Kiss Kiss Bang Bang

KKBB was shown at the Fantasy Filmfest in Germany. This festival for horror, sci-fi and thrillers is touring Germany in several big cities. KKBB was the opening movie in Cologne and it got a feverish applause after wards.

I can only say that this movie is one of the biggest surprises in the Action/Thriller/Comedy-Genre in the last years. If you liked Black's scripts for Last Boy Scout, Long Kiss Goodnight, Lethal Weapon etc. for their tongue in cheek humor, wicked dialogues and sick ideas, you're gonna love this movie.

The cast delivers and gets the movie going. I don't want to spoil it for you, but Black still has some very cool one-liners and dialogue. Downey Jr is really amazing in this role as your typical looser-criminal kind of guy.

The film struggles a bit at the end, but it was so much fun to watch nonetheless. The Teaser Trailer came out today, so you might want to watch that. Luckily doesn't already show you the best parts.

I really hope that this movie attracts a big audience, because Black has definitely written and directed a highly entertaining movie, showing you Hollywood behind the scenes. Watch this movie!

Shane Black is a fine writer and his screenplays for Lethal Weapon, The Last Boy Scout, and The Long Kiss Goodnight bristled with witty dialogue, great characters and deftly handled action scenes. Kiss Kiss Bang Bang, his directorial debut, also shares these attributes, but suffers from a convoluted plot and a script so overloaded with witticisms and clever asides that the viewer soon feels overwhelmed by the sheer intensity of the experience.

Robert Downey Jr. plays a low-life criminal who inadvertently becomes a potential movie star whilst escaping from a heist gone wrong (on the run, he stumbles into an audition and gets the part). However, things take a turn for the worse when he goes undercover as a private-eye (in order to gain first hand experience necessary for the role) and witnesses a murder...

Kiss Kiss Bang Bang is an ambitious debut — several complex plot threads intertwine and an ingenious narrative links scenes - but despite his best efforts, Black loses control of affairs and the film spirals out of control. Despite my best efforts at keeping up, I just couldn't follow the storyline. It doesn't help matters that half of the lines are spoken in a chaotic scattershot manner and the other half are mumbled, making staying abreast of the story nigh on impossible at times. There are probably many moments of pure genius in Shane Black's script - it's a shame that I missed a lot of them.

The parts of the film that I did manage to follow and understand are actually very good. Kilmer and Downey Jr. work well together and share some incredibly funny scenes, there are some genuine 'classic' moments (Downey pissing on the corpse in the shower is hilarious) and the manner in which the story unfolds is, at times, inspired. If Black hadn't been trying so damn hard to be so clever with his words and had concentrated more on telling the story, this may have been a real gem.

Although the film closes with all loose ends neatly tied up, I suffered the majority of the running time baffled by proceedings and struggled to keep up with the sharp prose that flows thick and fast from the word go.

Maybe this is one of those films that would benefit from an immediate second viewing in order to catch all the bits I missed first time round.

A lucky mistake shifts out-of-luck criminal Harry Lockhart (Robert Downey Jr) from the gritty streets to glossy showbiz in L.A, landing him a part in an upcoming film. Another mistake then shifts him from actor to private detective, and this is where Val Kilmer comes in and things start to go wrong, more wrong and unbelievably wrong until they've snowballed into an enjoyable detective mess -- all to impress failed actress Harmony (Next big thing: Michelle Monaghan).

Shane Black's directorial debut 'Kiss Kiss Bang Bang' is a comic film noir. Even in the dazzling opening credits using a montage of contrasts of red, black and white, it is evident that this is no run-of-the-mill crime story, but a viciously entertaining ride from scene 01. What makes it so special is that it mixes equal doses of humour and crime like a $15,000,000 blender, pouring out a balanced end product and glazing it with a clever narrative coating by Robert Downey Jr. Black also sprinkles some rapid-fire dialogue onto his product, which is facilitated by the comedic chemistry between Downey and Kilmer. Some of the lines, gags and images are truly laugh-out-loud worthy. Everything else is nice, but forgettable.

Its only problem, as far as I can see it, is its paper-thin plot. It does not seem believable; it is complex, dizzying and not nearly as involving as it would like to be. So back to formula on that one, and Kiss Kiss Bang Bang would be a near-perfect comedy-thriller.

7.5/10

Shane Black is a good writer. Judging by Kiss Kiss Bang bang he is also a fantastic director. This dark comedy is an incredibly underrated comedy and showcases the powerhouse talent of Val Kilmer, Robert Downey Jr. and Shane Black. Laden with one liners and throwaway jokes Kiss Kiss Bang bang should be re watched to get everything in, for only one viewing is not enough. Perhaps this is the reason the film underperformed at the box office. If you are a fan of Robert Downey Jr. you owe it to yourself to watch this film.

Directed and co-written by Shane Black; based on a novel, "Bodies Are Where You Find Them" written by Brett Halliday; and starring Robert Downey Jnr, Val Kilmer and Michelle Monaghan.

A terrific opening credit sequence easily sets up the audacity and chagrin of the film for an appreciative audience. In essence, these are the reasons why you need to see this movie: the razor sharp wit, shockingly fast-paced and hysterical dialogue, pulp-fiction-esquire vibe, its pure cheesiness and the cynicism of a beat up old paperback detective novel.

Got you yet? Alright, maybe an explanation of the seemingly simple plot is warranted. It begins with a ridiculously funny set up resulting in Downey's character being paired up with Kilmer to observe the latter in his job as a private detective. They hook up with a down-on-her luck actress who brings a case for the sleuths. This synopsis constitutes gross misrepresentation on my part as things get remarkably complex. How so? Well, even the lead the character (who also is purposefully pathetic as narrator) takes time out within the movie to remember where he is in telling the story. There are even snippets of dialogue where the characters attempt to fill in the gaps or actually remind themselves of what has happened thus far in the movie.

Downey, Kilmer and Monaghan are all caricatures drawn from popular references of literature, movies and art. All however, are larger than life, exhibit great chemistry and for a movie buff, it is heaven to witness the self referential exercises and hear the narrator shred every narrating convention applicable. Downey's performance is remarkable (neurotic, comic, vulnerable and charming). I have never seen Kilmer in such a well-defined, uproarious piece of work. Monaghan is also integral to the trio and shines exuding a brash, fighting and sexy appeal. She brought back fond memories of early Kathleen Turner and Rene Russo. The fact that her look screams Renee Zellweger, is not a bad thing either.

Black became famous in the 1980s for writing the hit buddy movies: Lethal Weapon, The Last Boy Scout and The Long Kiss Goodnight. As a first time director, he does well keeping the frenetic pace and allowing the audience to catch up only to get lost time and time again. The style is so disarmingly effective, that at times I shook my head in confusion or found my hands against my mouth, agape in shock. I also think that in creating such a brilliant script that Black may have blacklisted himself in Hollywood for mirroring its supposed fame and glamor and exposing its not too pretty side. His one-liners and connected sub-plots are not typical and Kilmer and Downey make magic with their banter and clinical delivery.

All the ingredients of a pulp-noir novella can be found, even employing a structure of chapter-type headings within the movie. Parallel story lines unfold and given plot assumptions are turned over, always with achingly funny results. Even the clichés are clever e.g. a tough guy predictably crashes through a glass table, or body after body turns up, to haunt the characters.

I strongly recommend the movie, given the talent of Downey and Kilmer. Downey should be honored with a Lead Actor Oscar nomination; while Kilmer deserves a Supporting Actor nod. It thrilled me to see them both in their element, as I was on the verge of disavowing them as marquee/box-office draws. The screenplay should also attract Oscar consideration.

One of the year's best films and one of those rare movies where you'll consistently find something new to laugh at, when viewed each of a dozen times.