Bleu d'enfer

The film's first half isn't bad, except for the prologue, which isn't needed. A youthful, photogenic guy with big dreams, accompanied by his photogenic girlfriend, uses a skimpy boat to look for sunken treasure beneath the clear, blue waters off the Bahamas.

The visuals are dazzling, with bright, vivid colors, and some terrific underwater photography that captures images of real sharks and real fish, not fake CGI effects. The plot stays slow, lazy, and realistic. The script then brings in an additional couple, turning the story into a semi-ensemble character setup. As the plot develops, our two photogenic couples find some interesting stuff beneath the waves, which revs up the tension and conflict, and presents characters with moral dilemmas.

But the second half deteriorates into your typical Hollywood assembly-line action flick, with a whole series of super fast edit sequences and silly, totally unrealistic, out-of-control plot points spurred on by peripheral characters that detract enormously from the two couples. Frenetic action, accompanied by irritatingly frenetic background music, ruins the second half, and makes a mockery of the story's premise.

Acting is okay, I guess, given that this is a highly physical film wherein physical attractiveness and agility probably mean more than subtle theatrical skills. If there's a weakness here it's Scott Caan, whose cocky Bryce comes across as a total jerk, with nary a redeeming quality.

"Into The Blue" is very easy to judge. It contains wonderful cinematography, especially the underwater segments. And the strong visuals get support from impressive sound effects. But the story, though it begins well, collapses in the second half. The script is to blame. And yet I can't help but think that the real villain here is some Hollywood producer, typically underestimating the intelligence of viewers, who thinks that the story doesn't really matter if there's enough eye candy and explosive, mind-blowing action.

Paul Walker and Jessica Alba play a struggling young couple living in the Bahamas. Friend Scott Caan shows up with latest girlfriend Ashley Scott, and when the four go diving they find buried treasure. Not only do they find a recent plane crash filled with drugs, but also a long lost pirate ship rumored to contain gold. "Into The Blue" is wonderfully shot, with beautiful scenery of the water and diving, and it's barely dressed actors. The film drifts around for it's first hour or so without too much going on. Most of the movie at first consists of the two couples arguing over what to do with the lost treasure. Caan and Scott, playing the selfish couple want to take the drugs immediately, while the more responsible couple(Walker and Alba) want to go about things the right way by filing a claim. Then the film really picks up at the end leading to a very exciting, and surprisingly violent final half hour.

Four young divers come across a legendary shipwreck that is rumoured to contain millions in gold, but nearby to their lucky find is another more sinister mystery. As rival treasure hunters begin to suspect their discovery, their friendships and loyalties are tested; and they must make haste before they become the hunted along with the treasure.

The story is solid enough, and in truth it was well above my expectations, captivating my interest very early on and remaining suspenseful and intriguing enough throughout the picture. The cast are all good enough, although they were probably chosen as much for their looks as their acting abilities, but who can deny that Jessica Alba and Ashley Scott did add a sexy feel for the male audience, and i guess Paul Walker and Scott Caan did the same for the ladies.

What really made the film for me was the truly fantastic scenery and the underwater camera work; it was flawless and stunningly beautiful in a way that is rarely captured on film, three cheers for the direction and the film crew for that.

7/10

Which is: popcorn. This PG-13 "kiddie-action" gets a solid 6/10 from me. I did have my expectations low but that has nothing to do with the fact that this movie is as solid and tight as Jessica Alba in bikinis! There were more than just a few moments where there was either a twist I didn't see coming or an intense moment that left me thinking "OK, wasn't this supposed to be a PG-13 movie?" On top of those, the overall - checklist looks green: dialog, characters, tempo, photography, editing... All in all, a cut above the rest in its own genre and a "risk-free" choice to rent. Shame it did only 18 million at the box-office because it's as good as "The Fast and the Furious"!

"Into the Blue" (2005) presents a visually stunning escape into a world of sun, sea, and sand, punctuated by the allure of lost treasure and pirate legends. The film's greatest assets are its backdrop and the undeniable on-screen chemistry between its leads. Paul Walker and Jessica Alba bring a considerable amount of beauty and sex appeal to their roles, making their characters more engaging. Their physical presence adds a glossy sheen to the movie, aligning well with its tropical setting and adventurous spirit.

However, despite these positives, the film struggles with several shortcomings. Scott Caan's performance, in particular, feels wooden and uninspired. His attempts at humor often fall flat, diminishing the film's potential for light-hearted charm. Caan's lackluster portrayal contrasts sharply with the more charismatic performances of Walker and Alba, making his role feel like a misstep in an otherwise appealing cast.

The film's plot-a blend of treasure hunting and pirate lore-holds enduring appeal, but "Into the Blue" fails to fully capitalize on its intriguing premise. The narrative is serviceable but lacks depth, leaving the movie feeling more like a missed opportunity than a fully realized adventure.

Overall, while "Into the Blue" offers enough eye candy and a picturesque setting to entertain for a while, its uneven acting and underwhelming execution prevent it from achieving its full potential. A score of 5/10 reflects its mediocrity-an enjoyable visual treat that ultimately falls short in terms of storytelling and character development.