L'interprète

The Interpreter is an extremely packaged political thriller that contains only a little punch. The main reason I gave it a go was Sean Penn who seems to rarely make mistakes selecting his work. Nicole Kidman can be a mixed bag, and Sydney Pollack a competent seasoned veteran director. All three performed well without setting the screen alight.

The use of the United Nations building was a big plus and definitely gave the movie more realism. It also gave the viewer more of an idea on what a massive organisation the UN is.

Even though "The Interpreter" was enjoyable the ending was definitely a disappointment. It wasn't that it was necessarily wrong, just that you knew what was coming. This was the "Hollywood Factor" showing through. Perhaps the reason it didn't turn into real Hollywood trash was the fact it was filmed and produced in New York.

Being from Africa, I found it highly annoying that they decided to use a fake country name (which of course not a lot of people would know!).

The general idea was great and I love NIcole Kidman, and I was really looking forward to watch this movie. However, after seeing it, I felt a lot more could have been done with this wonderful cast and great idea - a lot was missing and it was pretty predictable.

The sad thing is that there are a lot of children actually walking around with automatic weapons, killing for "lunch money" to survive. The civil wars in Sudan are also very sad, but what is even more sad is that we sit here as bystanders and we don't do anything about it. Yeah, we might complain a little if we hear (or shall I say when we hear/read - because so little is said about it) but then people are more worried about foreign gasoline imports, than they are about human lives in a far away country. All it takes is to contact your local government representative.

While I feel this movie shed a little light on that, and yes I know the story is not about it, the plot could have been more suspenseful and unpredictable.

One of Nicole Kidman's Finest Performances. Sean Penn's performance starts off flat with his character grumpy and unappealing, but as film progresses, one learns this was an appropriate approach based on the character's history.

This was a complicated story to bring to film, and Pollack did an adequate job in that regard, but too often the pacing is just a bit too slow and uneven.

Where Sidney shines is in bringing out the best in actors, and for me, this was one of Kidman's best performances in film, making it worth the view alone.

One must hunker down in this film as it is atypically a slow paced and subtle thriller. Some scenes don't connect with what would likely be realistic outcomes of circumstances, so the film loses 2 points for those moments, and another point for some hodgepodge editing.

Well done plot twists, a few moving moments, and Kidman's performance maintain the film's 7 Rating and a 👍 recommendation to view.

I had the chance to see this film yesterday at its world opening in Athens,Greece."The interpreter" is a political thriller directed by one of the most suitable filmmakers for this,Sydney Pollack. Nicole Kidman plays the role of a South African-born UN translator who overhears an assassination threat against the dictator of an African country.Sean Penn plays the role of a Secret Service agent,assigned to investigate the case.Soon we find out that the interpreter's past could explain her possible involvement in the conspiracy.So-maybe-not everything is exactly as it seems to be. Both Kidman and Penn give controlled and emotional performances,although intense and powerful on the inside.It's nice to see 2 stars of the value of Kidman and Penn to make these choices in their career and not waste their talent in indifferent projects. In the end the film is not only a political thriller.It is also a story on overcoming personal losses,dealing with the past in a clever,effective way and moving on...

Sydney Pollak has directed a lot of good films over the last 40 years, and this, though not his finest work, is one. But it's just 'good'. Pollak has a great sense of pacing and character development, and he puts both to work to good effect in this suspenseful high-stakes terrorism drama. Kidman and Penn deliver solid and memorable performances and are joined by an excellent supporting cast. The acting talent, clever though predictable plot, superior production and cinematography, and fearlessly quirky script are what makes this film work, despite a few rather absurd plot points.

Kidman unsurprisingly, dominates the screen with a powerful portrayal of a young South African translator for the UN, who overhears a plot to assassinate the genocidal president of her home country, Motambo. Penn plays a hard-nosed, recently widowed investigator assigned to the case. As the plot escalates, it becomes clear that Kidman herself is also a target and that she has secrets...

There are some problems with believability here. Most glaring is the fact that the intelligence agents and security people investigating Kidman and the plot to kill a genocidal African president in the U.N. are depicted as anything but intelligent. The identity of the perpetrator and the nature of the intended crimes should have been more or less obvious about half-way through the film, and the security team should have had a trap set and armed personnel crawling all over the entire building. It is also unlikely that anybody in Kidman's predicament would have been allowed to continue with unrestricted access to the UN, at virtually any time of day or night, more or less unwatched. And it is even more problematic that somebody with her background should be working at the UN in the first place. The actors' performances and the relationship which develops between the two main characters (which is really at least half the plot) help to gloss over the minor problems and make the film very entertaining and suspenseful. There are also some potentially powerful political messages just below the surface, but I never felt that these messages really emerged, and was left wondering if theyr were simply artistic flourishes or perhaps, posturing.