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British TV at its best.

Great cast, especially Adrian Lester who does an amazing job (and on top of that he is gorgeous!)

Look for the "correspondance" with older sting movies. I really loves the references to "The Sting".

Witty plot, beautiful settings, clever lines and many surprises along the story line all combine to make a great show.

American TV can take a lesson or two by studying this show.

And did I mention Adrian Lester ???

Look for it !!!

Tony Jordan was briefly confronted in a low key column of a tabloid newspaper about why there are only 6 of Hustle.

If you are like me and desperately want it on for longer, Jordan claims that he is a Story consultant for Eastenders, writer for Bafta winning drama Spooks, and a writer of Hustle, which means holiday breaks are limited. He just can't find the time. A shame!

Hustle has become one of my most favourite TV dramas of all time. Although the last episode of series 2 seemed to be a slight rip-off of Entrapment, it was probably the best one they ever did! However it does leave the question of how can they top it?

After only two episodes on AMC, this spunky show has already added itself to my must-see TV list. This innovative BBC show, created by Tony Jordan follows the charmingly malevolent capers of five con artists in swanky modern London. The rogues gallery includes Mickey "Bricks" Stone (Adrian Lester), a charming debonair "inside man" who has never missed on a con, with a perfect record of 49 successful jobs, before being jailed on an unrelated charge. Now he's back on the streets and ready to get to work again, calling together the rest of the team. The other team members include Albert Stroller (Robert Vaughn) a charismatic older con man who serves as a mentor to the young group, Ash Morgan (Robert Glenister) the quirky, yet charming technogeek who is to Hustle as "Q" is to James Bond, Stacie Munroe (Jaime Murray) the alluring female component that is necessary for every caper, and newbie Danny Blue (Marc Warren) a sarcastically charming down and out master of the short con who learns of Mickey Stone and his infamous team through a mutual friend. The acting is terrific, and each team member works to make the ensemble a cohesive and chemistry rich whole. Not to mention a jazzy, eclectic atmosphere which exudes a neo-1920s-esque level of cool. With hip jazz infused music, elegant and suave art direction and scripts that crackle with wit, HUSTLE proves to be an enrapturing and entertaining instant hit!

British Television rarely gets any better than this - with the look and feel of a manic collision between Ocean's Eleven, Catch Me If You Can, The Sting and High Fidelity, Hustle is the only show currently worth watching (if you only possess terrestrial TV).

Season One was awesome and season Two appears set to carry the baton at full throttle. Witty, imaginative, engaging; it puts my faith back in British Television. Not only that but the cinematography is inventive, especially the speed ramping and occasional pauses so that characters may talk to camera, or even each other. The cast are excellent - How about a campaign for Adrian Lester as the next James Bond?

In fact, Hustle is so good, I'm going to teach it for Media Studies next year.!

Thank God that AMC saw the light and, in conjunction with the BBC, allowed us "Yanks" to view one of the coolest shows to come on the scene in decades. When AMC initially aired trailers for it two years ago, I intended on checking it out because of Robert Vaughn, a actor that I've admired since his "Man from U.N.C.L.E. days and the sole American in the cast. However, its airing and my schedule could not get "in sync".

It was until this third season that I started watching the show and what a pleasure each and every installment has been. The cast is flawless: Adrian Lester is authoritative and classy as leader "Mickey"; Marc Warren brings the right persona as "Danny," the "eager beaver" neophyte; Vaughn, of course, is perfect as "Albert," the senior grifter of the group; Jaime Murray holds her own as the sole female member of the quintet, providing the sexual allure but equally adept at the art of con; and Robert Glenister's "Ash" is the group's "jack of all trades," the one that stages and sets up the elaborate situations and locations for the respective "stings".

Major kudos must be given to creator Tony Jordan, as well as Bharat Nalluri for providing the idea.

The story lines are enthralling and the occasional "winks" at and asides to the audience are brilliantly executed, adding to the "tongue in cheek" flair of the show.

The cinematography is such that London has never looked better and hipper. The wardrobe budget must be astronomical because each of the principals gets to "dress to the nines."

It's too bad that because the show is an "import," it's not likely to be eligible for Emmy consideration.

It is truly deserving.

For those of us old enough to remember, there was a short-lived American show in the 60's called "The Rogues," starring the stellar cast of Charles Boyer, David Niven, Gig Young, Robert Coote, Gladys Cooper, and a young Larry Hagman.

Not since that show has "conning" been such fun...until "Hustle"