Festival Express

There is nothing more to add to the other commentaries: all you want at this end of the almost perfect documentary is MORE MUSIC!! Indeed I could see the same technique used by Pennebaker, and the same groove as in "Woodstock", but this is the closest you'll ever get in these modern times to a recreation of the flower-power atmosphere!! Today we have no more Janis, no more Jerry, and the whole world just feels empty without them, now even more than before, thanks to this movie. JANIS just steals the show every time she appears in the film, but there are many other people with memorable lines and comments, so in the whole it's an amazing feast for the eyes and ears! GO AND SEE IT

I recommend this film not only because I am a fan of most of the people that gave performances, but the creator of the film captured footage of the performers that was exceptionally good. The "young" Grateful Dead gave a tighter performance than I had ever seen them perform live. "The Band" also surprised me. They performed very well and they too seemed tighter than when I saw them live 30-plus years ago. However, Janis stole the show. She was wonderful! You must see the movie just for her performances alone. What a trip! The in between shots of all the musicians riding on the train was fun and full of energy and a real bonus to the film (the concert footage was enough to bring me in to see the movie). If you are a fan of the 60's and you enjoy Janis Joplin and the Grateful Dead, you must see this film. The only time I felt disappointed was when the movie ended. I could easily have watched two or three more hours of concert footage.

What a terrific bit of insight into an event that until recently, was relatively unknown. In the wake of Woodstock, it was time for the players to have their fun. Some of the most tremendous artists of the 60's all join together to have a mobile party that ran across Canada. The movie includes some amazing footage of Janis Joplin, members of The Band, and a lot of Jerry Garcia and Bob Weir. I was curious where the remainder of the Grateful Dead spent much of their train time, but the footage shown was enlightening enough. From a night with LSD laden whiskey where spirits and the music was VERY high, to onstage performances by many of the groups from the actual concerts, and promoters and band members discussing the concerns about unruly fans and city managers. There was at least one huge aspect to note. For those of you who may appreciate Joplin for who she was and the influence she had but, maybe, aren't huge aficionados of her music, you may gain a new respect. Her onstage presence was clearly electrifying. You could tell that whenever she was belting out her bluesy tones, she had every bit of her heart bleeding out of her entire being. It would be a wondrous day to find that this, plus more and more hours of the footage could be released. I would waste away for an entire day watching and enjoying every tidbit of what was collected.

I was there at the Toronto performance(s). I was inside the venue all the time and never got to see any of the hassle with the cops and the gate crashers. The first time I saw it was in this film. I must say, Altamont it was not.

I was fairly well connected from working on the fringe of the music business in Toronto at the time and I knew some of the people who were on the tour. I would have given my left arm to have been on that train but it wasn't to be.

Let me tell you... this film just comes close - but no cigar - to how it REALLY was like to be there as it happened. The performances were, for the most part, electrifying and I can confidently assure you that the audience(s) had about as good a time as the performers!

I had been exposed to the "California contingent" which was on the tour years earlier in 1967 when I was living in Berkely and hanging out at the Avalon and the Filmore. I got to see the Dead and Janice before anyone had heard of them outside of California. This tour and this film caught them at their best as far as I'm concerned. Janice and the band were KILLER! Her set alone is worth the price of the DVD.

Watching this film was, for me, like going through a time-warp and being transported back to a more carefree time when I was minus wife, kids, mortgage,etc.

Although the production values aren't up to today's Hollywood snuff, considering what the producers had to work with, that they got it this polished is miraculous. I especially liked that the producers rounded up a number of the participants to interview them and get their take on it from over thirty years later.

The only significant down-side from my point of view is that some of the performers who appeared on the tour were not in the film and, in my opinion, their performances were no less worthy of inclusion. Some of the "travelogue" shots in the film could have been dumped to make more room for the music. I suppose that certain rights issues and technical quality issues were a barrier.

Anybody who has a warm spot in their heart for the music, the bands and the ethos of that era MUST add this DVD to their collection.

Before seeing this film, I was a completely novice to The Band, Grateful Dead, Janis. I'm 22, I didn't grow up with this stuff, my only knowledge of The Band is that Scorcese directed a film on their last concert. I have a few hippie friends that endless blathered about the brilliance of Janis, which fell upon my deaf ears. I was expecting Festival Express to be this dull, venture into 70's nostalgia crap and tedious jam band boredom.

Oh...how my opinion has changed. I mean, its nothing like the music I love (90's alternative stuff and electronic stuff) but the performances are so absolutely incredible and passionate. In reality, its a film for musicians more than fans, people that who have, even for a moment, felt the sheer exhilaration of collaborating musically with people and it being perfect! Festival Express feels exactly like that. You see it in their eyes in these performances. Janis may have been.....kind of crazy, but in the track in the film ("cry baby"?) I can completely see her absolute passion for music and her amazing showmanship (or show-womanship). Festival Express is the best example of a completely non-contrived and purely candid look into these bands. Even if they are brief glimmers of their natural selves.

I think the die-hard fans who are criticizing the film are asking too much. If I can wait 30 years after the demise of my favorite bands (Radiohead, Tool, Nine Inch Nails)...to see an amazingly honest and brilliantly shot look into their touring lives, I would be very very grateful, not critical because the damned filmmakers didn't get everything I wanted. The interviews with the performers and particularly the promoter, are fantastic. Not only are they a good dose of humour, but...its so easy to see WHY they are saying this tour was absolutely special and unique and memorable. It's right there on film, this was the pinnacle of that era and that place and that mentality and musicianship that was going on. You have to appreciate what Festival Express showcases. You might not like every bit of music (I didn't) but I can appreciate the total intensity and passion of the performances.