Cheongpung myeongwol

Nice movie. At the begining, i thought it's a medieve detective kind hi-fi movie, but the ending totally surprised me. I guess, the whole movie covers too many subjects, each of them can be the main subject,e.g. avenge, friendship, and dream. But it mixed all of them without focusing on any of them. I think, it'd be a great movie if it's built around the ending from the very begining.

Well, SWORD IN THE MOON finally got a DVD release in Korea, and despite the mostly negative responses I've heard to it, and the suspiciously tardy DVD release, I couldn't help but pick it up - any wu xia film is better than most non-wu xia films in my eyes :D Perhaps low expectations were an advantage, because I was quite pleasantly surprised to find the film pretty enjoyable.

An assassin is killing a number of ministers who were involved in a revolution that usurped the throne, and the government's top swordsman is tasked with identifying the culprit. This doesn't take particularly long, but the answer is not one he wanted to hear. Through prolonged flashbacks we learn why, and the history of the swordsman and the assassin, and of the revolution.

The film is typically melodramatic for a Korean film, and resolutely serious in tone - no HK style comedy moments to be found here. The story can be a little difficult to follow at first, but all makes sense eventually. The film goes a bit wobbly at the end, but no worse than a Chang Cheh film might do, and for the most part I found it enjoyable. The production values are high, with some good cinematography to capture it. The fight scenes aren't up to the calibre of the better HK wu xia films, but perhaps they're not meant to be - the fights are more "realistic", in that they're less like choreographed dance routines, but there's some wirework and occasional cgi that put the film in "wu xia" mode. The film doesn't have the best cast, unfortunately, with the leads being a tad lacking in charm and occasionally difficult to distinguish from each other. There's a young lady in the film that I don't think I've seen before, but makes the best impression of any of the principle cast - not just because you see her nekkid... or perhaps it is :p The film lacks the charm and grace of the better HK wu xia films, and perhaps the beauty too, but I only wish HK would make them half this good anymore - TWINS EFFECT 2 does not give me hope that *that's* about to happen any time soon, though Tsui Hark surely still has it in him if he can get the funding and cast. SWORD IN THE MOON is not going to go onto my list of favourite wu xia by any means, but it's a whole heap better than ROMANTIC WARRIORS or LEGEND OF THE EVIL LAKE - perhaps better than BICHUNMOO too, though I did like that film quite a bit more on a second viewing. Obviously it's nowhere near the wonderful MUSA, but it's a different affair altogether really. SITM will probably get a second viewing within three years, which is perhaps the best indicator of how much I liked it :) 7/10

I saw the movie on its North American premiere (July 14, 2004) at the Fantasia Festival. I was slightly disappointed as I had been expecting a more epic, ensemble cast movie along the lines of Musa the Warrior. Instead, the movie concentrated only a much smaller number of characters. Still, the movie was solid, thoughtful and visually intriguing. There were slightly jarring tone shifts from the dominant thoughtful and realistic tone of confused loyalties, intrigue and blood, versus the lighter, more flamboyant, martial arts sequences. It almost seemed as though the filmmakers couldn't make up their minds about whether the movie was supposed to be a martial arts "flick" or a historical epic. The story touches nicely on the issue about the need for loyalty versus the need to adapt to new situations. Is it really worth your life and those of your friends to be loyal to one's master or does there come a time when one must submit to the winds of change? Is there perhaps greater courage in leaving the old ways for new ones? How does one decide? These questions are raised in this movie, and ironically, there is the suggestion that the answer given, may in fact be the wrong one!

Amazing scenes. Great colors. As a fan of Asian movies I accept this one as a promise for more great ones. I can't say this is masterpiece because I am not into the Korean cinema - i saw only two or three movies , but hey don't forget Kim Ki Dook movies - so they are more than 3 :-) Anyway - Im not sure that I understand the final. But I got the idea - the friendship has not a time for existence. This is something that may have or may have not. I give 5 of 10, because of the idea, the costumes, the atmosphere. Although there is too much blood - I say bloodbath. The beginning was promising - I thought that it would be a medieval crime movie - because of the mysterious murders , but the point of the movie was not that kind. It is too deep to consider. May be I'm kind a disappointed because of the end: just like the "Spirited Away" - manga movie... But that does not mean the movie is not great.

I must say: out of all modern korean martial arts movies this one is worth checking out. It wasn't as epic as Musa-The Warriors and didn't develop the characters as well, but it had many nice ideas. Simple story: a elite soldier thought dead, returns after years to end the reign of the Japanese in Korea in medieval days. His counterpart was formerly the best friend he had and now he is out to stop him. The fight scenes are all with sword or different weapons and very entertaining to watch. The motives of the figures are discovered first near to the end. You might need to watch it again to get all the connections right. And me personally...I loved the end. I could watch it over and over again. Maybe a little pathetic, but a real freedom fighter story.... People can be killed, but not the ideas they stand for....