Femmes à Hollywood

actually the film had some interesting story lines. casting was wrong, Farrah playing a young babe was mutton dressed like lamb, she clearly does have some thing , but playing a young middle aged sex goddess probably expired by 1990. I feel they should have changed the storyline and made her a has been successful movie star trying to make a comeback, utilise some of her character acting abilities and explore the insecurities of a women who had it all and now faces a ageist community like Hollywood which remembers stars for their more famous roles, like Charlie's angels "closer to half a century ago". The rhythm of the feel was indecisive, and did not do the book justice. I wish someone would give me half the money to make a film like this - with the story lines , budget , actors the final delivery is SO disappointing.

I'm sure this remake was listed as a drama but I found myself laughing more then not. Farrah Fawcett looks like she has had her face lifted so many times she cant even smile anymore. I would rather sit through the first version 10 times then to have to watch this again (unless I need a good laugh)

I saw this film a couple of days ago, courtesy of the Daily Mail (free DVD giveaway).

I love cheesy films, so I was in heaven for most of this movie. I did however feel, certain story lines were underdeveloped. I would have loved to have seen more of Lissa's husband after he started to slate her on national TV. But he, and that story just seemed to disappear, which was disappointing. I love most things Jack Scalia is in, ever since I saw him in Dallas, and as usual he was in fine form.

I did like the storyline with Melissa Gilbert's character, but I wouldn't have minded seeing what drew her to have an affair - she seemed to have quite a loving husband - I can't have been just because she wanted her film script read??

Farah Fawcet was OK. To be honest, I was more interested to see what she looked like after all the plastic surgery - She still looks good, but should have maybe left her face alone - it was a bit disturbing to see the effects of the obvious 'work'.

Robin Givens was inconsequential...not sure what role she had in the film, and it would have flowed without her - her daughter, I thought was the more interesting one in that relationship.

All in all, the movie was OK, but could have been so much better!

Although, I must say that I enjoyed the first HOLLYWOOD WIVES, this new tv movie, based on Jackie Collins' novel, is definitely, the WORST tv movie I've ever seen in my whole life!

And what happened to Farrah Fawcett? Her face is too tight, she can't even smile. Her expressions are the same in all her emotions! It is very sad to see her like this. I wonder what actor Jack Scalia felt during those kissing scenes......she looks like a puppet. Watching her are so stressing cause, you don't know if she will be able to open her mouth and her cheeks are all swollen, like she's got some golf balls inside her mouth!

If she's thinking that starring in this type of movie will resurrect her acting carreer..well, i'm afraid, this movie ruined her flagging career as an actress. Her love scenes in the movie gave me goosebumps, actually. I thought for a second that I am watching a Stephen King movie! It's scarey!!!!

Ditto, with her co-stars. How did Robin Givens ended up getting a role in this movie? Please explain....and Melissa Gilbert..oh god...she's one tv's worst actresses and she's still is after all these years. Why these actresses ended up starring in this movie was a big insult to those fans of these genre(imagine that?!!!).

Avoid this stinker.......

It was The New York Times that termed Marlon Brando and Al Pacino the rescuers of bad films. Well, as with many things The Times had it dead wrong. The person who actually deserves that title is Robin Givens. And she abundantly proves that she merits it in "Jackie Collins's Hollywood Wives: The New Generation." The only other factor concerning "Generation" that makes it worthy is a generous display of female skin (Best example: During one scene where Robin's character, Kyndra, and Farrah Fawcett's character, Lissa, are getting "a midnight massage," we- -hurrah!--see more of the former's smokin' bod than the latter's). But, again, Robin is present and, again, she is just about the only worthwhile element of this stinker. Despite the thinnish characterizations, the mostly-amateurish dialogue, and the crawling pace, Robin's uptown charm, her svelte sexiness, and her keen intelligence shine through and, along with the considerable amount of exposed female bodies and a smattering of incisive dialogue, prevent "Generation" from achieving absolute badness. Really, the producers of "Generation" should have told her what Candace Bergen told the clutch of TV-newswomen guest-stars after they appeared on her "Murphy Brown" sitcom: "You saved our ass."