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Edificio

Joined Mar 2005
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.

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Edificio's rating

Out on a Limb

6.2
8
  • Oct 17, 2005
  • Loved it!

    Personally, I really enjoyed this movie and found it extremely funny in parts. The premise is almost bog standard classic British farce (and there is nothing wrong with that at all) and I totally endorse the Woody Allen reference made in another review. This is very cleverly put together with a perfect combination of a very witty script, a good director and some excellent performances.

    The ever reliable Henry Goodman is great as the TV chef whilst the always watchable and very underrated Neil Stuke delivers yet another good comedy performance as the leader of the hostage takers.

    Summary, as good a low-budget British movie as you will see this year.
    Hooligans

    Hooligans

    7.4
  • Mar 17, 2005
  • Very powerful and close to the mark.

    As an English ex-pat and a football fan, I went along to the Alamo Draft House hoping for the best but expecting the worst. I got the best. This film is simply brilliant and finally provides us with an accurate portrayal of life amongst the hooligans in a way The Football Factory or ID never did.

    Central to this are the amazing fight scenes and the performances of the primary actors with Hunnam in particular doing an outstanding job. And if anyone believed that all Elijah Wood movies would forever be tainted with the image of Frodo Baggins, think again. Within about 10 seconds of screen time, any lingering thoughts of LOTR are gone.

    Yet whilst the direction, actors and the stunts will attract all the plaudits, for me, the main reason why this film works so well is the very clever story and the amazing script. Yes, in many respects the subject has been 'Americanised' but it has been done in a way which is very subtle. I suspect that much of the credit for this goes to the writer Dougie Brimson because it is obvious very early on that there was a strong English influence on both the plot and the dialogue.

    Given the level of violence, not to mention the subject matter, I'm not that sure mainstream America will respond that well to it but for me, the big test will come when it's shown in England but I suspect like me, the English audiences are going to love it.

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