Easy

I never was into the 'singles scene' nevertheless I was impressed with the realism depicted in this film.

its strongest point is its unpredictability, just like real life.

the lovemaking scenes are important but secondary, fully consistent with the realism in the rest of the film.

romance for 20 and 30 something singles is a veritable minefield and not getting any better. if you want insight into the sacrifices and rewards necessary to survive, starting with genuine loyalty topped off with a huge dollop of FORGIVENESS then watch this film.

and a happy ending to boot. likewise, very plausible.

I agree with all of the glowing reviews posted previously, except I would tine them down a few notches.

This film is well made considering the budget they had to work with. Unfortunately, it really has nothing to say, and so beings to fall apart at the end. It's a pleasant little film, though, and as has been said over and over, Marguerite Moreau is just mesmerizing. Without her this film would be torture to watch, but the camera takes full advantage of both her looks, and the many facets of her personality. -that's what really works here, and the director certainly deserves credit for realizing this and shooting / editing specifically for this.

A nice little "date" movie, with plenty of subtle humor and a few very hot sex scenes. (in a "nice" way) It has the amazing ms Moreau for the guys, and a few "chick flick" touches for the ladies.

Definitely worth seeing, just don't expect it to change your life in any way.

After summarizing this movie in the Summary, I find little else to say except to repeat, to wit, this movie is a slow 97 minutes, but interest never flags, especially if you're hot for Marguerite Moreau, as she's in a large majority of scenes.

The action, as it were, moves forward less on plot than on slice-of-life vignettes while our heroine -- who had a history of poorly-chosen paramours, of men who didn't appreciate her, leaving break-up messages on her phone machine during the opening credits -- copes with the ups and downs of dealing with two who finally do. Watching Moreau's portrayal through these transitions lends a real-life atmosphere to the proceedings, and is the primary delight of this film. All in all, an easy watch.

EASY is not a "chick flick" (though women will definitely identify with the main character) and is not your standard Hollywood romantic comedy. EASY is the film all those Hugh Grant movies aspire to be - smart, funny, sexy, appealing to both sexes, not smug and patronizing.

Jaime (Marguerite Moreau) dates a lot of jerks and it never works out. She's beautiful, interesting, neurotic, and dates in all the wrong ways. Any 20-40-something woman who didn't grow up in a convent will smile and cringe as she identifies with Jaime's struggle to figure out who she is, what she wants and how to get it. She seems to take one step forward and two steps back with her family and friends getting all tangled up in the story (in brilliantly funny ways).

This movie isn't spoon-fed to it's audience with all the glossiness of Hollywood. The sex scenes feel real, with no soundtrack crescendo at the climax (or anti-climax); the characters are sympathetic and interesting; I especially liked Brian F. O'Byrne's performance. Weinstock showed playfulness in writing the overlapping relationships with a tongue-in-cheek humor, ala Shakespeare or modern British comedy.

EASY is a funny, emotional, sexy movie for thinking adults, not the lobotomized masses that can't get enough close-ups of Julia Roberts' smile or Meg Ryan's smirk. It's smarter than other films about contemporary relationships. It's also better acted.

Finally: If you don't fall in love with Marguerite Moreau after seeing this film, you're made of stone.

Much better than previous review would suggest. Charming and quirky rather than insubstantial. Characters not terribly deep but there is enough good dialogue and plot-twists to keep you entertained. Not meant as a deep treatise on relationships but grows on you as it progresses with aspects of the relationships amusingly reminiscent of reality.