Haughty, recently-widowed Margery Heywood and her cleaner Gladys Gladwell go on the run after mistakenly believing that they have killed a teenage burglar, holding up a post office for Glady... Read allHaughty, recently-widowed Margery Heywood and her cleaner Gladys Gladwell go on the run after mistakenly believing that they have killed a teenage burglar, holding up a post office for Gladys' money, and giving petty crook Terry Mason a lift, they are pursued by the police. Their... Read allHaughty, recently-widowed Margery Heywood and her cleaner Gladys Gladwell go on the run after mistakenly believing that they have killed a teenage burglar, holding up a post office for Gladys' money, and giving petty crook Terry Mason a lift, they are pursued by the police. Their uneasy alliance is made uneasier when Margery learns that her late husband Eric had a 20-... Read all
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Screenwriters Flanagan and McCulloch combined the Tony Martin incident with another real-life news item about two elderly ladies who committed a series of minor robberies across England, incurring bills at hotels and petrol stations and then bunking without paying. The British tabloid press called these women "Hell's Grannies" (after a Monty Python sketch). In this case, Hell's Grannies plus the Tony Martin affair equal hilarity.
The chief appeal of 'Margery and Gladys' is the first-ever teaming of two actresses who have been beloved mainstays on Britain's television screens for many years. Penelope Keith (classy as ever) has played society matrons and snobbish beldames in several long-running sitcoms. (In real life, Penelope Keith recently spent a year as the ceremonial High Sheriff of Surrey!) June Brown has had a long stint as chain-smoking whinger Dot Cotton on 'EastEnders': unlike Ms Keith, in real life June Brown *is* a great deal like her most well-known role.
Ms Keith plays Margery, a tetchy suburban matron -- recently widowed -- who attends a Neighbourhood Watch meeting that leaves her paranoid about burglars. Ms Brown plays Gladys, Margery's cleaning lady. The two women are an odd couple with (they think) little in common, until an intruder enters Margery's house and she coshes him (from behind) with her Waterford crystal vase. Believing that Margery has killed him, both women recall the Tony Martin case and they now realise that they can be charged with murder! Naturally, they must now go on the lam, as fugitives.
'Margery and Gladys' is (among other things) an intentional parody of 'Thelma and Louise', with two unlikely matrons as female outlaws. Instead of Texas highways, their getaway takes Margery and Gladys across the secondary B-roads of the Midlands, en route to sanctuary in (wait for it) Milton Keynes. There are some bizarre incidents, as the two women must commit other crimes to obtain funds and medications.
This TV film is quite funny, although it's a gentle character-driven humour of a typically British variety that doesn't play well in the rest of the world. The interplay between these two veteran actresses is delightful ... especially as they learn they have more in common than they'd suspected. Unfortunately, towards the end the dialogue gets all 'meaningful' in a manner more typical of American TV scripts. I laughed throughout 'Margery and Gladys', and I rate this TV movie 7 out of 10.
Furthermore I find British TV-films a lot better than American. I read a review comparing this to Thelma and Louise, but I must say that I find T&L a lot more entertaining than this. This film has its moments; I like the leads, but the film tries too hard: The tempo is too high. The basic idea about the odd-couple is well-proved, but a bit trite. The plot (what gets them on the move) is outright implausible, but the neighbourwatch-theme is quite good, I think.
This film reminds me of a Simpsons episode, when Marge is at a book-club meeting with Helen Fielding. Marge tells her, that she hasn't actually read Bridget Jones' diary, HF replies that it's perfectly OK, as long as they all bought a copy, then leaps out the door in a wild police chase (on foot) in fast-motion accompanied by the music from Benny Hills ditto chases.
Not that I find British humour inferior.
Wealthy housewife Margery and her rough-diamond cleaner, Gladys, disturb a burglar, knock him unconscious in self-protection, then panic and leave him for dead. But, unknown to them, he survives and escapes. Believing themselves unintentional killers, the two flee in Gladys's old wreck of a car, commencing a journey of comedic misunderstandings in which these two very different ladies embark on a shared voyage of self-discovery. The two take to the open road and a fugitive lifestyle like ducks to water. However, with money short and Gladys needing medication, the duo is forced into a surprisingly full-blown crime spree, proving more than a match for an unlikely pair of policemen, Detective Inspector Woolley and Detective Sergeant Stringer.
P.K. and J.B. worked their 'unlikely ladies double act' off perfectly, with Penelope's slightly snobbish employer of June's cleaner character. Going around the country accidentally avoiding the police and leaving a trail of crimes when they were innocent of any crimes to start with.
A funny ITV comedy-drama (I normally hate ITV dramas - heartbeat etc..) that I would love to see again, or more unlikely partnerships perhaps?
8/10
Did you know
- TriviaMargery and Gladys (2003) is a one-off television drama film, first broadcast on 21 September 2003. Starring Penelope Keith and June Brown as the title characters, it was produced by Carlton Television for ITV and directed by Geoffrey Sax. Upon first broadcast, it was watched by a total of 7.91 million viewers.
- GoofsWhen Margery wakes up in the car, she can be seen wearing contact lenses. In previous and later scenes, she can be seen occasionally wearing glasses.
- Crazy creditsThe George Formby impersonators in Blackpool sing Formby's hit "Leaning on a Lamp Post" several times and also during the closing credits along with his "My Little Stick of Blackpool Rock." Although Penelope Keith mentions "the George Formbys," his soundtracks are not used and he gets no screen credit.
- ConnectionsReferenced in Comedy Connections: To the Manor Born (2006)