Cinéma, aspirines et vautours

I don't usually start with cinematography and direction, but the first scene really got me as well as many others in Cinema, Aspirinas e Urubus (2005) - Cinema, Aspirins and Vultures. Mauro Pinheiro Jr.'s cinematography, together with Marcelo Gomes (director) smart shots, makes us feel how hot it is in the location but with beauty, a brilliant work. The location is a Brazilian Northeast zone, characterized by a biome called Caatinga, which is very close to deserts, very hot and with lack of rain.

Besides, there is beauty in the dark too. They utilized old lamps, candles, fire pits... Tools from the year the story covers: 1942.

Everybody nailed in making this movie historical accurate. The songs (like the one that is playing in the radio in the first scene), the radio itself and every object in the film, the outfits and the sets.

It's not just a gorgeous movie, it also has a nice story and an entertaining screenplay, it's a well thought out road movie.

It follows the journey of a German that migrates to Brazil before the Second World War and who travels the country selling aspirins. There are good and bad things on his way, in his life, and he experiences things together with a man called Ranulpho. I won't say more about the plot and the screenplay, I just wanna highlight that the relationship between the two is very believable and well done.

This has everything to do with the acting. The chemistry between João Miguel and Peter Ketnath is great and both were perfectly cast to their respective roles. João Miguel (Ranulpho) is very charismatic and add a mystery to his character. Peter Ketnath, who is German, is also charismatic and built a complex character, with a gracious way of speaking Portuguese.

It's a worth watching adventure film that also has important informations on Brazilian history.

The road movie is such a hallowed genre; I always think of Easy Rider, Harry and Tonto, The Adventures of Priscilla, Queen of the Desert, Thelma and Louise, and many more. You can escape from something, or go toward something, and I think Ranulpho and Johann are doing both. Ranulpho is the grouchy, sensual Sancho Panza to Johann's cool, resourceful Quixote; they work very well together--excellent casting.

If the story is less than gripping (we don't feel the tension surrounding Johann's status as an enemy alien, and the war seems comically far away, despite the radio broadcasts), the direction is often very accomplished, and the locales are brought to life with great care. I want to see what Gomes can do in the future.

I just last night saw "Cinema, Aspirinas e Urubus" (called "Cinema, Aspirins and Vultures" in English). It's an amazing story of a man who flees Nazi Germany and moves to Brazil, where he shows movies to the inhabitants of a destitute village in the northeast of the country and also gives them aspirin, thereby bringing them a new hope.

I like how the movie not only develops the characters, but also shows world events affecting everyone's lives, as Brazil declares war on Germany and it becomes hard for the man to sell the German-produced aspirin. Looking very amateur, the movie has a particularly realistic feeling; the desert setting might even make you feel like you're sweating as the characters do. But overall, the movie's a wonderful look at life and how we make decisions about our directions. As they say in one scene: "With this, you could sell the Devil a Bible!" All in all, a very good movie.

MOVIES, ASPIRIN AND VULTURES (Marcelo Gomes - Brazil 2005)

The film has the potentially great pretext of a young German trying to sell the recently discovered aspirin in the Northeast of Brazil during World War II, molded in a kind of road-movie. The discovery of aspirin is one of those little forgotten things in history. Sadly, the result is only mildly interesting and certainly not a great film.

Not much is done with the potentially funny pretext; A German traveling through northeastern Brazil in 1942 is something different, either for Brazilians back then, or contemporary Brazilians, or any audience around the world. Nobody seems to bother. And many of the scenes where he tries to sell aspirin with the help of a promo film (he brought a film projector) about headaches and the curing qualities of the product, could have been funny or touching, but it's executed in quite a lacklustre way. A real shame. Secondly, the cinematography. They shot on location in North-East Brazil, but the interesting locale is mostly left unused.

Not a bad film perse, it has some interesting moments but it suffers from a lack of inspiration and could have used a little more plot. The rural setting in NE-Brazil is interesting, especially for a European spectator but otherwise not a very engaging film. Messy, uninspired and a lack of ideas.

Camera Obscura --- 5/10

Watching this is a waste of 99 minutes of my life and my money! first off, the plot is weak and pointless. the direction is slow and unsteady. there are no chemistry between the two leads and i don't feel their 'friendship'.

this movie is not touching nor emotional nor funny. sure its different, but in a weird sense. there's no message delivered from this film and i found my eyes half closed during the whole duration of this lifeless, dead picture.

i guess the response from Brazilian audiences are different to foreign audiences. which is why, i cant believe this movie is rated so high on IMDb.