Punto y raya

I cannot however agree that this was a poorly made film. Be prepared for a look at how sad it is when governments use their people to fight wars that feel so pointless. I'm no pacifist, but border disputes should be settled with the assistance of brother countries in the region in question. A Latin-American council should be formed to make cross border fighting a shameful sad memory of what we were before we learned better. It hurts me to the soul to think that even one minute of what this film supposes happens in the border between two brother countries is true. I think the film technique was very effective. The effect is that of memories not so much live action. Like many people my memories and dreams are not vividly colored. How strange it seems to me that people live in areas where the agony of unrest is simply the backdrop to daily activities. There's so much left to do in this world and so few people who are willing to stop the greed long enough to help.

Punto y Raya (Step Forward) went definitively beyond my expectations. It's a very original story, which counts with outstanding performances and has an implicit message about how important friendship and loyalty are during difficult times. Taking place during a (not that far from reality) situation of real tension in the Venezuelan-Colombian border, Punto y Raya makes viewers go into the story, which develops as a drama, with many touches of that typical Latin American kind of humor. The several awards that it's won in different international festivals are very well deserved, and this is a movie which is really worth watching, because it's one of the good productions with the "made in Latin America" stamp.

While the underlying theme and plots of most war movies are similar, this film at least adds the novelty of this rarely shown, but nevertheless, very critical and crucial world conflict.

I (and the film) refer to the drug traffic/coke labs/Maoist rebels/ Venezuelan/Colombian feud. It's a multi faction civil war that is rarely talked about since, of course, the area is neither in Eurasia or North America. But the coke and crack consumers that keep it going are. So, though dozens of films continue to address Bosnia and the ex-Yugoslavia (close to "Europe" and the Middle East), hardly any have been made about this ongoing war which is even more complicated, and ongoing than any other, and closer to many Europeans and North America drug users than anyone wants to recognize.

This film is a light, comedic way of educating those in the "rest of the world" what those around you may contribute to, if not cause, this war and keep it going, fueled by continued consumption of drugs from South America (virtually all, if not all the coke and derivatives, plus marijuana, with a sideline of Ecstasy production, this last drug not native to the area). It is also an interesting take on Venezuelan/Colombian relations along the long, drug, and guerrilla infected border they share.

The film is not at all a sermon about this subject. I personally make it a point in this comment to highlight why the film is so unique, so worth watching. All this, in addition to its being a wonderful, entertaining film, showing human qualities and frailties which can be appreciated anywhere.

Truly exceptional, this film has been a hit at all the festivals it's hit so far. Here in Brazil, it was a hit in Rio in September, and is on the list of the top ten most-voted films at the S. Paulo Festival in October/early November. Highly recommendable!

I don't understand the exaggerated good critics about this film, except that a lot of people from Venezuela are understandably very excited, based on that the Venezuelan cinema is really a bit behind of what other countries are in the region.

The movie first of all is too repetitive, a lot of scenes are almost identical from each of the both leading roles, so you get the impression that it's a time filler. A time filler is also a good point, as this movie is definitely too long with 105 minutes, you will start to get tired after a while and watch on the clock.

All actors are quite bad, by exception of the venezuelan guy Edgar Ramirez, who brings in a bit of slapstick and plays the role of the venezuelan recruit "Pedro".

By the way, this is not a representative movie about the people of the region (caribean zone), it tends to ridicules them.

PUNTO Y RAYA ('A Dot and a Line') is a touching little film from Venezuela, a movie with low budget and high aspirations that manages to explore friendship and bonding between two warring factions in a most sensitive way. Director Elia Schneider and writer Henry Herrera deserve their 2005 Oscar consideration for Best Foreign Film, Venezuela and we can hope this talented team partners for other outings. Shot with a digital camera that bleeds the color to almost black and white, the production values may at first put off the audiences used to either classy black and white movies or richly colored ones, but this slight flaw should not deter the enthusiastic craftsmanship on the part of everyone involved in making this terrific little film.

The film opens and closes with battle scenes, setting the tension that exists along the river that divides Venezuela from Colombia, two countries who not only have the innate political differences but also are involved in the internationally significant war on drugs - primarily cocaine and its many derivatives. Cheito (Roque Valero) is a young small time but smart and wily drug dealer from Caracas who is captured by the police and 'sentenced' to the Venezuelan army to patrol the border of Colombia. He has a beautiful sister Yosmar (Daniela Alvarado) whom he protects like a watchdog. Simultaneously a serious, naive, conservative young Colombian named Pedro (the hunky and very fine Edgar Ramirez), 'saving himself' for his beloved girlfriend Lutecia (Daniela Bascope), volunteers for the Colombian army to combat drugs and fight the guerrillas responsible for the drug trafficking along the border.

Through a continuing series of circumstances Cheito and Pedro are thrown together and it is Cheito's cunning and 'smarts' that keep the two men surviving - though at most time they are personally at odds. Their involvement in the drug cartels they engage and the varying sides of the two armies they dodge result in some hilarious comic bits. In their quieter moments the illiterate Pedro asks Cheito to read his letters from his Lutecia and write return correspondence - a chance for Cheito to voice his warped libidinous nature unknown to the naive Pedro. The two young men bond, survive dangerous situations, and eventually find some quirky changes in their plans for the future. The ending of the film is both sad and tender: by the time the story is over we have taken the two misfit buddies into our hearts.

Both Roque Valero and Edgar Ramirez are strong actors and manage to make credible this complex relationship that vacillates between enemy and comrade. They create a chemistry on screen that makes the movie work very well indeed. Not only is the story an entertaining one, it also gives an insight to the magnitude of the drug problems that cruelly determine lifestyles in South America. While it never preaches, it delivers strong messages for outsiders to consider. And in the end it is a very fine little film that deserves audience wide attention. Grady Harp