Ralph

Saint Ralph is a triumph. It approaches the "inspirational" movie genre (think everything from Rocky to Chariot's of Fire) but manages to evoke a genuine and unique flavour in the form. It is fresh, original, funny, and extremely moving. The characters are well developed, the plot intriguing and inviting, and the dialogue simply priceless. People literally clapped in the theatre; more than half hung around for all of the credits, and groups were huddled around posters seeking more information about the film.

My favourite detail: I was simply astonished at the music score for the climatic scene. Gord Downie's version of Leonard Cohen's Hallelujah is breathtakingly beautiful, and perfectly set. Adam Butcher, playing Ralph, in the scene transcends the child-actor role. His face displays an exquisite complexity of emotions, chilling and sublime, while Downie sings. Truly marvelous.

The premise, by now, is familiar: a boy's mother falls into a coma, and he believes a miracle will awaken her. The movie positions itself in that delicious but awkward transition between boyhood innocence and adulthood stoicism or cynicism. Ralph is a child, becoming a man, learning the limits of his own body, his mother's body, and all the while confronting adults inability to imagine or dream. He dream's on and takes the audience on a sweet journey that will rekindle your fire. It truly is an inspirational film, without being sappy or relying on overwrought clichés.

A truly promising start for Michael McGowan, a new Canadian filmmaker.

Saint Ralph is a throwback to the wonderful films of the 1940's and 50's in which hope springs eternal, no matter the roadblocks that one may encounter along the way. However, it's never corny. It is a film with a lot of wry, gentle humor, especially for those who may have gone to parochial schools when they were staffed primarily by nuns, brothers, and priests. My wife tells me that all over the theater men of a certain age could be heard chuckling at the familiar scenes from their youth.

Lots of references pop into my head as I think about this film. I can't help but recall "Chariots of Fire", British schoolboy movies, and even "Catcher in the Rye." I believe this Canadian film could only have been made in an English-speaking Commonwealth country, possibly Britain, but certainly Canada or Australia. It's pretty definite, however, that this kind of film could never have been made in the U.S. There is a certain sensibility that we south of the Canadian border seem to have lost forever.

This movie is not perfect, but it certainly ranks as one of the most satisfying films I've seen in a very long time. The cast is uniformly good, the writing is spot on, and there is even a period of real suspense. I most heartily recommend this movie.

Reminded me of two things -- one when I was in Catholic school, and two being a young teenager. Very few films combine religion with real people living real lives. Most films that seem to touch on anything concerning faith come off preachy. This one doesn't in the least. You can't help rooting for and liking the main character. The film is kinda like a family version of Rocky concerning a kid who runs the Boston Marathon to try and wake his coma ridden mother via a miracle. The miracle being a fourteen year old even running in the marathon yet alone trying to win it. The father/coach played by Cambell Scott assures him it would be one of the biggest miracles of all time!

Air Canada was showing this a few months ago. With nothing better to do I thought I'd give it a try. It's nice to start watching a movie you have never heard of. And not having anyone else's viewpoint to prejudice you. At least when it is this good. The initial disappointment of there being no well known movies on offer soon evaporated. After an uncertain start the wholly believable characters win you over. A bit corny at times for sure, but funny, and well acted. And ultimately one of the most moving films I have seen in a while (ok discounting Finding Neverland). An excellent coming of age tale, which I enjoyed retelling to my kids.

A must to rent.

One of the best movies I've seen all year. I tried to catch it in the theatre but it was vapourized too quickly and having seen it I'm completely baffled- surely Canada can afford to promote movies a little better than this. Many such missed opportunities come to mind ("Marion Bridge", "The Hanging Garden" et al). This is one of the best of its genre, the extremely gritty dedicated athlete/musician/singer/painter who takes on the world against all odds. But this is done with a twist. It all takes place in the 1950s in very Catholic parochial school Ontario.

Ralph (Adam Butcher) is a brazen but cute 14-year-old student fighting the system but inwardly grieving his Dad, who died in the recent war (WW2)and his extremely ill mother who lies in a coma in the hospital. This is never sentimentalized, his exchanges with his mother before she slips into her coma are beautifully written and believable.

How he cobbles together his faith and goes out to seek a miracle is the crux of the story but there are many lovely sidebars, his almost-girlfriend who wants to be a nun, his best friend who forges notes for him, a fun loving nurse, played by the never disappointing Jennifer Tilly, squeaky voice in place and some disbelieving factory workers who mock his attempts at athleticism.

Ralph is a fully developed character, his sinful side clashing consistently with his puritanical, self-punishing side, his innate flirtatiousness offset by his being picked upon by the older boys in his school. Adam nails the role to such a degree that one forgets he is acting.

A younger priest (Campbell Scott plays this beautifully) with a secret past agrees to help the young boy and Gordon Pinsent plays the part of the older rigid priest with conviction even though he has some thin dialogue to sink his teeth into – the movie's only weakness.

The sexuality content is handled well and honestly with none of that gruesome teenage guffawing that litters other movies of this ilk. Because of this content it would not be suitable for children which is a shame, but it is not gratuitous and is an intrinsic part of the Catholic sin quotient of the era. 8 out of 10. A marvelous, thoughtful film.