Stay

It would be cruel to reveal anything about the story before seeing this film because most of the enjoyment is learning which path the story will choose.

The film has masterful visual style. At times it appears to be a normal picture until the surreal aspects make themselves known with subtlety. The editing is seamless, almost but not quite confusing, and the callbacks to earlier scenes are never overused.

It is not a spoiler to state that early on Something Isn't Quite Right, and there are story elements that the avid moviegoer will know to be central to the conclusion. However, it's the path that leads to the end that makes the time enjoyable.

Naomi Watts, as usual, is perfect, and Ewan McGregor has again picked one of the scripts that was for the art and not the money. Ryan Gosling is effective, and Jeanine Garafolo's three minutes were eerie. I'm certain that Elizabeth Reaser will be seen again.

Not a perfect movie, but definitely worth the time if you enjoy surrealistic stories.

8/10

While the direction is flawless, the art direction unparalleled, and despite Ewan McGregor providing another breathtaking and engrossing animation of character, the film is, unfortunately, fundamentally flawed. It's story is lazy.

Images will stay in your mind for months afterward. The wall of books, Sam's too short pant legs, the staircase that seems to have been built on its side, the film is nothing short of a breakthrough visually. It never really cuts, it's absolutely seamless from scene to scene. The special effects are truly special. The movie is absolute eye candy, and shot totally unconventionally, breaking the 180 degree rule almost constantly to brilliant affect.

First, how the story works. The way the narrative unfolds, the story itself becomes a kind of character, and a very good one at that. Sam is a wealthy psychiatrist, seemingly beginning to break down, prone to bending the rules of the trade, while Henry, a patient, is undeniably a mess mentally. As a result, we see the events through the eyes of, well we're not sure. Probably one of these two characters. This is the gimmick-going-for-genius-but-fails of the film, the audience is only ever as sure of anything as either of the main characters seem to be. We plunge with them down to the depths of their ever increasing madness. We accompany them on their journey, trying to make sense of an utterly senseless world.

Now, how it doesn't work. The twist is just not tight enough. If you're going to write a story where ultimately nothing happens, then the twist better be brilliant, I mean perfect. Here it is not. While it is interesting and complicated and even good, it pales in comparison to the other components of the film. It fails at any psychological or philosophical profundity, and fails as a rewarding narrative. The story alone, I'd only give 3 stars. So, while I'm unsure just how this movie ever got made based on its story, I am glad that it was. A true treat for the eyes and the imagination.

A quite famous song aside, this movie is quite wicked to say the least. It really needs your full concentration. You need to be there for the whole thing. You can't just watch this while doing something else. Although some might say it's the beginning and end that really matter (no pun intended) - if you miss what happens in between, you are missing out on the whole tale! The thing the director tried to tell you - to spin you right round with (I know another song, I thought while in Rome ..).

The actors involved are superb to say the least which makes me wonder how I never saw this before. It totally escaped me until the other day. I struggled with it too - but it was well worth it to say the least. I did have to check online if I was right with what I was thinking, even if I reckon it is quite obvious ... to a certain extent. Really a movie that messes with you and you may understand or empathize ... well hopefully you do! Cheap tricks and all included.

Have you heard of Stay? If you're here you must have but I'll bet it wasn't too long ago that you found out about it. It's a movie that came out late last year with little fanfare, was dismissed as a poor movie by critics and quickly ushered back out of theaters.

It's a crying shame.

It was a wonderful movie. My favorite type of movies are psychological horror movies. Favorites include: Jacob's Ladder, Mulholland Dr., Donnie Darko, and in a similar realm, Momento and Fight Club. I love seeing a good representation of the human mind on film and that is exactly what this film shows so well.

It's about a college student (Ryan Gosling) who tells his shrink (Ewan McGregor) that he is going to kill himself on the stroke of midnight this Saturday, leaving his shrink to enlist the help of his formerly suicidal girlfriend (Naomi Watts) to figure out why he wants to kill himself and how to stop him, while his world falls apart.

It's directed by Marc Forster of Monster's Ball and Finding Neverland fame. The movie has been called pretentious, shallow, ridiculous, bewildering, absurd, and empty by many reviewers. Personally I think that they didn't have the patience for it and/or were put off by its extravagant visuals and cuts. I thought it was great and deserves much more credit than it has received.

The movie's visual style is very interesting and jarring in a good way. It had me constantly saying to my girlfriend "did you see that?" Full of slight of the hand camera/editing tricks. Nearly everything in the movie is symbolic of other things or ideas in the movie. The acting is very good, especially among the lesser characters. Everything in the movie feels so unreal, but that is serves some purpose even if one couldn't know what it is right away. A second viewing would reveal many new things. In the end much of the movie is left up to interpretation and my girlfriend and I had a good conversation about our ideas on what things meant in the movie. After thinking about it for a day I'm pretty sure that I could explain everything in the movie, even what the hell is up with Ewan McGregor's pants, Why Gosling wanted to commit suicide and the twins and triplets.

It was fun was figuring out what the rest of the movie meant after seeing its end, the solution. The movie is like a code and the end is the decryption key. It differs from other "sixth sense" type surprise ending movies because everything you would see in the movie before the end would not act as a clue to what it all means or what the ending is. It's more like decrypting a diary than a problem with a solution to it.

Basically, any movie buff owes it to themselves to see this movie. I rented it but after seeing it I fully intend to purchase the DVD.

I can understand why the reviews for this run the gamut. It's not the type of flick one is likely to appreciate unless they've experienced vivid dreams that seem real and disjoint; cutting from one incomprehensible scene to the next. I'll admit, this movie had me vexed. I was about to throw in the towel when it suddenly struck me: I've had dreams that flowed as incomprehensible! They made sense to me in the moment, yet they made no sense otherwise. Could it be that in his final moments, in a state of shock, Gosling drew on the faces around him in a fantasy to rationalize the tragedy that just became him?

If that's the Director's intent, then this is a brilliant movie and the reviewers who panned it are at a sad lack of imagination.