Corps d'élite

This film which depicts an elite Nazi teenage male youth training facility takes place in Germany during 1941 or 1942. Students are being trained to become future leaders after Germany wins the war. Much of the training is brutal. Students are taught to win regardless of any pain that their actions might cause their fellow man - whether friend or foe, fellow countryman or enemy. The film tells how the students accept or reject their training and the consequences of their decisions/indecisions.

I saw this film at the 2005 Palm Springs International Film Festival at a "Best of Fest" special showing. It certainly should be a candidate for an academy nomination as "Best Foreign Language Film" but I do not know if it has a distributor for North America. It reminded me somewhat of a 2003 Palm Springs festival entry - EVIL/ONDSKAN (Dir. Mikael Hafstrom/Sweden) - which also packed an emotional kick in the gut that left me stuck in my seat for at least five minutes after the film had ended. Napola is the better of the two films by far. Great acting, script, direction, music, etc. See it on a big cinema screen if at all possible since film makes great use of the colors that will not have a similar impact in a video format.

Napola is a disturbingly intellectual movie. The more you think on the message; the more disturbing it becomes. It is actually very scary the normality of the 'education', and shows the ease to which the standard human being can be nurtured into whatever the government wishes to instill. Very poignant in todays current affairs!

The movie itself has a lot in common with 'Dead Poet's Society', ergo the journey of self-discovery and one's place amidst the strict paradigm of expectancy. Complete with tragedy and the strong hint of insidious cruelty, Napola is not a superficial standardised 'Hollywood' outing (thank goodness).

The facts at the end of the movie were amazing in their ability to encapsulate the futility and warn against brainwashing of a nation. May more people be aware of this practice so the 'real' terror be rightfully and publicly rebuked.

Apart form the films of Michael Haneke, this was one of the few German language films in recent years that left a lasting impression on me. It offers a realistic - and haunting - portrayal of what it must have been like for the youths during the dark years of the third reich to be 'bred' and drilled to meet the required Nazi standards for the "master-race". Impressive, well acted cinema from Germany. 8 stars out of 10.

In case you're interested in more underrated gems, here's some of my favorites:

imdb.com/list/ls070242495

I just watched Napola at the Montreal World Film Festival and I was pleasantly surprised. This choice of a random movie turned out to be a real cinematographic gem.

Set during World War II, this movie is about the dilemma and choices of some German teenagers who attend a napola - a special institution for gifted boys to turn them into the Nazi elite. Their days consist of military training and indoctrination; they are forced to lose all pity and become ruthless servants of the Fuhrer.

The story follows the entrance of Friedrich into a napola, the changes that he undergoes and the choices that he makes. Admitted because of his boxing skills, he seizes it as an opportunity to escape his poor working class situation. His best friend at the napola is the Governor's son - sensitive, caring, humane and opposed to Nazi dogma, he is obviously in the wrong place but has no choice but to fulfill his dad's wishes. As their friendship develops, Friedrich struggles between the ideology that the napola is forcing upon him and his friend's pacific beliefs.

This powerful film with excellent acting culminates on the boxing ring as Friedrich fights against the champion from another napola. The scene of the morning practice on the frozen lake left me breathless, while the ending of the grenade throwing session shook me with its passion, despair, and horror.

Another reason why I liked this movie so much is that it is made by Germans; indeed one would expect Hollywood to come up with such a story and that the outcome would be a highly emotional melodrama. I could feel the director disagreeing strongly with the Nazis, but rather than feeling shameful for what his countrymen did 60 years ago, he denounced it. Indeed, Friedrich's ultimate choice should be the choice of the new Germany.

My rating: 9/10

The subject matter is not unfamiliar - a decent German (in this case a talented young boxer) fights to retain his humanity in the face of Nazi pressure to lose it as a bad habit. At heavy cost to himself he refuses. And thinking back to the beginning of the movie we should not be surprised: to accept the invitation to attend an elite academy he must defy his father. To maintain his self-respect later on he must defy the surrogate fathers he has acquired at the academy.

This a superbly produced, directed film. The young actors' performances are believable and affecting. And for people who care about such things, Max Riemelt as Friedrich, the young, virile, gorgeous protagonist is a very easy guy to look at. Jim Smith