The two men embark on parallel, if separate, journeys. Their yearning is a common one--for a better and different life. Dondup, delayed by the timeless pace of his village, is forced to hitc... Read allThe two men embark on parallel, if separate, journeys. Their yearning is a common one--for a better and different life. Dondup, delayed by the timeless pace of his village, is forced to hitchhike through the beautiful wild countryside of Bhutan to reach his goal. He shares the ro... Read allThe two men embark on parallel, if separate, journeys. Their yearning is a common one--for a better and different life. Dondup, delayed by the timeless pace of his village, is forced to hitchhike through the beautiful wild countryside of Bhutan to reach his goal. He shares the road with a monk, an apple seller, a papermaker and his beautiful young daughter, Sonam. Thr... Read all
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- 3 wins & 3 nominations total
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Dondup (Tshewang Dendup) is an important chief officer in a remote village in the Buddhist kingdom of Bhutan, but soon realizes that he can not stay there his whole life and longs to travel to his dreamland called America. He would rather see himself picking apples in the U.S. than live a mundane life in his village. And so he begins his journey, hitchhiking his way closer to his dreamland. On the way he meets a feisty monk (played by a funny Sonam Kinga), an old apple seller, and a paper maker & his young daughter Sonam, whom Dondup slowly begins to grow an attraction for.
During the journey, the monk tells Dondup and the group an old fable that parallel's Dondup's journey and quest for a better, more exciting life. The film then inter-cuts back and forth from Dondup's story to Tashi's story. Tashi (played by the charismatic Lhakpa Dorji) is a restless farm boy studying magic, who dreams of one day leaving his boring village. While having lunch with his younger brother, he unexpectedly embarks on a journey of his own where he meets an old recluse named Agay (Gomchen Penjore) and his beautiful, and much younger, wife Deki (Deki Yangzom). Soon, Tashi falls in love with Deki and soon they begin a secret affair. Here, the film turns almost noirish.
As the monk concludes Tashi's fable, Dondup is left with a dilemma is the grass truly greener on the other side?
This film was the first feature to be made in the Himalayan kingdom of Bhutan and was shot entirely in the Dzongkha dialect, which is the official language of Bhutan. Because few of the cast spoke this new language, most had to be taught by a dialect coach on-set. The cast does a terrific job and the performances are all excellent...all very natural. The standouts in the film are Tshewang Dendup and Lahakpa Dorji, the two protagonists. Though they go on similar journeys, both exemplify different personalities and both actors successfully establish their characters as human...likable yet flawed. My only complaint is that both their characters don't fully come to a full arc, more so for Dondup's character. Though i'm sure Norbu intended the audience to make their own conclusion to Dondup's journey of discovery. I think maybe Norbu created such great, dynamic characters, I didn't want their stories to end. I wanted to continue riding along on their journeys, curious to see what happens next.
The cinematography is stunning and Alan Kozlowski does a wonderful job at contrasting the different looks of Dondup's story and Tashi's cautionary tale. Dondup's world is a natural canvas that showcases the beautiful scenery of the Bhutan landscape. Tashi's world is darker and mystical, shot with dark blues and greens and soft lighting. The final scene at the creek of Tashi's story is absolutely breathtaking.
Highly recommended.
Two men go on a journey. They are both after the same thing - dreaming of a better life. One, unfortunately feels that his better life can be had with another man's wife, and the result is tragic. The other dreams of going to America, where he can make more money picking apples that he can as a Government official in Bhutan.
We all search and dream for a better life, and while we are dreaming, we miss the life that is going on all around us at the moment. We focus so much on what could be, we do not appreciate what is.
Norbu's message is a simple Buddhist one. Live for the moment. This story is a perfect illustration and a joy to see.
Comparisons will inevitably be drawn with Khyentse Norbu's earlier movie, The Cup, and I have to admit that I preferred The Cup. I'll never forget the youthful exuberance of those monks as the World Cup soccer final approached. And I feel the Buddhist message was a bit more direct in The Cup.
However, the tagline of Travellers and Magicians is "The bitter and sweet of temporary things", and this sounds pretty Buddhist to me. We tend to forget that everything is transitory and grasp at it as if it will exist forever, and this is the cause of our suffering.
And that, kind friends, is the extent of my Buddhist wisdom for today.
Enjoy!
Did you know
- TriviaFirst film to be shot in Bhutan, the Himalayan nation/kingdom that was prototype for Horizons perdus (1937).
- Quotes
Dondup: How's the rice paper business?
Sonam's Father: Getting worse every day. These days, people prefer foreign-made paper. It's whiter, smoother, and much cheaper. Making rice paper requires a lot of labor.
- ConnectionsFeatured in Getaway: Episode #15.37 (2006)
- How long is Travelers and Magicians?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Travelers and Magicians
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,800,000 (estimated)
- Gross US & Canada
- $506,793
- Opening weekend US & Canada
- $22,793
- Jan 9, 2005
- Gross worldwide
- $696,253
- Runtime1 hour 48 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1