Yakuza Demon

Takashi Miike has mostly made a career out of taking genre films and subverting them, by skewing, lampooning, exaggerating or thwarting their conventions. A goodly number of these films have been takes on the Yakuza genre, with the most famous being DEAD OR ALIVE - a punk rock Yakuza film that seems to pour scorn on the derivative nature of the genre. With KIKOKU he perhaps delivers the ultimate twist, by taking a story pretty similar to DEAD OR ALIVE (or DEADLY OUTLAW REKKA) and... filming it straight. Where his earlier films find new ways to approach their genre, or new stylistic techniques, KIKOKU plays pretty much like you'd expect any Yakuza film to do. The patented "Miike moments" are almost wholly absent. Is this a post-modern mockery, a parody of his own style, or could he just not be bothered anymore? Riki Takeuchi, man of 1000 grimaces, plays a Yakuza foot-soldier in a small gang, whose loyalty to his boss leads him to go on a seemingly suicidal mission of vengeance against a much larger rival gang. His initial successes cause such a commotion that his own group disown him & his boss to make peace, so then he is trapped in the middle of the two sides. Yes, it's a familiar tale :) Tom Mes suggests in the film notes that KIKOKU may be Miike's way of saying "goodbye" to the Yakuza genre... perhaps he's mined it as deep as it can go, and wants to move on to fresher things, so as his way of achieving closure he decided to make one last Yakuza film but do it in a respectful way. I don't know if there's any truth - his next film was GOZU after all, which is a Yakuza film at heart, but twisted into possibly the strangest form Miike has given it yet. Since then we've had a couple of horror films (the dire ONE MISSED CALL and his segment of THREE: EXTREMES), a Tokkusatsu film (ZEBRAMAN) and the bizarre sounding IZO which I'm really anticipating. But somehow I doubt Miike will be staying away from his Yakuza roots for all that long - I just hope his next Yakuza film is more creative than this one.

5/10

Yakuza Demon is probably Takashi Miike most normal movie ever made. No sudden, bizarre $#!+. No necrophilia. No butt sex. Just a normal everyday Yakuza movie. Wowsers! So is it good? Yup. Riki was awesome as usual, the action was bloody and fun and the story was well told but not really anything special. I liked Yakuza Demon but it is far from Miike's best because it doesn't have his signature weird ass crap so blow me.

Yakuza films is a tradition in the japanese crime film history, you can't deal without it. This one directed by Miike Takashi is surprisingly less weird, less crazy than the other movies from this director. I could prefer the old Kinji Fukasaku - or simply the seventies films - because the tone, style, acting, is quite different. However the result is above average. Good, strong performances...Excellent ending. I have always liked this film, bleak, gritty, a good paced action crime yarn. Don't look for something too surprising in terms of story telling, it remains rather predictable. Some poignant scenes, however.

Underrated Yakuza Flick from Miiiiiike!

It might not have the production values or flash bs that some crime movies have but this is so well done. The atmosphere, the acting, the directing, all wonderfully game. If you like gangster flicks or movies from Japan check this one out, it doesn't get enough love!

Those who criticize this as a minor Miike films are missing the point of this film. This film should not be compared to the DEAD OR ALIVE films, ICHI THE KILLER or FUDOH or any of the hyper manga-style Miike film. Instead, KIKOKU draws from Miike's grittier, melancholic, more classic crime dramas like RAINY DOG, LEY LINES and BLUES HARP. In my opinion, Miike does this kind of film as well or better than the ones he best known for. These films are the ones that put Miike in the league with Kinji Fukasaku and possibly above Beat Takeshi -- and not really the manga ones.

I like this kind of film because it is so pure -- so classic in its crime fatalism -- like a great American noir of the late 40s or 50s or a great French gangster flick from the 30s. Like the other films mentioned above, at the heart of this film is an unlikely love story which makes up the eye of the deadly hurricane that is Miike's take on the violent Yakuza underworld. On the surface the plot is very similar to DEADLY OUTLAW REKKA, but while DOR is fast and fun, KIKOKU is the doomed, tragic version of that film. It's a more serious film that should be taken seriously as one of Miike's best -- and one of Riki Takeuchi's best as well.