I have been anxiously waiting for its release. I have to admit that I was not disappointed in the least with what I saw. The movie had a good solid story of a middle-aged man dealing with both supporting his family and keeping his job (bordering on a mid-life crisis), and a young man dealing with a new job, being alone, and finding what he actually wants to do with the rest of his life. Sure, it sounds like a pretty typical "finding yourself" movie, but the characters develop the plot into something special. Topher Grace was excellent in this film. I found him very charming and believable, and he was sincere in his role. However, Dennis Quaid was really wonderful. His character was likable, and you found yourself routing for him throughout. His interactions with his family were endearing, and his relationship with his daughter Alex (Scarlett Johanssen) reminded me of my own father. I highly recommend this movie. 4/5

Splendid performances by Dennis Quaid, Topher Grace, and Scarlett Johannson.

Dennis Quaid plays the 51 year old ad executive whose company has been taken over by mogul Teddy Kay. Topher Grace is the hot shot who is sent into the mix to shake things up (fire people).

The interactions among the three stars is wonderful. I also enjoyed the genuine affection the family members had toward each other. It is nice to see family life portrayed in such a positive light.

The movie engaged me from beginning to end. The characters grow into their parts as the movie progresses.

By the unexpected ending I was totally engaged, caring about each one of these people.

IN GOOD COMPANY (2004) ***1/2 Dennis Quaid, Topher Grace, Scarlett Johansson, Marg Helgenberger, David Paymer, Clark Gregg, Philip Baker Hall, Selma Blair, Frankie Faison. Better than anticipated comedy drama from filmmaker Paul Weitz about a middle-aged ad salesman (Quaid, never finer) who finds himself dispensable when his company is bought out by a corporate takeover, which involves a new boss, who's old enough to be his son (Grace continuing to be the Tom Hanks of his generation). Things get dicey when his daughter begins to see the young upstart as well as each one discovering something unique about their situation overall. Very funny and surprisingly warm screenplay covers all the bases until its seemingly pat final act. Bravo to the fine ensemble especially Johansson whose natural style is a breath of fresh air.

Director/scriptwriter Paul Weitz was blessed with a top cast for his comedy/drama "In Good Company." Here's a film that in some ways resembles and is a bit of a genre successor to "The Graduate," that 1960s iconoclastic gem. Even the new songs complement the story in the same way Simon and Garfunkel's lyrics melded with the story line in "The Graduate." Dennis Quaid as Dan Foreman is in his early fifties, a contented manager of a sports mag's ad department. His home life seems almost too good to be true. He loves his wife, Ann (Marg Helgenbergen) and gets on well with his two teenage daughters. The older one, Alex (Scarlett Johansson, in another deep and convincing performance), has a tennis scholarship to a New York State public university where the tuition isn't exactly sky high. But she wants to transfer to New York University in Greenwich Village to study creative writing where the cost is very, very steep.

Almost before you can get into your tub of popcorn Dan is struck with multiple whammies. His magazine is taken over by a mega-corporate raider, Teddy K, and a new ad department honcho, Carter Duryea (Topher Grace), only twenty-six years young, bounces Dan from his executive office while also anointing him as his designated "wingman." Earnest, inexperienced, foppish, supercilious and dangerous in that special way the inept invariably are, he poses a real threat to Dan's future. And Dan is worried about his future because Ann announces she's having a change-of-life baby.

And then Scarlett meets Carter. You need me to tell you what Dan's next mid-life crisis will be? "In Good Company" could have been just a mildly amusing sitcom. The fast-paced acting and the excellence of the cast - especially Quaid and young (she's still a teen) Johansson - kept me glued to the screen for the whole showing. And I admit to being troubled by the issues underlying and scenes showing peremptory firings. There's some ambiguity here - is that the only way for a prosperous corporation to go? Dan's pain at losing long-time co-workers is deeply etched on his face but is he more sentimental and loyal than realistic? I don't know. From the vantage point of a tenured academic with lifetime employment I found myself dragged into questions that I think Weitz meant to raise. Well, he did anyway.

Small roles are well performed by David Paymer as one of Dan's subordinates and Selma Blair who briefly shows up in the beginning as Carter's new wife, Kimberly. I always enjoy seeing this fine actress but her talent is wasted in brief roles.

And Manhattan restaurants where I eat and stores where I shop are all over the well-shot scenes and that always makes me happy.

A very good film.

9/10

Dennis Quaid is a husband and family man whose job as an advertising executive for a sports magazine is on shaky ground; there's been a corporate takeover and the new owners install a 26-year-old go-getter as Quaid's boss. Far too much corny, obvious humor (Topher Grace's car, Quaid discovering a pregnancy test box in the garbage) is redeemed by Quaid's nearly faultless performance. Never one to be scaled down without an effort, Quaid admirably gives himself over to this role; he doesn't chew the scenery (as Jeff Bridges might) and he doesn't go for broad personal affects (as Nicolas Cage might). In fact, he's perfect. Topher Grace has a difficult role (almost villainous--nobody likes THE BOSS), but he doesn't resort to sniveling and has many successful scenes. As Quaid's eldest daughter, luminous Scarlett Johansson has developed some actorly tics that I'm not fond of (faraway looks and smiles, confusion and curiosity always undercut by wistfulness), yet she does wonders with a thankless role. **1/2 from ****