Voyageurs et magiciens

I did not find this film preachy or disappointing. You're seeing a Bhutanese film. What exactly did you expect?? I thought it was hilarious, the characters were fantastic, the story is a classic in any culture. It is particularly poignant, however, in a culture that has so far been largely untouched by the 'advances' of the outside world. The scenery was beautiful, of course, but the shots, the cinematography was also outstanding. The humour was subtle and clever. Having a real story, and a good secondary story, does not make it preachy in my opinion. It's a coming of age story, it's a love story. 'Foreign' does not necessarily mean it's a great film, but in this case, I think it works.

It's a bit simplistic to call this a "road movie", but certainly much of the story follows a group of unlikely Bhutanese travellers hitch-hiking and riding in all manner of vehicles. Interspersed with this theme is a second story of a love triangle in the rugged mountains. Both stories are commentaries about the complexities of life and romance in the Himalayas as western ways take root.

Comparisons will inevitably be drawn with Khyentse Norbu's earlier movie, The Cup, and I have to admit that I preferred The Cup. I'll never forget the youthful exuberance of those monks as the World Cup soccer final approached. And I feel the Buddhist message was a bit more direct in The Cup.

However, the tagline of Travellers and Magicians is "The bitter and sweet of temporary things", and this sounds pretty Buddhist to me. We tend to forget that everything is transitory and grasp at it as if it will exist forever, and this is the cause of our suffering.

And that, kind friends, is the extent of my Buddhist wisdom for today.

Enjoy!

I saw this well over a month ago, and loved it so dearly that I find it hard to review. I've already recommended this to a ton of friends in person, and two have already reported back that they enjoyed it. If you are reading my reviews, and resonating with the films that I've rated highly, I politely urge you to seek out this film.

Indeed, it makes me want to seek out Bhutan. I'm trying to figure out how to get my family there. Travelling there is trickier than one might imagine, as I understand it only so many slots are available, but you pay a one-price-for-your-whole-visit. Amazing.

And this is an amazing film, and easier to experience than Bhutan itself. The director is a lama incarnate, but he's studied at the Pratt Institute. The film is gorgeous, and evidently portends of Norbu's desire to launch a Bhutanese film industry. The scenery is a major star, as we have a road film with not too much traveling. Sweeping vistas keep the people in perspective, and their problems as well. This road movie has plenty of sitting, and story-telling, and in the latter another more ancient road "movie" is unfurled. The cinematography in the latter swirls.

Just see the film...

Also, evidently the actors and actresses here are all amateurs, but so well-cast and so well-coaxed. The forest hermit's wife has a beauty in her way that exceeds the beauty of her form. The winking wisdom of the story-telling monk I suspect mirrors Norbu's own role.

As a "religious" film, "Travelers and Magicians" made a believer out of this agnostic. It doesn't look away or impose illusions when viewing people, their desires and mistakes are embraced. This is a warm film, without ever being smothering.

Imbued with humor and humility, artful in scope and cinescope, this film gets you to contemplate your mores, rather than have someone else's dogmatically driven into you.

You are the journey you must take, make sure to visit Bhutan on your way. Even if only on this screen of dreams.

9/10

In this, his second film, Khyentse Norbu shows how skilled a filmmaker he really is. An ordained lama, he studied independent film-making in New York and here it really pays off. While his first film, The Cup, was a well done portrait of life in Bhutan, Travellers and Magicians is that and much more. Taking his cue from, among other works, the great Ju Dou by Zhang Yimou, Norbu gives us a village official who longs for the excitement and money to be had in America.

Sporting shiny white new athletic shoes, the official makes his way to the main road where he tries to catch a bus to Thimbu, first stop on his journey. But he misses the bus and soon meets up with an interesting assortment of fellow travelers--an old apple seller, a monk, and a farmer with his beautiful daughter. While waiting for the bus--or anyone driving who can give any or all of them a ride--they're entertained by the monk who tells a tale of a young apprentice magician who loses his way in a large forest and comes upon an old man and his much younger wife.

Norbu intercuts the ongoing tale with different legs of the travelers' journey on the seemingly endless road. The editing chops on display here are truly impressive, marking this as the work of a director who really knows how to make a film grab the viewer. We see the young magician lying in bed at night, thinking only of the young wife, and dissolve to the official waking up in the morning, having no doubt thought of the farmer's daughter much of the night.

This is much more than great editing; it gives us strong links between how we live our lives and how we imagine our lives should be lived. The tales we tell, the ones we remember, are those that inform how we feel we should or could do what we're not doing now. It's our memory of another story--what we read long ago, or what someone told us long ago--that gives us the unofficial subconscious laws we live by. That's what Norbu tells us in this great film.

A giant leap forward from The Cup, Travellers and Magicians is a first class cinematic work that should be seen by many.

Highly recommended.

Love versus Lust... All of the actors were chosen from local Bhutanese people. The inner stories are the most fascinating. An inspiration to all. To young people hoping and dreaming for the material world's "gifts". To Westerners who have never imagined or seen the beauty and rich culture of Bhutan. Just be patient, for this movie will lead you on a journey which you could never imagine..... I learned new perspectives about Hope and Love. The stories don't follow the Hollywood model of the acts. But, for me this storytelling method is more like that of the fable, fairytale or morality tale like Eric Roehmer's Morality Tales. For me, this is a much more enriching art form. It's not your typical Hollywood movie, thanks.