Jean Dominique, the Agronomist

The Agronomist, a documentary film by Johnathon Demme, director of Silence of the Lambs and Philadelphia, was made over the course of a decade in Demme's free time about the Haitian radio journalist. When Dominique was killed, this movie became about a martyr story for the people. Demme does a decent job with the confusing tale, but his documentary style might border on boring if it weren't for the astounding presence of Dominique himself. He is a wildly eccentric man, and very funny to watch, especially with his large white teeth and folding face. But you know while you're watching him that he's also very serious. This is at the same time a political movie and the study of an endlessly interesting man. It is a movie that sides with the Democratic, but to call it a Liberal movie is unfair, since the Democratic interests in Haiti are on a much different scale than those of America. Their interests were freedom, every day life. To them, Clinton was a chance for freedom and democracy, and I respect that. There are wonderful sequences such as when they talk about his love of film and agriculture. He was "an agronomist without any land." This is a moving picture that offers a lot of insight into the Haitian culture, and lets us see it through the eyes of this wonderful little man.

My grade: 8/10

One of the most important films of this era. A life lived with complete integrity and service to his community of the people of Haiti with passion and great courage. Everyone should see this movie and show it to their children as they enter adolescence. Dominigue is a model of courage whose life stood for something greater than his own personal agrandizement. He saw the greatness of each human spirit and brought that forward no matter the cost. Jonathan Demme had to know that Dominique's life was constantly in danger as he made the film and the film was made with the passion that Dominique himself would have sanctioned and in fact must have done so or the film could not have been made. I will own a copy of the DVD when it comes out to show to the young people I work with in the schools in the poorest areas of this New York City.

This is one of the most inspiring documentaries I've ever seen. Jean Dominique's unparalleled quest for freedom really made my day and deepened my enormous respect for such idealists. His trademark smile was an invitation to join his struggle. His gestures, his talk, his manner, show an honest and strong man, who could not be bent. Only bullets could (and did) stop him.

Another extremely touching aspect of his story is the level of bonding they had with his wife. It is such a rarity and such a wonderful thing to happen, that you cannot but feel happy that these two people have met and enjoyed their life together.

As a documentary, it is flawlessly shot. The timing is right, each episode's duration is well calculated, it flows smoothly and it respects its material.

Absolute must-see.

Jonathan Demme's "The Agronomist" is a documentary about Jean Dominique, the Haitian civil rights leader and radio journalist who was gunned down by unknown assassins on April 3, 2000. A passionate believer in a free and open press, Dominique founded Radio Haiti in the early 1960's and became know as the "voice of the people" for over four decades of that nation's turbulent, strife-torn history. Through a succession of coups and counter-coups that seemed to forever rock the country, Dominique remained committed to securing freedom for the citizens of his beloved island nation, even if that meant having to do so as a frequent political exile living in the United States. That his own life ended tragically - as is so often the case when brave individuals step out to try to make the world a better place - is of less importance than that people of goodwill pick up the banner and carry forth his message of social justice and equality for all people. Demme has done just that by putting together this inspiring and thought provoking documentary.

In constructing his film, Demme has chosen to rely primarily on the many interviews Dominique gave over the course of his lifetime. Thus, even though Dominique is dead, we are able to hear his story in his own words, a distinct advantage for those of us who knew little or nothing about the man and what he accomplished prior to our seeing this movie. We learn firsthand of all the dreams and fears, hopes and disappointments that came to define this one individual who truly made a difference in his world. In addition to these interviews, Demme also provides insights from Dominique's supportive wife and family as well as from some of the common folk in Haiti who were inspired by Dominique's vision.

As the movie unfolds, Demme provides us with a well-delineated history of Haiti in the last half century, showing us the political turmoil and human suffering that have, sadly, come to define life in that benighted country. This includes the installation and overthrow of both Duvalier regimes ("Papa Doc" and "Baby Doc"), the election then overthrow of Aristide by the forces of Cedras, then the return to power of Aristide at the hands of an international force led by the United States. The saddest part of the movie comes near the end with the realization that, even with a democratically elected government in place, life has not become appreciably better for the average Haitian, for the violence, suppression and government corruption seem as intense today as at any time in Haiti's past.

Still, despite these many setbacks, Dominique's vision of a world where every person is free to speak his mind without fear continues to flourish in the hearts of men and women everywhere. This film is a tribute to that spirit.

Jean Dominique might have been just another impressionable and hard-working radio personality/journalist in Haiti had it not been for the fact that the country was, and more than likely still is, caught in the quagmire of political unrest and violence always in the air. Because of repression, of military coups, of democracy becoming like something of an inside joke in countries outside of Haiti (the US saying they would give aid on one hand while on the other the CIA making sure the military dictators stood in reign), Dominique had no choice as a voice of reason for some semblance of order to reach the people. Free speech is a big theme running throughout The Agonomist, probably the most politically charged film Jonathan Demme has ever made (and second only to Philadelphia, for its time period, as being the most timely), as the independently run Haiti radio station becomes like a battered wife, sustaining lots of bullet-holes on its exterior, occasionally with some of its workers being thrown in jail or the equipment being destroyed, depending on who's suddenly taken control of the country.

So that's one side that makes the film compelling, is the whole facet of the power of some voice reaching the people, of ideas being stirred by more than just simplistic entertainment as opposed to the run-of-the-mill tactics of the Haitian government(s) at their worst, which is to keep them shut out and afraid. You can tell the bitterness through Dominique's dark sarcasm interviewed while in quasi-exile in the early 90s. But there's another side to Dominique's saga that makes him such an important figure, and such a worthy subject for Demme, which is that before free speech can even really be seen as something permanent there has to be stability, some real sense of hope, that there can be trust in those in power to not be like rough-and-tough Stalinists and give the people a real say. One sees however, and this is what adds to its timeliness given the state of Iraq, is the fragility of democracy in a country where power by militaristic means is the easy route. Aristide is, for quite a few years, seen as a figure-head of peace and leadership, and one of the key struggles was his reinstatement in the country as the president.

But then one sees little by little the cracks showing (there's a great scene with an audio interview with Dominique asking tough questions to Aristide), corruption within the folds of the government, and soon enough it starts all over again- with harsher results for Dominique, who continued to stand up against just as sinister (if not more insidious) a threat than militaristic dominance: corporations. Demme's approach to telling this story is important because he keeps Dominique as such a smart, amusing but critical force in his interview segments that the storytelling has to come back around to him, as someone who is an outsider to the social unrest but embedded in giving some spirit through his speech. In a sense it's a very bleak film, where there is no answer given to what will come of the Haitian people, the peasants who have tried to flee the country, or are beaten down or killed, or who sometimes do revolt, and there's still no way to know if there can be democracy.

Yet it is positive- and thanks to Wyclef Jean's surprising score energetic- about the possibilities of charging up a national consciousness; without Dominique and radio Haiti when it was on it is questionable whether or not it would've made a difference as far as historical changes to the infrastructure, yet there was a presence, some kind of critic ala philosophers in Greece who could say 'hold on, what the hell is going on?' It's absorbing documentary film-making all the way.