L'amour en vedette

This remake just does not live up the the original. No chemistry between the leads, and I can't remember the last time I've seen cleavage (obviously silicone) that was too high on the female leads chest. And she wasn't even a pleasure to look at. The male lead, what's his name, seemed invisible to me in the role.

Do yourself a great favor and rent the original instead.

It was a made for TV movie, for goodness sake. If I were home alone on a Saturday night, I would really enjoy this movie--what is wrong with a movie simply being entertaining? I haven't seen the original, so maybe that is why you all hate it so much, but as for simple acting jobs, I thought that the little girl has actually really improved her acting skills and was nice and natural, with good comic timing. And Daniels was quite charming. I wasn't as crazy about P.Heaton as I normally am, but I think that that was a product of the way her character was written. And I was glad to see Alan Cumming do something light, too. Anyway, in general, it was enjoyable, and I would recommend it for a no fuss night.

Why did they remake this picture? It was a pleasant enough TV movie if there was not a really excellent original to which it pales in comparison.

Jeff Daniels, usually a favorite of mine, is not cut out for this type of comedy. He is neither funny or sympathetic as Elliot. Patricia Heaton is OK, but there is virtually no chemistry between her and Daniels. The daughter is too cute and wise.

Oddly, a high point in this picture is a cameo by director Richard Benjamin. This production makes one want to go back into the archives and retrieve the Dreyfuss/Mason version to REALLY see the show.

What got me to watch this movie in the first place was seeing Patricia Heaton in something other than Everybody Loves Raymond and to see Jeff Daniels in something a little more serious than Dumb and Dumber.

I won't give away any of the plot, but I will say that the movie was entertaining. Although the speed at which emotions changed back and forth was a little too quick to be believable. Some people also might be turned off by the overly mature NYC 10 year old daughter who at times seems to be more of a sister then a daughter to Heaton's character.

It was a nice film to end the day with.

I loved the original. This remake was just painful. Try though he might Jeff Daniels could not carry off the roll of Elliot with any degree of charm, humor or frenetic energy that Richard Dreyfuss made work so well in the original. Matthew Perry MIGHT have been a better casting choice for Elliot, but it's hard to follow a classic.

And though Patricia Heaton is much easier on the eye than Marsha Mason ever was, she seemed to be phoning in her part as well. Marsha sold the part of a hopeless romantic who'd been dumped one too many times. Patricia seemed to be acting like it was one of her Albertson's commercials.

I really tried to cheer for this remake, but it just didn't hold a candle to the original.