Hooligans

First of all there hasn't been a good film about English Football Hooliganism. Both ID in 1995 and last years FOOTBALL FACTORY either failed to convince or just went down the familiar exploitative road of glamorising the buzz and thrill of violence.

HOOLIGANS as the title suggests depicts what these aforementioned films centre upon with the added value of having a story and characters you care about. There's no avoiding the cliché's as the ranks of these organised gang members are portrayed as gangsters.

Similar to BBC's Gary Oldman drama THE FIRM broadcast in 1986 it also show the characters as normal members of society, family men with respectable jobs. FOOTBALL FACTORY took the extreme and unconvincing scenario that these weekend animals are florist's during the week which might be amusing but the subject matter of organised territorial football hooliganism needs to be given a serious look at.

Fortunately HOOLIGANS portrays this more realistically, sure there's the stereo types in designer clothes (The Chavs) as we call them now where loyalty, respect, revenge, dignity and pride are what they live for, not the enjoyment of the actual sport. This simply acts as the excuse to fight in a traditional gang warfare environment. The prospect of West Ham's cup tie with Millwall brings joy to the faces of both sets of fans.

Casting Elijah Wood is a bold move, he looks like a Choirboy but this adds to the films main storyline of innocence corrupted. The acting is better than average, despite letting his cockney accent slip on occasions, Gang leader Charlie Hunnam shows a genuine mix of anger, aggression and compassion which holds the film together.

This won't win awards but it's refreshing to see a film finally tackling the subject matter that unfortunately has been a shameful factor of Britain's attitude towards football as we are constantly under threat of being disqualified from International tournaments due to the bad behaviour of soccer hooligans.

Hopefully this film will not be limited in its reception as a "sport" film, and more disparagingly in America as a "soccer" film. It is much more than either distinction, for it portrays the transformational awakening of a young man as he becomes proactive rather than reactive about life.

This transition occurs within the often misunderstood culture of "football hooligans", hordes of zealous football fans who display a jingoistic allegiance to their teams and the locale from which they hail. The insight provided into this world reveals more than gang triviality for these men do not compete for the sake of criminal enterprise or the carnal spoils of women. Their skirmishes, often times brutal, are for stake in a sense of pride that reminds us that athletes put glory in our sport, but for some fans, glory is the sport. That pride, as it is conveyed, does well to offset the characterization of drunken recklessness that could easily be assessed to "hooliganism".

I highly recommend this film --- it's not "soccer". It's awakening to self.

As an English ex-pat and a football fan, I went along to the Alamo Draft House hoping for the best but expecting the worst. I got the best. This film is simply brilliant and finally provides us with an accurate portrayal of life amongst the hooligans in a way The Football Factory or ID never did.

Central to this are the amazing fight scenes and the performances of the primary actors with Hunnam in particular doing an outstanding job. And if anyone believed that all Elijah Wood movies would forever be tainted with the image of Frodo Baggins, think again. Within about 10 seconds of screen time, any lingering thoughts of LOTR are gone.

Yet whilst the direction, actors and the stunts will attract all the plaudits, for me, the main reason why this film works so well is the very clever story and the amazing script. Yes, in many respects the subject has been 'Americanised' but it has been done in a way which is very subtle. I suspect that much of the credit for this goes to the writer Dougie Brimson because it is obvious very early on that there was a strong English influence on both the plot and the dialogue.

Given the level of violence, not to mention the subject matter, I'm not that sure mainstream America will respond that well to it but for me, the big test will come when it's shown in England but I suspect like me, the English audiences are going to love it.

I thought the idea of the movie about an american experiencing football hooliganism was very interesting and it turned out to be a decent movie. The plot was very intriguing throughout and the movie was enjoyable to watch. I thought the action scenes were good and seemed realistic for the most part. The characters were portrayed well and most of the both accents seemed fine, except for Matt's dad whose american accent seemed a bit off.

This is the best new movie of any genre that I've seen in many months.

The film really drew me into its world of neighborhood pubs, football supporters, and the dirt-in-the-cracks reality of London. The violence is believable, realistic, graphic, and frightening. As are the consequences of that violence. This film does not glorify hooliganism, it portrays it honestly.

Hooligans doesn't preach about mob mentality, or strength in numbers, rather it gives credit to the strength in the individual that lives up to his commitment to his friends though he may suffer because of it. (That's the best way I could word it without including a spoiler.)