The Magical Life of Long Tack Sam

Just saw this film at the 2006 Pacific Rim Film Festival in Santa Cruz, CA, which at this writing has a couple more days to run. Its easily the most captivating offering so far, and structurally one of the most creative.

Filmmaker/director/writer/animator Anne Marie Miller, a great-granddaughter of the subject Long Tack Sam, used her abundant skills and industry contacts to craft a deeply moving portrait of her once-famous vagabond Chinese ancestor, his Austrian wife, and their three children. It shows a family who made the bulk of their living from an international vaudeville circuit, but who were kept on the move as much by international events spanning both World Wars as by their own pleasure in traveling the world. One of the fascinating relics of their lives seems to be a tendency in their descendants to continue to spread far and wide. Indeed, its this mostly-unknown treasure trove of aunts, uncles, cousins, in-laws, and old acquaintances in multiple countries who ultimately provide as much material in collective form as the various museums and associations of magicians Miller also consults.

Long Tack Sam and his magical-acrobatic revue are just one example of entertainers who were very famous in their day, but who somehow have fallen through the cracks of history, even within their own family. Like the estimated 90% of all silent films lost to time and decay, what remains is the more interesting for the glimpse it provides into the early and middle last century. And Sam's story is yet another grand edition to the immigrant history of the U.S. and Canada.

The only negative to all this is the fact no studio has picked this film up for distribution. Its a crime its not on DVD, and a worse one that its not been shown on PBS, nor, apparently, is PBS interested, according to the filmmaker. What the thinking is behind that decision is simply beyond me. Considering that PBS found the peculiar, disturbing, and emotionally distant documentary on the "art" of Henry Darger worth airing at least once, their lack of interest in "The Magical Life of Long Tack Sam" is puzzling.

Bottom line: keep an eye on your local film festival circuit, if you're lucky enough to live where one is held. This is a movie worth seeking out.

The Magical Life of Long Tack Sam is as engaging as watching 90 minutes of disjointed Super-8 home movies of people you've never met, except with none of the cute kids or humor that might redeem the home movies. Consider it The Blair Witch Project without a story and with no acting.

The story relates the filmmaker's progress in documenting the life of her distant grandfather who was a famous vaudeville magician and acrobat. The angle is that, while Long Tack Sam traveled in the same circuit at other vaudeville artists who are globally known, he is unknown - totally forgotten. The filmmaker attempts to flesh out the man and to explore why he is forgotten.

Having seen the movie, I understand why he is forgotten. His story, at least as related in the movie, is wholly unengaging, and the film does him no favors by droning endlessly trying to make him interesting, when in fact, he is totally undistinguishable from the hundreds of other two-bit performers scraping together a living in the early 1900s. There is no filmed footage of his act; so we are meant to appreciate his performance through animation.

The film is painfully uninteresting to watch. I screened it among a film society audience of highly forgiving film lovers, and I believe it was the first film shown in our forum to have had audience members leave, continuously throughout the movie.

One positive note: the film uses a cute technique of animating still photos, but even that novelty wore off after about 5 minutes of it.

I recommend the movie as a non-narcotic solution if you are suffering from insomnia.

Almost a documentary, this is a very well made biography of director Ann Marie Fleming's great grand-father. As a view into a period it enlightens so many disparate historical events; it seems Sam was an global perambulator, sometimes skirting and sometimes being involved in many geopolitical happenings, but always in pursuit of his work and his loves.

The format mix of film, interviews, comic book cutouts and animation holds interest over the hour and a half of run time. We get a strong sense of who this man was, and are only left to wonder why we didn't know more about him already.

In total contrast to the opinion of, Igetheheat, who might be more appropriately named, Philistine, this is a gem of a documentary, that works well on many levels, as you can clearly see from the scores that other viewers have given this film.

First of all it is an interesting story of international romance and history, thoroughly engaging to anyone with a sense of wonder. The film has great charm which is enhanced by the incredible animation of characters in old still photos, as well as some wonderful, delightfully original animation.

Second, the story unfolds, from the point of view of the great granddaughter (Ann Marie Fleming, the filmmaker)as she tracks down the story of the great Long Tack Sam. He is an incredible person, courageous (to runaway to join the Circus and leave his home), ambitious, and obviously very talented (acrobat, and magician).

Third, it brings to focus, an era of vaudeville entertainment, that is no longer with us, so that we can only get a glimpse of what this was like from recreations and documentaries like this. It does this very well with still pictures, animations and interviews with people who remember the past.

You can enjoy this work on many levels because it, for me at least, it succeeds at every level. Bravo!!

PS Added June 2006

For those that enjoyed this movie, you might also enjoy Donna Schatz's documentary "Balancing Acts", which is making the rounds of Public TV in 2006.

This is a qualified 10 out of 10 as the first hour or so of this documentary is great, the last half hour and/or the 90 minute total length started to put me too sleep. I mainly gave it a 10 because I was amazed at the techniques used in this film, fantastic animation, music, great sense of humor, editing and these are things I don't usually notice in a movie. The filmmaker must have had a huge budget to make this film. I hope some day she does a TV series as she is truly an innovator.

I thought the first hour was magical. The filmmaker is an excellent narrator & her narration was great. But after about an hour or so, I started to fall asleep, I think the film maker has the potential to be another "Orson Welles" if she learns pacing and that more is not necessarily better and figures out that an hour of stimulation beats an hour of stimulation & a half hour of boredom.