Easy

After summarizing this movie in the Summary, I find little else to say except to repeat, to wit, this movie is a slow 97 minutes, but interest never flags, especially if you're hot for Marguerite Moreau, as she's in a large majority of scenes.

The action, as it were, moves forward less on plot than on slice-of-life vignettes while our heroine -- who had a history of poorly-chosen paramours, of men who didn't appreciate her, leaving break-up messages on her phone machine during the opening credits -- copes with the ups and downs of dealing with two who finally do. Watching Moreau's portrayal through these transitions lends a real-life atmosphere to the proceedings, and is the primary delight of this film. All in all, an easy watch.

Jamie Harris (Marguerite Moreau) is a young woman that works giving original names to different products. She has a promiscuous life, with affairs with "Mr. Wrongs", differently of her sister that has a steady relationship with her boyfriend. Jamie misses her mother, who committed suicide when she was a child, and her father blames himself for the death of his wife. When Jamie dates her former professor John (Naveen Andrews), for whom she had a crush, she believes she found her prince charming. Meanwhile she meets Mick (Brian F. O'Byrne), the host of a TV show, and they become friends. When John ends his relationship with Jamie, she decides to begin a celibate for three months, and she becomes closer to Mick. After some wrong decisions, Jamie finally commits with her true love.

"Easy" is a delightful and sexy romance, supported by a delicious and wonderful screenplay and great direction and performances, but mostly by this lovely actress Marguerite Moreau. The witty and sensual character of Jamie Harris is credible because of the magnificent performance of the expressive and gorgeous Marguerite Moreau, and I really felt in love for her. The director Jane Weinstock shows a tight and sensitive direction in her first feature, and I expect to see another work of this promising professional. My vote is eight.

Title (Brazil): "Easy – Sem Compromisso" ("Easy – Without Commitment")

I never was into the 'singles scene' nevertheless I was impressed with the realism depicted in this film.

its strongest point is its unpredictability, just like real life.

the lovemaking scenes are important but secondary, fully consistent with the realism in the rest of the film.

romance for 20 and 30 something singles is a veritable minefield and not getting any better. if you want insight into the sacrifices and rewards necessary to survive, starting with genuine loyalty topped off with a huge dollop of FORGIVENESS then watch this film.

and a happy ending to boot. likewise, very plausible.

I agree with all of the glowing reviews posted previously, except I would tine them down a few notches.

This film is well made considering the budget they had to work with. Unfortunately, it really has nothing to say, and so beings to fall apart at the end. It's a pleasant little film, though, and as has been said over and over, Marguerite Moreau is just mesmerizing. Without her this film would be torture to watch, but the camera takes full advantage of both her looks, and the many facets of her personality. -that's what really works here, and the director certainly deserves credit for realizing this and shooting / editing specifically for this.

A nice little "date" movie, with plenty of subtle humor and a few very hot sex scenes. (in a "nice" way) It has the amazing ms Moreau for the guys, and a few "chick flick" touches for the ladies.

Definitely worth seeing, just don't expect it to change your life in any way.

Miss it, unless you have an awful lot of spare time.

This film is about the love life of "Jamie," who is the title character. Jamie is a 20-something woman who sleeps with every guy in sight. Yup, she's easy all right. She generally seems to be okay with that. However, her random hook-ups just aren't satisfying her of late. She decides to launch into a period of celibacy, just like the main character in the mainstream film "40 Days and 40 Nights." In the mean time, her friends and relatives pair up, get pregnant, and get married in unusual combinations.

While Jamie's wild ways last, this is a cute and fun movie. The characters seem slightly more genuine than usual. Jamie's sex scenes are awfully hot. However, the film quickly looses steam for lack of any sort of real plot. Well, a meandering plot less Indy film is no rarity, but the script then tries to keep us interested by springing "cheap drama" out of every futon in LA. Out of nowhere there are pregnancies, out-of-wedlock births, gay marriages, inter-color marriages, geriatric marriages, etc. Overnight, Jamie is transformed from a free-wheeling free-love adventurer to a sexually delicate and vulnerable shrinking violet.

Perhaps if this film had been made 30 years ago such an unconnected series of events would have seemed interesting for being nonconformist. It might have been taken to indicate some change in society. These days, such relationships are not interesting in their own right.

So, the last half breaks down into a soap opera.