Batman Begins

Finally, after the previous 2 outings of the caped crusader, the Batman franchise is back on track. Having been a big comic collector over the years and a long time fan of the Dark Knight, I was especially disappointed by 'Forever' and 'Batman and Robin'. To me, these film lost the essence of what drives Bruce Wayne to do what he does and turned Batman into more of a pop star than misunderstood hero.

Thankfully though, Nolan has gone back to the roots of the character, portraying a confused and angry Bruce Wayne, who ultimately rises to become Gotham's greatest champion. Don't expect to see loads of shots of Batman in this film though. It is the story of Wayne and focuses mainly on his years of training and preparation for becoming Batman. You are almost teased throughout the first half of the movie, waiting to see the excellent Christian Bale in the costume, as it keeps holding back to keep you in anticipation. When Batman does finally turn up on screen, it is well worth the wait. In my opinion, Bale was born for this role and for the first time when watching a Batman film, I enjoyed the scenes of Wayne being Wayne as much as Wayne being Batman.

One of the strongest features of the film, is the way that it manges to suck you in believe that a 'Batman' could be a reality one day. The technology is current, with no use of silly OTT weapons and gadgets, again making the film work by today's standards. Plus, we are not allowed to forget that Batman is still just a man under the costume and there are times when he gets a bit of a kicking and shows that he can be vulnerable too, something we sometimes forget when watching a superhero flick. Gone too, are the silly villains!!! Jack Nicholson was the perfect Joker but from there it went downhill. Thankfully, in this movie the bad guys are actually fairly 'normal' and manage to be menacing at the same time.

Which finally brings me to the cast. I always had high expectations for this film when the cast was announced. Let's face it, what a line up! Christian Bale, Michael Caine, Morgan Freeman, Gary Oldman, Liam Neeson, Katy Holmes, Ken Watanabe and Tom Wilkinson are not to be sniffed at. Even an old favourite of mine makes an appearance: Rutger Hauer! Awesome. Actors of this calibre would never have gotten involved in this project if they didn't have faith in Christoper Nolan's talents and thankfully they took the leap...

For the comic book fans out there, waiting to see this movie, let me assure you that you won't be upset. Imagine the darkness of the 'A Death In The Family' and the 'Year One' story lines. I have never met a fan of Batman who didn't love these books. Well, this is the kind of Batman you can expect from Bale: Dark, brooding and tortured by his past, yet the hero we have come to love. For those of you who are not comic fans, then just look forward to seeing how Batman should be. This film is a credit to Bob Kane's original vision and a testament to all the talented artists and writers who keep the legend of the Dark Knight alive in the comic books today....

Thank you Mr. Nolan and thank you Mr. Bale. In fact thanks to everyone who worked on this film. Batman finally Begins from here....

To start off this review I'd like to go back to the original batman series. Adam West hammed it up in what has to be the campest yet enjoyable version of batman. It was cheesy, it had the POW, WHACK, KABOOM, very very tongue-in-cheek which, brings me to my next point, is what batman eventually became. Batman, featuring Michael Keaton was a good film, keaton was a good batman, he portrayed the dark knight to a whole new army of fans, a darker batman, less camp, plus with a villain such as Jack Nicholson (turning in another great performance) as the Joker it was win win. Where from there? A sequel, Keaton yet again, Batman Returns, not as good as its predecessor but still a thoroughly enjoyable film with the villains being Penguin (Devito) and Catwoman (Pfeiffer) adding something different to the batman series. All is going well, then things start to go sour. Keaton is gone and in comes Kilmer who has to be the most wooden Batman ever, in come the clichés, the tongue in cheek one-liners and so on but Batman still has some credibility until, dare I mention it, Batman & Robin. This ruined the Batman series with Clooney just being the eye-candy for the ladies, the addition of Batgirl (oh dear Lord) and the villains just coming out with the most tongue-in-cheek one liners ever, example Mr Freeze "You're not sending me to the cooler", wrong, oh so wrong. Something had to be done and this was Batman Begins. This film rescues the Batman series single-handedly, it's a shame it didn't start off this way as it might not of died on it's rear. Bale is an inspired choice as Batman bringing a more serious side to Batman, the story is well paced, it's not all talk or just mind-numbing action, it actually keeps you gripped as you want to find more about Bruce Wayne's past. The only reason it misses out on a 10 is the quite pitiful bad guy scarecrow If you've not seen it I don't want to give too much away about the story but throw away all your perceptions about Batman because Batman is back and Batman has truly begun. D-man.

I had fearful reservations about this one. I loved Tim Burton's Batman - 12 years old when it came out I was the perfect age for it and I also enjoyed Batman Returns. The franchise went so wrong under Joel Schumacher that I wasn't sure I wanted it resurrected. Not least because Batman was one of the few comics I read and enjoyed as a kid and was always my favourite superhero. I grew up reading the comics, watching reruns of the Adam West TV show and then getting Burton's celluloid vision. I was spoilt for choice as a kid but as an adult now I was concerned revisiting the franchise, especially given Warner's record over the last decade of screwing up summer blockbusters with potential all over the place (dare I bring up the Matrix sequels?)

However, I am pleased to report I could not have been more wrong about how great Christopher Nolan's Batman Begins is. This is better than Burton. Sacrilege, you say?! Well Burton was still cartoony in many elements, he wasn't churning out the bilge of Schumacher but Burton's Batman was still over the top. As a kid this was ideal but Nolan's Batman is real. Everything in this world seems plausible and it is therefore a world that draws you in. Characters' vulnerability is that much more present. Every bruise, every scare, every concern, every emotion seems real.

Part of this is that Nolan has assembled an exemplary cast. Again, this concerned me prior to seeing the film. I wasn't sure a cast of big name legends like Michael Caine and Morgan Freeman and well known names like Liam Neeson and Katie Holmes wouldn't detract and distract from Batman. I was always sure Christian Bale could be the great moody Batman he's been waiting his career to be but the others I wasn't so sure about.

That said Bale is not just good, he's superb. I never thought I'd really be able to envision anyone other than Michael Keaton as the definitive Batman for me but since seeing Batman Begins a couple of days ago Bale has cemented himself in the position. Perhaps Keaton will now be able to escape the spectre of Batman he hasn't truly shaken off for 13 years.

The rest of the cast is also pitch perfect. Cillian Murphy is creepy as hell, Liam Neeson is authoritative and imposing, Katie Holmes is strong and sexy (I particularly thought she'd be insipid, she should jettison Tom Cruise and let her talent - which she does have naysayers just watch Pieces Of April - speak for itself) and Michael Caine is an Alfred you've never seen but in fact far more likely as a butler than the aristocratic pomp with which he is usually portrayed. Gary Oldman is also superb in a rare wholly decent character for him as Lieutenant Jim Gordon who gets far more to so here than Gordon has ever had to do before. Only Tom Wilkinson is a little off with a slightly comedic wise-guy American accent that never really convinces.

The emotional bond between Bruce Wayne and Alfred is actually a wonderful human heart to the film than Nolan and Goyer have written perfectly.

Don't let that make you think the action is not front and centre though. From Wayne's training through the early stages of the film to his early missions as Batman at about the half way point to a thrillingly choreographed chase sequence and an edge of your seat finale this film delivers the cool quotient in bucket loads.

Great villains (especially Murphy), great story, great cast, great action... put simply, great film. Probably the best comic-book movie ever made (that's excluding the genius Sin City which I consider a moving comic-book rather than a comic-book movie, that will never be bettered but Batman is a different beast and the best of its kind).

I've just come back from a preview screening of Batman Begins. I went in with low expectations, despite the excellence of Christopher Nolan's previous efforts. Talk about having your expectations confounded! This film grips like wet rope from the start. I won't give away any of the story; suffice to say it mixes and matches its sources freely, tossing in a dash of Frank Miller, a bit of Alan Moore and a pinch of Bob Kane to great effect.

What's impressive is that despite the weight of the franchise, Nolan has managed to work so many of his trademarks into a mainstream movie. The story does not progress in linear fashion for the first half, and there are some truly spectacular hallucination scenes. Parents thinking of taking their young kids along, think twice. When we left, a terrified 8-year-old boy was being comforted by his parents. Some of what's up there on screen really is the stuff of nightmares.

Of the cast of Brits chosen to bring this American tale to the masses, Christian Bale convinces in his dual role, while Michael Caine as Alfred comes up with the humour just when the film is in danger of taking itself too seriously. Gary Oldman and Tom Wilkinson provide able support, as does Morgan Freeman.

Most refreshing of all is the way that Nolan and co have come up with a way of bringing comics to the screen that does justice to the often adult source material in a way that, say, Daredevil, tried and failed to do (although the director's cut is better). If the Dark Knight doesn't return after this, there's no justice.

A plunge into the depths creates real fear, as out of darkness swarming beasts cause to appear, later at, the opera, you start to tremble, shake and cower, leads to an exit, where the price is quite severe. Some years later and a journey is begun, from the light into the shadows where you run, as Ra's al Ghul becomes mentor, or is he just, a tormentor, the cycle closes, returning to the forsaken. A new friend is made and doors begin to slide, finding technologies, to halt and stop the tide, tools to fight, the criminals, mobsters without principles, a winged vigilante, in Gotham City, now resides.