The Visual Bible: The Gospel of John

I loved this movie, and I am actually a Muslim. The fact that the screenplay is so word for word faithful adds alot to the movie. And the acting and directing are fantastic. The film does a wonderful job of making you feel what life was like for Jesus, his disciples, and those he came across. I hope there will be such films made of the other gospels soon.

Henry Ian Cusick does a fantastic job of capturing the kindhearted, casual, loving Jesus any of us would want as our friend. It reminds me of that drawing of Christ laughing!

In some of the older portrayals, Jesus comes off as wooden, isolated and somehow above everyone else. Not here! Jesus smiles at others' limited understandings, but with compassion, as if he wants to teach them something by his very presence.

The best special effect had to be the walking on the water. Beautiful photography throughout - Filmed in and near Malaga in Spain, it does Jerusalem and Israel proud!

Please consider inviting your friends to see this film. It has so much to offer and it gets the point across - Jesus is the Savior of the world!

This film premiered at the Toronto International Film Festival. Amazingly, it avoided all of the mistakes made in most other attempts to tell this story. The Bible's presentation of the story of Jesus is based primarily on four narratives--each stamped with its author's own personality and unique perspective.

Many previous films have sampled more than one of the Biblical narratives on the life of Christ. Also, they needlessly added scenes not found in the original sources. The authors of those screenplays in merely sampling from several sources, lost the unique focus of each respective author and diluted the overall effect of the story.

This film is based on John Goldsmith's screenplay which deftly avoids all the laughably silly cliches of previous film versions. Goldsmith's screenplay is based on only one man's perspective, that of Jesus' disciple John. Many stories with which the viewer is familiar, such as the nativity, are missing from John's gospel and therefore also from this wonderfully complex and yet lucid screenplay. Jesus' words are not here presented as pious platitudes, but occur within a context where Jesus responded to those around him.

The dialogue is solely based on the Good News Bible (also known as Today's English Version) Christopher Plummer very ably supplies the verse by verse narration from the same source. His delivery re-enforces the clarity of what is on the screen. Most of the other actors were not known to me--which I felt helped. (What part could one give to an actor who previously portrayed a drug dealer?)

Jesus is brilliantly portrayed by Henry Ian Cusick as Jesus the man with human emotions, Jesus the visionary resented by the religious establishment of his day. This Jesus did not refer to them for his authority. Cusick, convincingly portrays Jesus the carpenter as a handsome, masculine, very charismatic man. Cusick is very much equal to the task. I spoke very briefly with Cusick after the screening, thanking him for his portrayal of a part that is loaded with hazards--all of which he avoided. I hope we see a great deal more of this fine actor.

The music by Jeff Danna is wonderful--well beyond what I could have hoped for.

One friend of mine at the screening expressed his concern that this film in portraying Jesus' death at the hands of the Jewish establishment might make it vulnerable to accusations of Antisemitism. I reassured him that in its earliest days, Christianity was a sect within Judaism. Almost all the people portrayed in The Gospel of John were Jewish. It was not until the destruction of Jerusalem by the Romans in AD 70 that the Christian sect became predominately Gentile.

Director Philip Saville has done an enviable job directing a project that was fraught with artistic traps.

I hope this film receives very wide distribution. Even Christian conservatives should be very happy with it.

This film was surprisingly very good. Unlike Mel Gibson's "The Passion of Christ" this movie can serve both Christians and non-Christians as a cohesive educational experience. But this isn't a boring, conservative Christian movie. All really good dramas are character-driven and the potrayal/interpretation of Jesus in this movie is so strong that if I were the crying type I very well might have. Jesus is very genuine, compassionate, emotional, yet self-controlled. At first I wasn't quite sold by Henry Ian Cusick's style, but his sincerity was really consistent throughout the movie and I was convinced about 20 minutes into the movie at most. Other users have commented on how they were surprised by Jesus's impatience with the discples or loud tone when speaking to the Pharisees but I have to say, if you've read the Gospels then you should expect Jesus to be demonstrative and uninhibited, as circumstances dictate.

As others have said, this movie is a faithful adaptation of the gospel of John. I thought that having every single word of the book either spoken by characters or narrated was a necessary and intelligent decision to make. To hear the Word allows you to consider the actors & director's interpretation of certain events & verses, and also to simply consider the Word for yourself in a comprehensive manner. After all, how often does one ever read straight through the book of John?

Watching this movie really helps the Christian understand Jesus' incredibly difficult situation. I'm not talking about the crucifiction, but the fact that Jesus as the Son of God is incarnated into a man and has to tell men who he really is. To put it more clearly, imagine if God incarnate stood before you as an average looking human being and said "I am the Son of God." Unless you saw a miracle it you would not be willing to suspend disbelief. I empathized with Jesus when he emphatically said, "I am telling you the truth!" so many times throughout the movie.

In conclusion, this movie is really worth your time to watch. Although it is very long and you may lose focus at times during the middle portion I would still highly recommend it. It isn't perfect but overall it's a fantastic piece of work.

Perfect for an agnostic, Phillip Seville's three-hour transcription of John the apostle's life of Christ eschews the common cliches of glorification found in the Synoptic Gospels of Matthew, Mark, and Luke; makes Christ human; and presents some convincing evidence for His deity at the same time. `The Gospel of John' does not do a Hollywood makeover of anyone in this film in order to prove that Christ was the Son of God (Mary is older and more wrinkled than she should be), therefore satisfying those undecideds who sometimes claim Him an ordinary man and other times suspect He may be divine.

For sure, He is not the charismatic figure of `The Greatest Story Ever Told' or `King of Kings,' but Saville makes the miracles pervasive enough to coax anyone, even an atheist or Jew, to pause and ponder the possibility.

Because so many are awaiting Mel Gibson's controversial life of Christ with its alleged hard line about the responsibility of the Jews for Christ's death, Saville's version may be interesting by comparison. Because both films show Jews responsible for Christ's death, there should be no wasted time debating responsibility when discussing the difference in the films. The ruling Romans, Pilate in particular, share the decision to crucify Him as well (The film's preamble asserts that crucifixion was a Roman practice).

The adaptation by John Goldsmith from the American Bible Society's `Good News Bible' is faithful to that 1996 colloquial Bible. The actors' Shakespearean delivery echoes many of the previous filmed versions that substitute gravitas for good acting. But a skeptic has to be enchanted by the simple message and the selfishness of the Pharisees and Romans, even though they are unwittingly fulfilling `God's purpose.'

Played by Henry Ian Cusick, Christ has no extraordinary physical features and no exceptional oratorical skill beyond his few poignant homilies and epigrammatic philosophy. Don't look for the grand pronouncements of the Sermon on the Mount; in fact, his repetitious `I speak the truth' has the opposite effect of creating disbelief in listeners wary when anyone has to declaim this more than once.

Yet, His presence changes things: The agnostic or the Jew must take note of the `teacher's' humanity--he also happens to raise people from the dead and change water into wine. It's in those miracles, emphasized by the film, that the mystery of Christ as the Son of God demands the attention of even the most unmovable agnostic or atheist.

Christopher Plummer's narration, intoned with a bit too much respect, gets laughable as he describes all too obvious actions when they are happening at the same time on the screen (`Christ stood up.'). This is not Pasolini's witty, sensual `Gospel According to St. Matthew.' It is a faithful rendering of the fourth gospel in understandable idioms with a feisty Christ different from the usual pacifist with backlighting.

After all, we do base our calendar on the year of the Lord, so somewhere we must come to terms with the arguably most influential religious figure in history. `The Gospel of John' is a place to start.