Closer, entre adultes consentants

What an amazing concept. A story that perfectly captures the emotions that we feel when involved in a love spat. The complete desire and need for another person, wanting to hold them close to you, while at the same point in time the mere vision of seeing that person and hearing their voice sends you into utter misery and you feel repulsed by them. Jude Law is masterful in his role, and he is matched equally by the performances of Clive Owen, Natalie Portman and Julia Roberts. A brilliant movie with many mixed emotions. As soon as you think, okay, this is where they live happily ever after, another twisting tale occurs. This is as real as it gets folks. Definitely one worth purchasing when it hits DVD, apart from that, watch it on big screen and you will be amazed at how you relate to this master piece.

This movie is a big game of narcissistic people who treat each other as puppets. There is no love, no truth, no good. In the beginning we all try to find a hero in the story, someone to sympathize with only to realize what we have is a bunch of mentally ill people making themselves suffer. Dan (Jude Law) is just a big kid longing for attention and a new toy, which he only cares for about 5 mins. Anna (Julia Roberts) is also desperate for attention and love since her ex left her for a younger girl. She is confused and unreasonable, her ego makes all the decisions instead of her mind. Larry (Clive Owen) is an agressive jerk, playing along Dan's little game, while Alice is just a naive, traumatized, young girl who falls in love and decides to avoid all the red flags and becomes part of this sick 4 some. Brilliant movie. Honestly not the ending what I hoped for tho (I just wanted all 4 of them together in a room while Slim Pickens rides the atom bomb there).

Mike Nichols directed, in my opinion, one of the three best adaptations from stage to screen. "Who's afraid of Virginia Woolf" (The other two being Sidney Lumet's "Long day's journey into night" and Elia Kazan's "A Streetcar named Desire) After the extraordinary television adaptation of "Angels in America" I also would have pleaded with Mike Nichols to do "Closer" Sorry I'm rambling. What I'm trying to say in a rather convoluted way is, simply, thank you Mr. Nichols. Adult themes, conceived and performed by adult artists. I hope it makes zillions of dollars so we can have more of it. Jude Law is a Peter O'Toole without the steroids, Julia Roberts a Jeanne Moreau with an American passport, Clive Owen is a child of John Garfield and Peter Finch and Natalie Portman a Jean Peters with a college degree. I saw the film twice in a row, I hadn't done that in years. Not since "Drugstore Cowboy", "Apartment Zero" and "Sex Lies and Videotape" The unfolding of the dark happens in front of our eyes and it feels chillingly familiar. Lies we tell each other with so much conviction with so much honesty. The only real thing is the pain and the loneliness. It doesn't sound like a very entertaining night out but believe me, it is. Go, see for yourself. You may have to confront something you didn't want to confront. That's part of the process call growing up. Who's afraid of that?

Because Closer is, in a way, like sneaking a peek behind the closed doors of people we know, or more so, like looking in a mirror when we are at our most base and humanly human, some people seem to be viscerally turned off by it, as is apparent by a few of its more negative reviews.

To me, the very fact that it opens the door to such "voyeurism", if you will, is part of its deep emotional appeal.

Who among us can say we have never been tempted to be lured away from what we believe is love, by what we momentarily believe to be love? In closer, however these moments go beyond temptation, into lies, deceit, infidelity, misery, painful truths, abandonment, tears and suffering. "Love", in Closer, is shown to be against everything we've been taught to believe it should be, such as: honest/truthful, enduring, constant ... and faithful.

In short, it is a rabidly anti-romantic film, where, unbelievably, somewhere within each of these broken, self-serving, selfish, emotionally-underdeveloped people, brilliantly played by Jude Law, Julia Roberts, Clive Ovens and Natalie Portman, we find beauty, and in the end, a deep satisfaction upon seeing that love of self can lead to release and rebirth.

It had been a while since I watched this, and I am happy to say that I loved it this time around as much as the first time I laid eyes on it. And isn't that the mark of real love? That it endures?

Closer, is one of my favorite films.

9.5

Dan (Jude Law), an obituary writer, falls for stripper Alice (Natalie Portman) who is new in London. Later Dan writes a book about Alice, and meets photographer Anna (Julia Roberts). Alice knows she's losing Dan. Dan tricks dermatologist Larry (Clive Owen) on an internet chat, and Larry meets Anna. Larry marries Anna but the wander eye strikes again.

Director Mike Nichols is going minimalist with Patrick Marber's play. This is a movie with four incredible performances. Clive Owen is brutal. Natalie Portman is hurt. Jude Law is childish. Julia Roberts is wonderful. They are doing some of their best work here. Don't come for a rom-com. This is emotionally vicious, damaged, pathetic human relationships.